Usagi Flap

00:04:649 - It is very strange that here you start to use 1/2 patterns, although before they were not there, and the intensity of the song has not changed much, so I suggest you remove the 1/2 and arrange the notes as in the beginning. i would remove 00:05:354 - 00:06:237 - 00:05:884 - (00:08:354 - move to 00:08:531 - ) remove 00:08:707 - . i think it's fine to keep kkd 1/2 in the end.

00:08:884 - Could be mapped to keep consistency with 00:03:237, 00:06:060 being mapped.

If applied, you could also consider deleting 00:09:060 to give more emphasis to 00:09:237 by adding a short break before it, as well as lowering the density here.

00:14:531 - 00:14:707 - could add these notes since you followed these sounds?

00:21:060 - Could be mapped considering 00:20:531 - 00:21:237 has a similar sound to 00:14:884 - 00:15:590, so would be neat to keep a similar structure here.

If applied, you could also make this structural consistency clearer via deleting 00:20:354, but this one is more optional.

00:22:119 - 00:23:002 and 00:33:413 - 00:34:296 should probably have a similar focus for consistency?
00:22:119 follows the synth while 00:33:413 seems to also be following the snare.

You could either move 00:33:590 -> 00:33:766 or 00:22:472 ->00:22:296.

00:23:354 - Could be a finisher considering it has the same sound as 00:12:060.

00:37:825 - Could map since the synth that you're following plays here, and also since you mapped 00:40:649, 00:43:472.

00:39:413 (126,127) - for better rhythm i suggest move these notes to 1/2 back

00:41:178 - Could probably delete considering 00:35:531 isn't mapped, and unlike 00:38:354, the synth sound doesn't play here.

00:44:531 - could be d for kick sound?

00:49:119 - I think given that you don't really follow claps in this section, and the clap here is pretty light, you could delete this note to also give more emphasis to the piano melody at 00:49:472 - 00:50:002.

If applied, you could also apply this to the Oni.

00:49:825 - Might be nice to delete this note since the other 4-plets in this section like 00:51:060 - 00:51:590 are more prominent, so a density increase can highlight them better.

00:56:884 - I don't think you need a finisher here because you didn't make the finisher 00:56:531 - and emphasize in 00:57:237 - sounds worse, so i suggest remove this finisher

01:42:413 - 01:52:296 - Same issue as #4045867 actually.

Section feels incoherent in what it's following. Some suggestions to improve the consistency of this section:

• Map 01:45:590, 01:45:766 for consistency with 01:42:766, 01:42:943 being mapped.
• Similarly you could delete 01:46:825 and map 01:47:178.
• Shift 01:49:649 -> 01:50:354 since you switched focus to drums at 01:48:060 - 01:49:119.
• Shift 01:51:590 -> 01:51:766 to follow drums more.

01:43:472 - 01:45:590 - 01:51:237 - i think you should to fill these notes. also if you fill 01:51:237 - then you need to put a rest moment, I suggest remove 01:54:060 - for example or if you don't want, you can remove 01:58:825 (394,395,396) -

01:59:707 - 02:02:178 - It seems like you are trying to follow both the vocals or the background synth in this section. It does kind of work, but I think it would be structurally cleaner if you only followed one layer here.

For background synth, you could map 02:00:237 and shift 02:00:766 ->02:01:119.

For vocals, you could delete 02:01:825, 02:02:002 and map 02:01:472 since the vocal is extended here and not present at 02:01:825, 02:02:002.