yay thank u qoot senpai, now waiting for Hanja to go :3
Thank you very much for the helpful mod, I really appreciate it.Kazaze wrote:
Hi there! Here is your mod as you asked for:
Sorry for the delay, I planned on modding your map yesterday night as I told you but I just fell asleep zzzOni• 00:04:638 - A note definitely fits there, I would suggest adding a d ; and also changing 00:04:314 (18) - to a k to emphasize the vocals and to avoid a monotone sounding part with only ds. Agreed, also changed 00:04:476 - into k to avoid too many dons in a row
• 00:13:557 (9) - Not sure why you made it a K ; Maybe it's just me be I hear it as a lower sound than 00:13:395 (8) - and I definitely think that it would sound better as a D for this reason. Same suggestion / remark for 00:16:152 (25) . First of all 00:13:557 - definitely have cymbal sound and is very different as 00:12:422 -, so to add variation and enphasize such cymbal I decided to made K, same for 00:16:152 -
• 00:18:746 - A note could be added here - I would suggest adding a d on that spot to follow the drum and then changing 00:18:909 (41) - to a k for the vocals that sounds higher than they did on 00:18:746 - . Added a note yeah, I'm totally agree, about the colour I feel that k follows better the drum you pointed out, also 00:18:909 - is better as d to contrast the drum at 00:19:233 -
• 00:27:503 (87,88,89,90) - These for notes are all 4 mapped on the exact same sound repeated - I think that the hitsound should be unified, as 4 ds in my opinion but it should absolutely be unified. oh yeah my bad, totally agree, fixed.
• 00:44:206 (177) - Why isn't that one a d like in all the other 1/4 of this part? I think it sounds the same and so should be hitsounded the same waysas the others. They are k cause variety, also follows guitar nicely.
• 00:55:071 (49) - The vocals and instrumentals such as the electric guitar become lower on this note - It should be emphasized with a d. Same suggestion with 01:05:449 (126) - I think it should be changed to a d. Yeah but if you take a look to my patterns, I usually use d before k (when I'm following drums) because I want to emphasize such high pitch, example: 00:57:179 (63,64) - that's why I wanna keep this part.
• 01:03:017 (108,109,110,111,112) - I would change this pattern by : I like the current one cause she is like screaming? and the echo of her voice is straigh, that's why I'm using ddddk, also the k at the last stream is to make the transition between 01:03:341 (112,113) - more natural
○ 01:03:017 (108) - Changing this one to a k to follow the vocals.
○ 01:03:179 (110) - Changing this one to a k to follow the vocals.
○ 01:03:341 (112) - Changing this one to a d because the vocals are lower on this part.
• 01:06:909 (135) - This one is a different sound than the following note (01:06:990 (136,137,138) -) and so it should be changed to a d and I don't here a significative difference between 01:07:233 (139) - and the previous notes (01:06:990 (136,137,138) -) so I think it should be changed to a k. - so use Ctrl+G on 01:06:909 (135,136,137,138,139) this stream is only to make a mirrored pattern of 01:07:557 (141,142,143,144,145) - and I don't know if I should be picky with every sound, so I'll keep for now, but if someone thinks the same, I promise you that I'll change ad I'll give you the credits :3
• 01:29:936 (64,65) - These two note are mapped on the same repeated sound that 01:29:774 (63) - is mapped onto - I think that they should then all three be unified in the same color : ks In my opion. You are right, they have the same sound, about the colors I feel that D enphasize better the sharp noise
Thanks again for asking me directly for a mod, it was a pleasure!
I hope that my mod helped. Best of luck for the future!
desireofpainx wrote:
Don't kill me why should I kill you if you are helping me <3
[Oni]
- move this 00:55:233 (50) - to 00:55:233 (50) - mmm they are on the same time, but if you mean move to 00:55:395 -, I'm following instruments and all my previous and next patterns like 00:57:179 (63) - are enphasizing guitar.
- 01:05:611 (127) - => 01:05:774 - like ^ guitar again.
