right now 00:16:821 (1) & 00:26:127 (2,3) - this is mapped actively on vocal i suppose and this 00:17:238 (2,3) - is mapped passively on the instrumental layer which imo is causing an emphasis issue.
I first noticed this when sightreading the map because i didn't know which layer you chose to map here, so id suggest mapping this more actively, there is many possibilities on how to (look at the other gds, especially drunk texts hat the same idea imo)
ps. you can map on both layers here, just make them active so you can differentiate when playing
00:44:599 (1,2,3,1,2,3,1,2,3,1,2,3,1,2,1,2) vs 02:17:932 (1,2,3,1,2,3,1,2,3,1,2,3,1,2)
i feel like the ending jumps of the song have less intensity than the last pattern of the first kiai, due to spacing and axis,
thus creating a contrast issue; id suggest making the pattern on 02:17:932 more intense by higher spacing and sharper change of movement before the last pattern
"sharper change of movement" by that i meant insteead of this 02:17:655 (7) - note folowing into the jumps you could change the anchorpoints like this: to create more movement impact and creating more emphasis on final jumps
dude this is sick, 01:44:321 (1) → 02:02:377 (5) love this part