MOBILYS

00:15:753 - same with #3997927

00:16:567 (16567|2,16983|1) - Apply in this diff and top diff too #4333759

00:27:817 - to 00:31:150 - I would nerf the 1/4 here and not add it until the 1/4 kicks come in. So basically from 00:27:817 - to 00:29:483 - it can be 1/1 doubles with 1/2 singles, maybe some 1/4 triplets for the more prominent synths, then at 00:29:483 - make all the doubles 1/2. Basically this:

00:29:796 - 00:30:629 - Think you can add notes on the 1/4 here to continue the 1/4 triplet rhythm from earlier

00:31:150 (31150|2,31254|1,31358|2,31462|0,31567|1,31671|0) - since you have streaming for col23 col12 you could have col34 streaming at 00:31:775 (31775|2,31879|1,31983|2) - :

did some pattern changes also

00:31:587 - add a note in the column 2 for snare emphasis

00:37:732 (37732|1,37732|0,37941|3,37941|2,38253|1,38253|0,38566|3,38566|2,38774|1,38774|0) - faces sort of a similar stale issue as #4025699
but in this case 00:38:253 (38253|0,38253|1,38566|3,38566|2,38774|0,38774|1) - could be spread out into two hands like this

00:40:753 (40753|3,40857|0,40962|2,41066|1,41170|2,41170|3)
this pattern is too similar with the top diff, buff the top or simplify in the Hard for a better difficulty spread

00:45:212 (45212|2,45212|0,45317|1,45421|3,45421|2,45525|1,45629|0,45733|2,45733|3,45837|0,45942|1,45942|2,46046|3) - Maybe try some trills here, the jumpstream gets a little too dense for players I think

00:58:233 (58233|0,58233|1,58337|2,58442|3,58546|1,58546|2,58650|0,58754|3,58858|0,58858|1,58962|3,59067|1,59171|2,59171|3) - Can be similarly applied here too

00:46:691 (46691|3,47107|0,47420|3,47524|0) - remove ghost notes and focus in the foreground synth instead of the background one here

00:51:587 (51587|0,51795|0,51899|3,52107|3,52212|0,52420|0,52524|3,52732|3) -
00:53:253 (53253|2,53253|3,53357|1,53462|3,53566|0,53670|2,53774|0,53878|3,53982|1,54087|3,54191|0,54295|2,54399|0) - the anchors should be more accurate to the repeating rhythm that occurs on each beat, not blue/red line
example fix

00:59:503 (59503|3,59503|0,59607|1,59712|2,59816|3,59920|2,60024|1,60128|0,60232|1,60337|2,60441|3,60545|2,60649|1,60753|0,60857|1,60962|2,61066|3) -
instead of trying to represent the slowdown, you can simplify this pattern to focus on the 1/3 piano and kicks the way you did in normal diff

01:00:400 (60400|0,60400|1,60483|2,60483|3) - Should be 1/4, fix in top diff if it isn't already 1/4

01:02:087 (62087|1) - 01:03:754 (63754|0) - 01:05:421 (65421|1) - 01:06:254 (66254|1) - 01:07:087 (67087|3) - 01:08:754 (68754|3) - 01:10:421 (70421|1) - 01:12:087 (72087|0) - Think it may be better to remove the 1/4 after each piano note and add back 1/4 notes everywhere else, this will give more emphasis to the piano and is more natural with the rhythm imo

01:05:733 - 02:24:067 - 02:25:733 - 02:26:983 - Make double for pianos?

01:10:753 - Double ?

01:14:503 (74503|3,74607|2,74712|1)
I suggest removing those notes to create a emphasis on the next notes by using a small break in rhythm.

01:29:900 (89900|2) - Should be split into 2 1/2 LNs

01:30:337 (90337|1) - different from Normal, choose one to unify (i think normal is better)

01:32:420 (92420|2) - maybe spilt to two 1/2 LN is better

these lns can be moved for better pitch relevancy
01:42:837 (102837|3) - can be moved to col 3
01:47:003 (107003|0) - to col 3
01:47:837 (107837|2,108045|1,108878|1,109503|1) - ctrl + h
01:54:503 (114503|0,114503|3) - ctrl + h

01:45:733 (105733|0) - Col 4 better, col 1 is a little awkward with the LN in 2

02:01:170 (121170|3,121170|2)
02:02:837 (122837|3,122837|0)
02:14:503 (134503|2,134503|1)
02:16:170 (136170|2,136170|3)
hand for add emphasis on the crash sounds.

02:01:587 - missing LN

02:03:025 (123025|2,123233|2) - the jacks here could be cancelled to emphasize jacks like 02:00:733 (120733|1,120942|1) - which is for successive piano

02:05:629 - 02:18:962 - Make double for kick? Won't be too hard if it's [12][34]

i feel 02:06:775 (126775|3,126983|3,127192|3) - unnecessary and unique here. you could just move 02:07:192 (127192|3) - to col2

02:12:837 - can change one into a 1/2 LN

02:19:503 - for this little snippet i suggest taking the same idea from top diff and represent those little bass notes, and buff the same section of top diff by representing those violin melodies instead

02:27:712 (147712|2,147817|3,147817|0) - flip emphasis so double is on 02:27:712 - and single on 02:27:817 - ?

02:28:025 (148025|2,148233|0,148546|2,148858|1,149171|1) - Could be neat to put these all in the same column to represent the 3/4 kicks like this