This section prominently uses a soft-hitwhistle hitsound even though there is no sample for it (This section is the only one that uses the first set of hs samples; There is a file soft-hitwhistle2.wav, but no soft-hitwhistle.wav). You usually use samples on everything so I think this is unintentional.
I'll later go over the hitsounding in the entire map again and make sure everything is good, this part just really stood out to me
00:42:459 (1) - I think this is supposed to have a clap? That way 00:42:209 (8,9,1) - is consistent with 00:34:209 (9,1) - , and also I think it sounds better
03:23:148 (5) - I think this repeat slider is missing a normal-hitclap at the blue tick (03:23:238 - ), that way it'll be consistent with the rest of the hitsounding (e.g. 03:24:577 (5) - , 03:26:005 (5,6) - 03:27:434 (1,2,3) - , etc. )
Soft whistles missing on 04:49:728 (2) - , sliderend of 04:50:039 (4) - , and sliderhead of 04:50:557 (7) - (you used them every white tick in the beginning it sounds weird that they vanish without any change in the song)
06:11:866 (14) - I think this is supposed to have a finish on it: It's the same finish sound in the song that you emphasised with a finish just before at 06:11:348 (9) - . It sounds better to me this way, too.
You should remove the whistle on 08:10:024 (3) - and add a whitsle on 08:10:616 (3) - , because right now it's inconsistent with the rest of the section
09:04:695 (1) - I think this sliderhead is supposed to be a clap? From 08:09:827 - onward you used claps on every second white tick in this song, so it sounds inconsistent
10:52:051 (6) - I think this sliderhead should have a drum-hitfinish on it like you did at 10:25:903 (5) - and 10:38:876 (5) - (every time you used this hitsound at 3/2 beats before the end of 8 measures, which means that this sliderhead should also have it)
11:25:131 (1) - I think this sliderhead should have a normal-hitwhistle so it's consistent with what you did with the rest of the section (e.g. 11:29:317 (1) - , 11:33:504 (1) - , 11:37:690 (1) - ). On its own it sounds fine, but when put in context with the rest it sounds off.
11:58:098 (3) - the sliderend of this should not have a normal-hitwhistle on it
11:58:621 (1) - You could maybe hitsound the end of this slider with a drum-hitfinish. I think it sounds a bit odd that it's not hitsounded at all, but this is really subjective.
11:59:145 - 12:07:517 - Not sure why the hitsounds in this first quarter of the kiai are different than the other 3 quarters (and it's also very inconsistent with itself, changing randomly), This is in spite of the song itself just repeating the same music 4 times throughout the kiai, and the other 3 quarters having the same hitsounding.
To make it consistent it needs these changes:
Sliderhead should have a soft-hitwhistle instead of a normal one: 11:59:929 (5) - 12:00:191 (1) - 12:02:022 (5) - 12:04:377 (1) -
Should have a normal-hitwhistle: 12:00:889 (6) - 12:02:284 (1) -
Sliderend should have a normal-hitwhistle: 12:03:069 (7) -
12:03:767 (3) - Middle repeat at 12:03:854 - should have a soft-hitwhistle instead of a normal one
12:58:368 (5) - I think this note should have a normal-hitwhistle to be consistent with how you did the hitsounding with every other measure (e.g. sliderend of 12:50:375 (4) - , 12:52:052 (5) - , sliderend of 12:53:533 (4) - , 12:55:211 (5) - etc.)
This also means 13:01:428 (4) - should have a soft-whistle, and 13:01:526 (5) - should have a normal-whistle.
13:02:020 (3) - This note should have a soft-hitwhistle on it in addition to the finish, that way it's consistent with the the rest (e.g. 13:14:652 (3) - 13:52:547 (3) - etc.)
13:58:270 (5) -
13:59:850 (5) - (sliderhead)
14:03:008 (5) - (sliderhead)
These are all missing a soft-hitwhistle to be consistent with the repeating rhythm in the the kiai
草，这也太nazi了吧
这种小偏移bug是因为滑条头尾有小数坐标时，保存退出后osu自动给修正了，一般来说不要去管它就行了。。。
不过姑且改了，但并不能保证哪次保存以后又抽风了。。。
I think at 30:33:932 (9) - and at 30:39:477 (9) - (sliderend) it would sound better if you used soft-hitclap.
At 30:28:022 (12,13,1) - , 30:45:477 (7) - , and 30:51:295 (10,11,1) - you used soft-hitclaps to lead up to the big finish in the non-kiai section (which happens every 4 measures), but at 30:33:932 (9) - there is no clap and at 30:39:477 (9) - (sliderend) you used drum-hitclap instead of soft.
This inconsistency sounds strange, I think it sounds much better if you change it to be consistent.
EDIT: To have it consistent, the sliderend on 30:39:477 (9) - would need to have both a clap and a whistle (both soft)
31:03:113 (1) - I don't think this is supposed to have a clap on it? You haven't used this triple Clap+Whistle+Finish combo anywhere else in the section, and even if it's just for bigger emphasis on this specific finish: With the specific samples used it sounds very strange to me.
The fact you didn't even do this in the final finish at 31:14:750 (1) - makes me think this is an accident, and not just personal choice.
31:05:841 (7) - In this kiai every red tick so far is hitsounded with either a drum-hitclap or it hasn't been hitsounded it all. If you're listening to the song the emphasis on this sound to me sounds the same like the sliderend of 31:05:113 (3) - or 31:05:659 (6) - which definitely makes me think this should be a soft-hitwhistle instead. Again, the soft-hitclap in this context sounds really weird.
31:08:750 (6,7,1) - I think mixing the soft-hitclap with the drum-hitclap one after the other is weird. In the previous non-kiai section you established that the leadup to the big finish every 4 measures is made of consecutive soft-hitclaps (see #3097801 ), meanwhile in this kiai you established that the leadup to the big finish made of consecutive drum-hitclaps ( 31:02:750 (8,9,10,11) - 31:14:386 (10,11,12,13) - ). I think in this specific context both of these options would sound fine depending on what kind of emphasis you want to establish, but mixing and matching both the soft and drum claps sounds really off to me.
I would change 31:08:750 (6) - to a drum-hitclap so it's consistent with 31:02:750 (8,9,10,11) - (since that's the rhythm you chose for the kiai) but choosing to instead to change 31:08:841 (7) - to a soft-hitclap also sounds fine to me.
31:17:511 (1,2,3,4,5,6,7,8,1,2,3,4,5,6,7) - and 31:20:493 (1,2,3,4,5,6,7,8,9,1,2,3,4,5,6,7,8,9) - The hitsounding here was weird for me to understand at first. The idea is that the first time the musical phrase happens you play half of the hitsounds for the entire phrase and then in the repeatition you play the other half of the hitsounds. I had some trouble understanding why you "ignored" the hitsounds you established but this is actually a really clever use of hitsounds.