pick better diff name (ive watched the anime, try Retribution or Salvation maybe, fits the edgy tone u desire and fits the anime cuz i watched
the 3/4 usage is kinda sugma, its all over the place and seems very random when played. theres even clear 1/2 durin thats disrepected even tho i think the diff has too many objects (eg 00:08:704 (4,1,2) -, 00:12:817 (1,2,3) - not only that, but the choice of makin it 5% is terrible to play for catch
overall just kinda overused. not much to say, it should add a light touch but not become an overwhelmin element theres other ways to elevate the sr or w/e to make it hard to play yet satisfying
00:16:446 (3,1) - and alike are fair and i think it helps creatin a diff that tries to maximise such at this bpm and emphasises things
tho 00:17:656 (1,2,3) - idk what this is, cuz 00:18:140 (3,4,5) - is nothingburger in comparison (slow down to follow sound if necessary)
00:22:978 (3,4,1) - 3,4 is ok cuz big ass trumpet but i dont feel anythin cuz both are 1/4 hdash so its mediocre to play or 4,1 would be ok cuz it new section (24:0 is nightcore cymbal as well, typically songs are in 4:0 structure) but ur cloudin what u focus with this or jus generalizing so neither get emphasised type deal
like in general its just there to be... there, not to be rude but its overused instead of bein a gentle touch to emphasise further
o and also like kiai doesnt rly have it yk, except for 01:00:237 (1,2,3,4,1) - and 01:15:720 (1,2,1,2,1,2,1) - which dont rly emphasise much cuz its all 3/4
Please let me keep this Diff name i think it's awesome and funny
i used 1/4 at places where i couldnt use a 1/2 for a hyperdash like 00:16:567 having no distinct sound to have a hyperdash for emphasize on 00:16:688. i used 5% volume because there is also no distinct sound on the blue tick. i still want to emphasize the intense trumpet sound at 00:16:688 which is why i did it this way.
this applies to all the other 1/4 5% volume occasions as well.
still not sure what you mean with the nightcore point you made...
00:35:075 - 00:49:591 - overmapped, doesnt need to be 1/2 perma (00:37:978 (1,2,3,4,5,6,7,8) -, 00:48:745 (2,3,4,5) - )
i liked 00:36:043 (1,2,3,4,5,6,7,8) - tho cuz of the guitar but sometimes less is more