what the fuck

you use new combos on the last note of a pattern extremely often, i suggest moving these NCs 1 note forward (so NCing the next note instead) as player changes at the end of a pattern are much harder to read than the start of a new pattern and this map is already quite difficult to read. there are NCs in this map that land on 1/2 singletaps that would usually be fine, but if you apply this, i'd also suggest moving the 1/2 ones one note forward for consistency because you'll end up with a huge amount of player switches right after barlines and the ones on barlines might feel weird.

some examples:
00:16:400 (1) - player switches at the end of a pattern, i suggest switching player at 00:16:558 (2) - instead
things like 00:21:452 (1) - are especially hard to read with player changes at the end of 1/6 bursts, these at least should 100% be moved forward
00:26:505 (1) - is fine right now, but if you change every 1/4 and 1/6 NC, it'll feel out of place, so if you apply this, should move things like this 1 note forward too

brutal sv

• 01:06:926 ~ 01:17:031 - is really weird because you want to try to reset the sv every second white tick but the issue is that you don't have a kick there always which makes it completely off. Just for an example you have a kick - 01:07:558 - and you used a reset but the next kick is - 01:08:031 - but your next sv reset is at - 01:08:189 - which continues for the whole section. I will give you an idea which will fit to the downbeats and will also include your idea you had in mind.

• 01:06:926 - 2.0x

• 01:07:479 - 1.3x
  connect with sv tool

• 01:07:558 - 2.0x

• 01:07:952 - 1.5x
  connect with sv tool

• 01:08:031 - 2.0x

• 01:08:426 - 1.5x
  connect with sv tool

• 01:08:504 - 2.0x

• 01:08:742 - 1.7x
  connect with sv tool

• 01:08:821 - 2.0x

• 01:09:058 - 1.7x
  connect with sv tool

• 01:09:137 - 2.0x

• 01:09:373 - 1.7x
  connect with sv tool

after that repeat it for the sections after.
This sv does the same thing as your idea just with the kick followed which allow the player to get a better representation of the song.

Both kiais kinda suffer from being improved with 1/4 for the vocals. It currently feels like it is trying to follow the song but a mixture between vocals and melody feels really of because you actually did map to the melody once - 00:26:505 ~ 00:29:031 - exept of - 00:27:847 - but overall is it the thing that is missing in the kiais after. The melody also uses pauses which are sometimes mapped and can lead to a very weird song representation and also a somewhat weird player experience. The thing is variation can be good if the song allow it however the song plays a lot of melody stops so it makes a lot of sense to follow the melody. For the missing variation you can use the coloring.

Here is a before and after of the first bar of the kiai ( - 00:29:031 - 00:32:821 - )

Before:

After:

Cursor is on -00:30:926 -

This way will give you a clearer and more cosistent structure overall. I can give it some coloring variation so it will not be the same for the whole kiai in terms of playing. I think players can benefit from this so they will not get confused with any improv rhythm there where there is a melody pause.

this goes for all kiais - 00:26:505 ~ 00:46:716 - - 01:06:926 ~ 01:27:137 -

If you need any further help with this I can give you more detailed mods

Since you made the top diff of this set I also think you should make your triplets quints because there is no reason to simplify the rhythm when there is no real issue with the quints and I think there is no issue really with it.

pls change in those sections: - 00:26:505 ~ 00:46:716 - 01:06:926 ~ 01:27:137 -

With that being said I also think that you should get rid of some 1/6 improv on nothing really if they are not really in the song this applies for: - 00:21:768 - 00:31:242 - 00:36:295 - 00:41:505 - 00:46:400 - 00:50:821 - 00:51:137 - 00:55:242 - 01:00:926 - 01:03:452 - 01:05:979 - 01:16:716 - 01:21:768 - 01:26:821 -

Some of your 1/6's were mapped to basic 1/4 and some were mapped to a 1/8 triplet which could be mapped but makes the easier parts very hard. Even so it is very inconsistent because you left some 1/6's out where the actual 1/8 triplet is like - 00:53:426 - for example.

The other 1/6's are fine since they are a simplification of the 1/8 quints mostly in the non-kiais

About the doublets from - 00:29:031 ~ 00:46:716 - I think they are a bad decision for mapping because you make them really hard to read since they have high sv. I think the doublet makes sense in the song representation but I would recommed you to change it to a K finisher because it is easier to read when the note is bigger and the emphasize is still there.

• 00:29:663 - 00:30:926 - 00:32:189 - 00:33:452 - 00:34:716 - 00:35:979 - 00:37:242 - 00:38:505 - 00:39:768 - 00:41:031 - 00:42:295 - 00:43:558 - 00:44:821 - 00:46:084 -