- 01:20:206 (1) - K? Nice catch, fixed
Thank you for the mod >.<chaica wrote:
Hi,M4M
[ about]
- d is don note
- k is kat note
- D is Finish don note
- K is Finish kat note
- Purple is UnRankable , Please change
- Green is I would strongly recommend
- black is Pointed out that
[ General]
- Okay.
- - - - - - - - - - - - - - - - - - - - - - - - -
[ Oni]- - - - - - - - - - - - - - - - - - - - - - - - -
- 00:01:557 (6) - change d? 00:01:882 (7) - I think that it will be connected so that it can be heard well here(kd dk) well I didn't want to change 00:00:747 (1,2,3,4,5,6) - into kdkdkd cause will bbe too weird but acording to your suggestion I made some changes and the transition feels natural too
- 00:12:422 ~ 00:17:611 - i feel low volume.I think that it is better to raise it to about 70%. that's true, fixed
- 00:17:611 - 00:27:990 (91) - volume 60%? Okay, orz is like an std dff but who cares xD
- 00:22:152 (58) - change k? 00:21:017 (53,54,55) - I think that it becomes a good pattern to be symmetrically arranged. okie
- 00:32:530 (112,113) - ctrl+G? - 00:32:855 (113) - take this sound by k. oh holly... my bad, fixed
- 00:41:611 (161) - change k? 00:39:990 (150,151,152,153,154,155) - I think that it is similar and good nope is not the same, first of all I wanted to add more variation and second, voice is more straigh at 00:41:449 (159,160,161,162) -
- 01:21:179 (7) - change k? I want to make it up with the last kiai. ddd fits the sound good cause there isn't drums there
good luck~
Gracias por el mod broxtrem3x wrote:
(?)
General:
Don = d
Kat = k
Big Don = D
Big Kat = KOni
00:01:233 - Borra esta nota .. ademas de que es intro pues es raro meterle tantas notas sobre partes algo silenciosas. Tienes razon a lo del intro pero si corto el patron se ve mas raro aun ya que estoy siguiendo vocales.
00:17:206 - cambiale el color a esta nota, para hacer una combinación raramente necesaria con el sonido de guitarra en esta parte. si lo hago muy dificil no crees que seria demasiado para Oni? ademas que al testearlo no me salia D: suena raro tbh
00:26:530 - cambia esta a k ... tiene mas de platillo que golpe fuerte. Tienes razon, buena ahi, fixed
00:38:206 (139,140) - un ctrl+g a estas notas, tiene mas enfoque en un bass en la nota 140. oks
00:40:476 (154,155) - lo mismo este se supone que es drum en 00:40:638 -
00:42:422 (166,167,168,169,170,171,172) - cambia todo esto por kkd k d d k (vas a notas mejor el fondo de batería) Ohh, me encanta, fixed
00:56:449 (58,59) - ctrl+g .. mismo que en 00:38:206- bueno no estan noticiable, esque si hago el mapa solo con ddk o kkd no es como que medio aburrido? normalmente siempre hacia eso pero ahora como que quiero que mis mapas tengan algo mas de variedad y esta sera una gran oportunidad para probar como queda.
00:58:882 (76) - cambiala a d ... tiene una variación de golpe en esta. me gusta como los katsus enfatizan al D proximo, ademas de que hace que el stream sea mas facil para Oni players.
01:06:909 (135,136) - cambialas a d ... son mas golpe que nada al principio dude pero cuando lo testie me encanto, fixed
01:07:557 - cambialo a kkkkd Tu sabes mas de streams que yo asi que fixed.
01:24:909 (37,38) - cambialo a k D ... la 37 está igual de sonido que las 5 anteriores. madre mia no me habia dado cuenta y eso que a mi me gusta la consistencia xD, fixed
01:30:098 - cambiala a K ... una pequeña variación .-. (?) al parecer todo el mundo esta de acuerdo en que sean iguales ya que tienen un sonido muy similar, asi que lo dejare asi
Thanks for the mod.Skylish wrote:
Hi, from PM req. (Actually M4M if you are interested: refer to my little PM )
[General]
> 00:00:747 - 50% vol. sounds too weak. The guitar base, drum set and melody sounds like 75%. 00:12:422 - onwards, 90% is a compromised if you increase the vol. of previous section. changed the second one.
