Battle Against a True Hero

00:04:150 (4150|1,4150|3) - is 00:04:100 - .

00:09:212, 00:15:612 - could add a note here since sound is close to those on 00:09:612 and 00:16:012, though this is very optional

00:12:412 - 00:12:812 - 1/4 stream here would be nice
probably smth like this https://osu.ppy.sh/ss/19407730/46ba

00:18:912 (18912|3,19012|2,19112|1) - These notes are not following anything, and should be removed

00:19:412 (19412|1,19512|2,19512|0,19612|3) - streams like this should start with double and continue with single notes since stronger sound is at the beginning. This applies specifically to 00:21:012, 00:22:612, 00:24:212, 00:25:812, 00:27:412 and so on.
00:21:612 (21612|0,21712|1,21712|3,21812|2) - streams like this should end with double and start with single notes. Same applies to 00:23:212, 00:24:812, 00:28:012 and so on.

00:45:012 - to 00:45:512 - it has consistency issue with 01:10:612 -

00:46:412 - 01:36:012 - feels very repetitive, I think it might be better to start some streams at columns other than 2 and 3

01:03:212 这一段太无聊了，如果想增加点花样，就在01:03:212 - 01:04:012这种类似的地方加4根1/1的ln

01:06:512 (66512|0,66612|3,66762|2,66762|1) - just keep your rhythm and ignore that grace

01:10:430 to 01:35:230 - I recommend to fill violin sound with LN to avoid monotony

01:35:212 (95212|3) - ln持续时间内的鼓怎么不采？

01:44:212 - technically there is no sound at red line and you can hear piano at 01:44:162, 01:44:262, 01:44:312 and 01:44:412 (which looks like this https://osu.ppy.sh/ss/19407742/8b46) - but those are in 1/8 snap which should not be used according to guidelines and in this specific case might be tricky to play. I guess you can just remove first note and make it look like this https://osu.ppy.sh/ss/19407737/bde2 and maybe add a note on 01:44:162 or 01:44:145
Same for 01:53:812

01:44:278 (104278|2,104345|1) - wrong snap, it should be 1/8
the first sound 01:44:262 -
second sound 01:44:312 -

even its clearly hearable at 100% speed since 01:44:312 - to 01:44:412 - has longer gap

01:44:812 - 01:45:212 - don't really want to map those guitar sound ? its really clear actually, and i just have weird feeling if it's left

01:53:878 (113878|2,113945|1) - same issue like #4692411

I think this KIAI 01:55:230 to 02:33:630 part is same as first part, but without delay. So I recommend to use 1/4 Stream in this section.

从02:01:230 (121230|3) - 开始后面类似的地方都是LN拉到底的，那像01:56:430 (116430|0) - 这里怎么有点不同

emm......02:03:230 (123230|1) - ，和02:22:430 (142430|2) - 这两个LN的尾怎么不一样的的？

02:03:462 (123462|1,123537|2) - 02:22:662 (142662|2,142737|1) - snap recheck

02:08:212 (128212|2,128412|2,128612|2,129012|2,129212|2) - it's better to rearrange some notes to reduce strain on 3rd column. Same for 02:11:012 (131012|2,131212|2,131412|2,131612|2), 02:27:412 (147412|1,147612|1,147812|1,148212|1,148412|1), 02:27:412 (147412|1,147612|1,147812|1,148212|1,148412|1), 02:30:212 (150212|1,150412|1,150612|1,150812|1)

在写图的时候，无论是叠还是切之类的图都一定要规避02:10:400 (130400|2,130600|2,130800|2,131000|2,131200|2) - 这种配置，这种配置叫锚（anchor）
锚还算好读，但是打起来累，在一些难图里面能增强表现力。锚超过5个就需要拆掉。
但是常规图能规避就规避，规避不了就对锚采音。

02:22:612 这里是一个音滑到 02:22:712 ，直到 02:22:812 前其实没有声音，我觉得可以就在这两个地方放键，02:22:745 (142745|2) - 不要了而且本来也很难

02:31:230 (151230|3,151230|2,151430|0,151430|1,151630|2,151830|0,151830|1,152030|2,152230|0,152230|1,152430|2) - 结尾这段......可以考虑跟02:12:030 (132030|3,132230|0,132230|1,132430|2,132630|0,132630|1,132830|2,133030|0,133030|1,133230|0,133430|3,133430|2,133630|1,133830|3,133830|2,134030|1,134230|2,134230|3) - 这段差不多配置（改改排列就好），像02:31:230 (151230|3) - 这个可以保留，做点区分（）