From The Start

sure

mhh im not really sure about this mod, i agree with keeping the notes because they can be interpretated as the interruption of the vibration of the guitar stopped by the hand (ideally there's not a strong sound but the suddendly tune contrast suggest the forced discontinuation of the melody)

btw, rather see what naive think about it since both mine and his diff have this suggestion and he's the owner of the set

All good! It's just a personal opinion so no worries

I'll tl;dr a point I made in #4542888 a bit

percussion consistency is great to follow, but not at the cost of flow imo especially for vocal dumps like this. I'd say it's better to sacrifice percussion consistency to avoid patterns like 00:05:626 (5626|1,5733|1) - than (if you can avoid those doubles consistently if that makes sense like only avoiding them at spots like that, 00:10:895 (10895|1,10895|0) - , etc) I think you should either make doubles like 00:05:733 (5733|1,5733|0) - single notes or change your layering a bit so jacks like 00:05:626 (5626|1,5733|1) - are avoided

afaik i did that in order to keep up a little bit with the top diff, but make sense im gonna remove all doublets making them single notes:

modified at 00:05:733 - / 00:10:895 - / 00:31:540 - / 01:33:475 -.

sound reasonable, i dont really remember if i did something more stairy due to compensate the thrill behind it 00:07:293 (7293|1,7346|0,7400|1,7454|0) -, might a double glance would be better or i think it'll be too trilly the transition.

I think this would work really well in an extra diff but I feel like the 4 note trill's a biiiiiit too brutal for this diff. maybe 00:07:293 (7293|1) - could move to another column?

yay that's totally fair, thought 2 variances of that current pattern:

used anchors rules to balance back the movement both hands

otherwise, i can give up some strength by making it more rolly

your choice, im okay with both honestly
once ik which one is better i'll apply everywhere

gotcha! I'd go with the first one tbh, the 4 note trill was my main issue since it puts a lot of strain on the left hand in a short amount of time

(going to play jubeat today with friends so I won't actually have time to go through everything else in the set until tomorrow)

oops i didnt have notif on here, have fun!

should be fixed everywhere btw :3

wow i completely missed that whoops

looks good though!

might be a crazy representation but i think i did that straight even at 01:37:669 - for the bridge guitar underneath without considering at all the voice.

but in case i moved out 00:15:330 - from col2 to col4 in order to break apart a little bit the trill on the left and in the while keeping the guitar structure.

sure why not, small stuff overall

01:37:991 (97991|2,97991|0) - same idea applies here ofc!

ideally this was made in order to follow and give priority to all three drums there 00:15:088 (15088|0,15088|2,15249|0,15249|2,15411|2,15411|0) - .

if i'd change the position of that note i'll lose a bit of power at the clap sounds which is kinda powerfull compared to the fade out voice. Also it'd help the finisher a bit 00:15:733 - as a transitional pattern soo yeah.

i'll keep this suggestion open for now but if this creates problems i'll change that!

nah no worries, I'll close this!

MHHHM UNSNAP PROBLEM

okay something happened with the snap for sure.
@N4ive did u moved the offset?
theres insance of 1/5 that turned on 1/16, gonna link n fix them all:

• 00:06:701 (6701|3,6762|2,6836|1,6889|3,6963|2) -
• 00:08:637 (8637|0,8697|3,8771|0,8825|2,8899|1) -
• 00:09:793 (9793|1,9866|0,9927|1,9987|0) -
• 00:11:862 (11862|3,11923|2,11997|1,12051|3,12124|2) -
• 00:13:858 (13858|1,13932|0,13986|1,14060|3) -
• 00:14:954 (14954|1,15028|3) -
• 00:16:244 (16244|2,16318|1,16379|3,16439|1,16513|3,16567|2) -
• 00:32:508 (32508|0,32568|1,32642|2,32696|0,32770|1) -
• 00:34:504 (34504|2,34577|3,34631|2,34705|0) -
• 00:36:889 (36889|1,36963|2,37024|0,37084|2,37158|0,37212|1) -
• 01:00:633 (60633|0,60706|3,60760|2,60834|3) -

(1/?)

• 01:01:056 (61056|0,61056|1,61116|3,61190|0,61244|1,61318|0) - (consider this 1/10 but u can deduce it's unsnapped by the fact this is snapped)
• 00:56:116 (56116|2,56190|3,56244|1,56318|0) -
• 01:03:213 (63213|3,63287|2,63341|3,63415|1) - (1/10, ctrl + h + j aswell)
• 01:34:443 (94443|3,94504|2,94577|1,94631|3,94705|2) -
• 01:36:439 (96439|1,96513|0,96567|1,96641|3) -
• 01:38:825 (98825|2,98899|1,98959|3,99020|1,99094|3,99147|2) -
• 02:02:568 (122568|3,122642|0,122696|1,122770|0) -
• 02:02:991 - (forgot to copy paste b4 fixing)
• 01:58:052 (118052|1,118126|0,118180|2,118254|3) -
• 02:05:149 (125149|0,125223|1,125276|0,125350|2) -

hope i found them all

(2/2)