[Shini's Oni]
~ HP can be 6 since the rhythm you used and I suggested are quite hard, and the overall setting should be a bit challenging to the players.
> 00:13:557 - / 00:16:152 - having D mapped is way better than K since: 1. after a drum kick (kat), using D can have a bigger contrast; 2. Every strong base drum should share the same note (D), such as 00:12:422 - / 00:15:017 - ; 3. k D matches the guitar chord perfectly; 4. kD dk pattern is shown, which is quite smooth imo. they sounds different but just to avoid problems.
> 00:17:287 - / 00:17:368 - they can be dd in case there is a lack of variation and emphasis on the last kat at 00:17:449 - the whole part sounds similar so I'll keep this one.
> 00:26:368 - / 00:26:530 - swap them since the drum kick falls on the former but you put it as don. k d should follow the drum set well. ok If you want to emphasize the high-pitch vocal at 00:26:530 - (keep it as kat) 3 kats doesn't work tbh., you can even use 00:26:368 - kdk. It also works. I didn't understand xd, first u suggested kd then kkk then kdk (currently kdk that's why I don't understand) anyways changed the first one.
> 00:27:665 - & 00:27:828 - these are optional k because, mainly, 00:27:990 - should be the one needs to be focus on. Having 2 kats before it mapped can state the D very clearly. Meanwhile, don't you think having 4 consecutive don (or DON) is kinda boring? You may say that the drum hits are idendical, but actually there are some high-pitch guitar picks at the background as well. Mapping these two notes with kat can definitely enrich the variation and pattern flow, though. mm they are very similar but just to add variation I'll change
> 00:43:233 - / 00:43:557 - It sounds like the actual Finish should be put on the on-beat at 00:43:557 - , but not 00:43:233 - . Wrong emphasis in your current version imo, despite the fact that you want to make 00:43:233 - this kat outstanding. (not recommended to do so because it is strange...) ohh nice catch
> 00:44:692 - / 00:44:855 - Aight another swapping pair right here. On-beat note having a d is quite common, while it can also show some differences between it and the upcoming kat at 00:45:179 - . Now you can see a kkd pattern from 00:44:530 - to 00:44:855 - , this kind of style (using more kat instead of don) can also show resonance at 00:43:882 - , where the majority is kat. idk what kind of instrument is on 00:43:882 - 00:44:206 - 00:44:530 - and 00:44:855 - but I'm following such sound with k.
> 00:55:071 (49) - try this:
00:55:071 - there is a descending pitch (down pitch) guitar chord falling at this timing, having it be d is good to go. At the same time, you will find that it is actually a void at 00:55:233 - , therefore it should be empty. By moving it 1/2 forwards to 00:55:395 - , a nice and familiar kd dk pattern is formed, like 00:13:395 - . ok
> 00:58:476 - & 00:58:557 - maybe kk suit more since there are vocal melody at 00:58:152 - / 00:58:476 - / 00:58:801 - . They should be all mapped in consistent kat. kkddkkk sounds much more interesting than the previous one (ddddkkk) simultaneously. changed 00:58:476 - only, fits the song better.
> 01:05:449 (126) - similar case to 00:55:071 (49) - , but you need much more variation this time:
01:05:611 - there is a NEW high-pitch guitar plug right here, that is assumed as kat. A series of ddk d k pattern is used here in order to build up a tendency which leads to a similar but more complex pattern (ddkkd) at 01:06:909 - . It can works as a signal or hint for player to get prepared for the upcoming complex patterns. Meanwhile, a mirror pattern countering 01:04:801 - (kkd) can be formed at 01:05:449 - (ddk). nope, it will break my consistency with previous patterns.
