I suggest moving 00:19:374 -> 00:19:212 and changing the pattern a bit (maybe a ddk or something else you'd like). I see that you're avoiding the 5plet here which is good but it would be nicer if it the chain started as x x xxx x instead of x x x xxx because you've been mapping x x xxx at the start of all your previous chains. Sound-wise it doesn't matter that much but it's nice for the player to keep it consistent.
00:32:914 (125,126,127,128) / 00:38:104 (154,155,156,157) - wanna ctrl+g these? feels a bit odd since youve always mapped over drums so having a triplet mapped over a 1/2 gap feels kinda odd
I really like the structure on 00:38:914 so I would recommend to also apply it to your previous chains. It would also be cool for consistency. So for example you could move 00:31:698 -> 00:31:374, 00:33:158 -> 00:32:996, 00:35:104 -> 00:34:942 etc (ofcourse you can change the patterns if you do this). Like this you can consistently create that x x x xxx x x structure you're using on 00:38:914 which sounds a bit better than x x x x xxx x imo.
I think I will not change them bcs everytime on this part where I used a triplet it was on the most intense sound of the vocals. It feels a bit off if I change it and I think it is still fine
should probably move 00:47:509 (203) - 1/2 later to 00:47:671 - for the clap as you map the same claps in the next triplet, plays kind of odd in the sense you dont map all of the sound you focus on when it's much more intuitive
I think you could create a pretty cool break on 00:49:942 and similar parts like that throughout the song. I recommend you keep 00:49:942, move 00:50:104 -> 00:50:185, delete 00:50:266 and then also delete 00:50:590. Like this you're putting extra emphasis on the offbeat note while also giving the player time to prepare for the d kkddk! I recommend making every sound like that like this. So for example you can change 00:55:131: move 00:55:455 -> 00:55:374, delete 00:55:779 and 00:55:860, then make a 5plet on 00:56:104 like you did earlier. So I recommend you to keep following that structure on those parts of the song to keep it consistent.
I don't really see why you wouldn't move 00:55:455 -> 00:55:374 aswell (perhaps you forgot this one or something but I think not since you said you applied that to every kiai except the 1st one). Would be a bit silly to not do it in the 1st kiai since it will just get inconsistent if you don't apply it there but you do it in the other kiais.
02:03:077 (695) - if you want to do the xxx and xxxxx thing instead of the 3/4 thing you should do it consistently imo and just not listen to my 3/4 stuff, would be better to just stick to one of them (both are right so it's fine either but it's better if you stay consistent with it). Also map the xxx on 02:03:077 if u wanna pick that option!
How about you do https://boaz.s-ul.eu/J5G4DBqP? Would give you best of both worlds: emphasis on the breakcore stuff but also mapping the 3/4.