ayy from somewhere and nowhere
- ugly/chaotic sliders seemed kind of the theme but can you make the tail and head not overlap on this one 00:13:101 (1) - this kinda looks like aonther level of the theme compared tho the rest
- 00:24:800 (1) - considering muting the end here so you dont have that double hitnormal feedback due to them being to close in the timeline
- 01:06:009 (3,3,3) - hs on head
- 01:18:009 (5,6,7,8) - could do something to make these stand out more, quite louder toms kicking in compared to (1-4) and that main intstrument having a kick at (5)
- 01:22:676 (1,2,3,4,1,2,3,4,1,2,3,4,1,2,3,4,1,2,3,4) - 3-2 pattern structure when the song is 2-3 structured seemed a bit off, if you could start different pattern variant on 01:23:120 (1,2,3,4) - instead of 1 combo later it'd fit the music nicely, you got it right on the later parts tho so seemsunintentional here
- 01:31:564 (5,6) - could use more spacing between these, leniency makes this 6 have like no impact atm even though that vocals and snare instrument dunno heavy violin or smthing
- 01:44:008 (9,10,11,12) - ooh could make this stream a bit more exiting by mapping this unique builduip violin thingy
- 02:18:453 (33) - kinda feel a change on this note is warranted looking at the rest, you got the piano kicking in and that background drum drops in tone here aswel
- 02:46:008 (3,4,5) - kinda feel you could space this more/make this harder since the previous combos are all building up to this in intensity and it just kinda feels too easy compared to the buildu up imo
- 02:49:786 (4,5,6,7) - 2 missing finishes
- 02:50:453 (3,3,3) - hs heads
- 02:54:008 (3,3,3) - hs police
- 03:06:008 (5,6,7,8) - similar mentioned like in first part of the map so if you agree change these too
- 02:06:008 (17) - 02:09:564 (17) - 03:16:230 (17) - 03:21:564 (1) - NC consistency stuff last one
- 03:30:008 (1,2,3,4,1,2,3,4) - hmm feel like trips with 1/4 slider would represent the music better here since the guitar has 6 distuinghed sounds here ]
- 03:32:675 (5) - might aswell put a return on here too then 03:30:897 (4) - since these are paired in this section
- 03:36:564 (3) - I just noticed yous started putting claps on the reds for this section though that same snare is at the section at 01:30:787 (7) - aswell so any reason to ignore this at one and map it at another? its seems your both following anothe instrument other the the snare tho so bit odd to hs it differently when you emphasize it at one section when you don't follow it mostly regardless
- 04:12:896 (9,10,11,12) - rip those unique violin thigny again :/
- 04:19:785 (33) - yeah like previous similar part, defintly a noticalbe change here in the song, that 48 combo tho
- 04:54:230 (6,1) 05:01:341 (6,1) - - no leniency abuse in this section unlike all the rest for these? You basicly introduced one hell of an antijump flow break pattern 5 minutes into the song so yeah I'd just go with what you did in the earlier sections since the music is the same anyway
- 04:55:340 (3,3,3) - ayy you know what
- 04:58:896 (3) - ^