> 01:18:422 - / 01:18:503 - there are still drum kicks at the BG, kat can be put in these timings. you are right but it's better to keep a mini break between 01:18:260 - and the upcoming spinner for a better readability
> 01:22:314 (16,17,18) - / 01:23:611 (26,27,28) - You can swap these groups of triplets because dkk should suit the latter as the pitch of vocal of it is higher and the emotion there is more intensive. dkk (a relatively awkward pattern) can perfectly show the effect of reflecting the strong feeling of music. Interesting, changed
> 01:26:206 - similar to 01:05:449 (126) - . 01:26:287 - & 01:26:530 - can be put with dons I didn't change anything on 01:05:449 - cause guitar, but I just fixed an inconsistent pattern, swapped 01:26:206 (45,46) -
> 01:29:449 - kkd K K K should a better option here. There are two things you have to pay attention to: well it seems that all of my GDers think like you,
so changed.
1. 01:27:665 - / 01:28:801 - and 01:29:774 - / 01:29:936 - / 01:30:098 -
The pitches of former groups of Finishers are lower than the latter. 01:29:774 - / 01:29:936 - / 01:30:098 - are mapped as K as a result.
2. 01:29:287 - / 01:29:611 - They are not identical. 01:29:287 - is a drum kick while 01:29:611 - is a drum hit. The latter should be a don, right? By mapping it as a d, the upcoming K K K becomes more rational and eye-catching.
[]
There are more to go for this map currently speaking. I hope my mod is helpful to you! (Where's your mentor Ozzy?_?)
Thanks for the mod bakagame rock wrote:
Hi Hi >w<
d
k
D (Big d)
K (Big k)
- [ Oni]
Spanish Mod:
Bakita >w<
- 00:27:341 (87) - Puedes cambiarlo a d para hacer kkd, porque yo escucho que la bateria y el ritmo del mismo va de orden decreciente, es decir, de sonido alto-bajo, estas notas tienen el sonido alto 00:27:179 (85,86) - bajando al sonido bajo la cual es la nota 86. nice catch, fixed.
- 00:51:179 (20,21,22) - En este caso suena mejor un kkd. that's true, fixed.
- 01:26:206 (45,46,47,48) - Puedo darte una idea en esa parte: Cambia esta nota a d 01:26:368 (46) - y mueve esta 01:26:206 (45) - aquí 01:26:530 - cambiada la nota a d y pero la estructura la mantendre porque estoy manteniendo consistencia con 01:05:287 (125,126,127) -
Amazing Beatmap! I hope my mod has been helpful you, Good luck!
Thanks for the mod and Star Charlo, really helpfulCharlotte wrote:
Hi via m4m
[ about][ General]
- d is don note
- k is kat note
- D is big don note
- K is big kat note
[ Oni]
Looks Good.BG so cute ・゚・(。✖д✖。)・゚・ Yes!!!! :3Good luck Shooot☆
00:09:503 - remove this notes.I think no need. ohh, that's true, fixed.
00:12:909 (4,5,6) - I prefer ddk.00:15:503 (20,21,22) - same part.I prefer same pattern. uwu I was trying to add more variation but ok, consistency is most important
00:13:557 - & 00:16:152 remove finish.I think no need.00:12:422 - Emphasis is here only imo. removed but I'll be pending of what Nwolf thinks cause spread.
00:20:206 - k.follow the guitar. that's right but is also to add some variation cause if I change to k, 00:19:882 (46,47) - will be all k and the pattern become monotone, so to add second purpose on the pattern, fits vocal perfectly, also consistency with 00:22:801 (61,62,63) -
00:32:206 - high sound.so 00:32:044 (110,111) - swap. nice catch, fixed.
00:38:206 - still high sound.so 00:38:206 (139,140) - swap.00:38:206 - 00:38:692 - 1/2 kddk 00:39:179 - 00:39:665 - 1/2 dkkd I think this flow is very good. holly, that's right fixed.