BROKEN STREAM SUGGESTION instead

• the pattern at 00:16:249 - is broken most likely to represent better how the voice stiffen up, which i dont really think can be comparable with much other vocals there

• 00:32:568 (32568|1,32642|2,32696|0,32770|1) i don't think i can hear a substantial detachment here to not be continuous, gonna keep

• 00:34:504 (34504|2,34577|3,34631|2,34705|0) -with this i dont really remember my intentions, maybe i wanted to keep this pattern 00:34:336 (34336|1,34389|0,34443|1,34508|2,34572|3,34637|2) - all joint also to make a bit of difference with the next trills and this pattern (which if in case i'd fix this it would be played most likely all the same, making the concept a bit more flattened).

for the last point in the broken stream suggestion, in case i can fix it anyway trying to find a middleway.

gonna keep this open for now

hola

01:01:056 (61056|0,61056|1,61116|3,61190|0,61244|1,61318|0) - this still wasn't fixed

aa sorry wtf

CÁLLATE

mmgmmgfm

• yeah 00:26:862 (26862|2,26889|1,26916|0) - fixed what i was thinking, even at 01:28:798 -
• the second one might leave it as it was due to the guitar ""echo"".
  i've already tried making it 1/8 but it wont really works well there, a fulfilling ending works way better in this case both at 00:27:669 - / 01:29:604 -

copy paste god ...
00:08:475 (8475|2,8529|1,8583|2,8637|0,8697|3,8771|0,8825|2,8899|1) -

GONNA FIX THIS

this might be a copy paste error oops

wait soo even at 00:10:895 - / 01:33:475 - should be nerfed dayum

okay I kind of imagined predicted this i knew they were a little bit spiky, i did that because the top diff used a really tedious anchor on col3.

to fix that i made 00:34:927 - / 00:35:572 - semi roll stairs connecting with the 4 note middle trill.

really really solid fix imo

I have a minor suggestion but it's not a big deal if you'd prefer to keep things as is

00:34:927 (34927|1,34981|0,35034|1) - could go 1-2-1 and 00:35:626 (35626|2,35680|3,35733|2) - could go 4-3-4 (though this would require moving 00:35:088 (35088|2) - to 4 probabl

I think it has a couple of benefits!

1. 00:34:336 (34336|1,34389|0,34443|1) - I LOVE how this is represented and it'll help this and the "blah"s stand out from each other

2. it'll make the "blah"s a biiiit more approachable since they won't have these psuedo anchors on 2 and 3. I'm guessing those were intentional, but I feel like avoiding them will make these fast trills more approachable for insane level players

shid I forgot to reopen the post sorry D:

all okay! im fine with the changes and their benefits :3

• yeah def a cool change i forgot about 00:34:336 (34336|1,34389|0,34443|1,34504|2,34577|3,34631|2) - movement LOL it was equal
• 00:34:927 (34927|0,34981|1,35034|0,35088|2,35572|1,35626|3,35680|2,35733|3) - both pattern are ctrl + j soo 00:35:088 (35088|2) - on col4 make the pattern to be broken, preferr to keep it on col3 but in case i can move it to col4

will keep open just for the second point, if u not comfy with that i'll change

Hmm that's cool with me then! I'll close this

same idea applies here ofc 01:46:217 -

yess nice catch, applied

fixed, second istance modified with the proper vocals

ah actually, I think it might be a good idea to make this section a bit less heavy on the outer columns in general otherwise it might be pretty straining (and it would be a good idea since it separated out these phrases in the music too)

so I'm thinking maybe 00:46:862 - this part can stay the same
00:49:443 - this section can use 2-1-2-1-2 and 3-4-3-4-3
00:52:346 - can stay the same
and they can alternate like that if that works for you? 00:57:024 - to the end of the section alternates between inner and outer columns pretty well though

same ideas for this section 01:48:637 - if you agree ofc!

• [23] mod: agree, applied with a small change to keep the impact of the transition.
• [2-1-2-1-2 and 3-4-3-4-3], lovely mod, applied.

applied both kiais

had to place a minijack to emphasize it goodly, hope it works!

I think the concept's good, but I'm kind of worried about 01:30:249 (90249|1,90411|1,90491|1,90733|1,90895|1,91056|1,91217|1) - after playtesting. I feel like the jacks add a lot more strain on 2 since it sort of puts them in a anchor-y pattern

moving 01:30:895 (90895|1) - 's a pretty easy way to fix it though! that way you don't need to change the graces or jacks and it breaks up the anchor

uhh oops you're right, moved that note on col1

yeah im okay with that, applied!

yess, more sharpy patterns more fun :3

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agree with the suggestion but not really sure if sticking it on the same column would be the play, like the vowel doesnt change but felt a bit tough to play, i'll add 1 ln on the right aswell to emphasize the
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