00:41:774 - k.follow the vocal. vocal is fine with current pattern imo, also high vocal pitch is on 00:41:611 - but I don't want to change to k cause it will be repetitive with 00:40:152 (151,152,153) -
00:58:476 - k.so high sound.kdddkkk is plays better to me. yeah, changed
01:03:017 - k.strong sound.kdddk is more fit imo. & kddkk also not bad. I prefer kdddk for variation with the upcoming triplet
01:04:152 - k. ayy, my bad
01:06:909 - 01:07:233 - ddddk.kkkkd reverse pattern is more fitt!!! It works better to drum sound!! uwu, at first try was ddddk kkkkd but was kinda weird at gameplay xd, anyways I like the mirrored pattern, I was waiting for more advice here, thanks
01:08:963 - I prefer d.Plays better to me. idk k sounds much better tbh
01:24:422 - 01:24:746 - You can try kdkkd. fixed
Kazaze wrote:
Nwolf's Ntiger Muzukashii• 00:16:963 (23,24,25,26,27,28) - For this part, I think that it would follow the drumroll better as 00:16:963 (23,24,25,26,27) - All d ; and 00:17:611 (28) - Changed to a k would emphasize the vocals. Similar suggestion with 00:37:882 (36,37,38,39,40) - Wich I think works better with the colors inverted. I'm not following vocals here
• 00:31:719 (12) - Move this note to 00:31:557 - because there is a cymbal sound ; and also because I don't really think there is anything to map on 00:31:719 - . Same suggestion with 00:34:314 (20) - move it to 00:34:152 if you applied the previous suggestion. snare. Consistent with previous patterns
• 00:58:476 (54) - Change this note to a d to better emphasize the following part which is definitely higher sounding - Just like you did later on 01:06:909 (102) - . changed
chaica wrote:
[ Muzukashii]
- 00:58:152 (53) - delete? i dont think it is enough to emphasize. sure it is
- 01:15:341 (10) - change k? Because the vocal is going up
- 01:16:638 (13) - ^ I find mono-color dons more interesting to have a contrast to the more intense part starting again 01:17:287 - here
xtrem3x wrote:
Wolf's Muzukashii
00:27:503 - change to d .. have same sound as next note. eh ok
00:49:882 - Move this note to 00:50:530- ... have more emphasis. Self-modding kinda made this point ogmpraböe
00:52:801 - Delete ... breaks ^
01:21:665 - add d note ... similar to 00:49:882- kinda applied this
Skylish wrote:
[NN's Muzukashii]
! FGS re-name please. There's no 'Ntiger's Muzukashii' in general naming sys. of Muzukashii ;w;.
> 00:20:855 - shift it 1/2 backwards to 00:20:692 - sounds better. Pattern at 00:17:611 - (n n nnnn) should not be used at 00:20:855 - due to the slightly differences between 2 sections. The obvious one should be 00:21:179 - & 00:21:341 - , nnnn at 00:20:855 - cannot reflect these strong vocals well imo, but nnn at 00:21:017 - can do so. No. This. Sounds. Very. And I mean VERY. Bad.
> 00:38:692 - / 00:39:341 - having d mapped here sounds really dull . You can notice that they locate at the 2nd and 4th beat, they can be k to enrich the colours here and there. Done on purpose, I believe it fits to the pacing. Did a few changes here anyway
> 00:42:746 - d really missed here apparently. There ought to be a d to match the strong base drum and vocal inevitbly. If your intention is to create a rest, you can do so by removing 00:42:098 - . The effect is even greater than emptying 00:42:746 - since the re-joining point is a on-beat at 00:42:260 - . changed
> 00:43:071 - / 00:43:233 - swap them as the high-pitch vocal falls on the latter and having 00:43:233 - mapped as k can further emphasize the upcoming D at 00:43:557 - . changed
> 00:57:017 - another removal of notes is suggested here. Check 00:54:422 - out, I assume that there should be a gap >1/2 beat. For variation purpose, you can have 00:57:179 - mapped as ddd k d k(K). 00:57:665 - being a don can show a very great contrast btw those drum kicks at 00:57:503 - / 00:57:828 - / 00:58:152 - No.
> 01:03:503 - how about a monochrome-k triplet right here? The background drum hits can support it. Irrelevant due to additional self-modding.
> 01:07:233 - leaving it alone is beter so the vocal part can be emphasized, more imptly, 3 consecutive kkk triplet is boring and killing please ;w;. It is definitely fine to remove one of them (the first one since there are sharp vocals). Removed the middle
> 01:14:287 - / 01:14:530 - (<-- these are the correct timing) You mis-snapped these 3/2 off-beat notes in 1/3 beat divisor. It should be in 1/4 beat.What a careless error :3 (How come the last modder did not realise it?) And this, ladies and gentlemen, is your guide on how to be a condescending jerk!
> 01:17:611 (17) - try this: slightly different
01:17:774 - triplet appears in instruental part, better to follow it and you already used some triplet before in this section. It is fine to do the same right here. 01:18:422 - there should be one more k at this timing. 01:18:098 - do (don) some variation after a kat triplet.
Have you done a self-mod first? :thinking: I always do but no one is perfect. Not me, definitely not you, not anyone else.
game rock wrote:
- [ Nwolf's Ntiger Muzukashii]
- 00:27:828 - You forgot add a note there because can be heard a drum so I suggest you add a d, also to emphasize the finish D 00:27:990 (1) - intentional cause only muzu
thanks~Charlotte wrote:
[ Tiger & Wolf's Muzukashii]
00:13:557 - & 00:16:152 - remove finish.I think no need.00:12:422 - Emphasis is here only imo. NU MAH FINISHERS ARE MINE
00:23:449 - move to 00:23:287 - You can follow vocal & instrumental didn't move but add
00:39:341 - k.follow the guitar. ya
00:41:611 - k.I think high sound. ya
00:42:746 - add d.I think this break is little strange. & 00:43:071 - move to 00:43:395 - I think more fit =w=! Done in previous mod yup
00:57:665 (51,52) - swap.for emphasized to next 00:58:152 - Removed in self-modding already
01:13:963 - I prefer kkk.kkk easy to recognize. k
01:17:611 (16,17,18,19,20) - I prefer dkddk. Is different
osu file format v14
[General]
AudioFilename: audio.mp3
AudioLeadIn: 0
PreviewTime: 45098
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
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[Editor]
DistanceSpacing: 0.1
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1
[Metadata]
Title:Pride Kakumei
TitleUnicode:プライド革命
Artist:CHiCO with HoneyWorks
ArtistUnicode:CHiCO with HoneyWorks
Creator:-Sh1n1-
Version:Nwolf's Muzukashii
Source:銀魂°
Tags:TV Size Gintama° 2015 Opening 2 op2 Shini Nwolf Ntiger qoot8123 Hanjamon
BeatmapID:1177139
BeatmapSetID:-1
[Difficulty]
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CircleSize:4
OverallDifficulty:5
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1
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Ohh, agreed, removed instant kiai, thanks qoot :3, Everything updated.qoot8123 wrote:
btw. @-Sh1n1- : what do you think about the instant kiai toggle in 00:58:963 -? I feel it is not fit the easier diffs
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224,160,40963,1,0,0:0:0:0:
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288,160,41287,1,8,0:0:0:0:
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224,160,41774,1,0,0:0:0:0:
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224,160,64152,1,0,0:0:0:0:
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224,160,64882,1,0,0:0:0:0:
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224,224,72098,1,4,0:0:0:0:
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288,160,73882,1,8,0:0:0:0:
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288,224,77287,1,12,0:0:0:0:
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224,160,78098,1,0,0:0:0:0:
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224,160,80692,1,0,0:0:0:0:
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224,160,81017,1,0,0:0:0:0:
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288,160,81341,1,8,0:0:0:0:
288,160,81503,1,8,0:0:0:0:
224,160,81665,1,0,0:0:0:0:
224,160,81990,1,0,0:0:0:0:
288,160,82152,1,8,0:0:0:0:
288,160,82314,1,8,0:0:0:0:
224,160,82476,1,0,0:0:0:0:
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288,224,90098,1,12,0:0:0:0:
[centre][b][color=#FF0000]qoot8123's Kantan by [profile]qoot8123[/profile][/color]
[color=#FF00FF]Hanjamon's Futsuu by [profile]Hanjamon[/profile][/color]
[color=#FF0000]Nwolf's Muzukashii by [profile]Nwolf[/profile][/color]
[color=#FF00FF]Oni by [profile]-Sh1n1-[/profile][/color][/b][/centre]
16:16 Nwolf: basing on first pattern
16:16 Nwolf: 00:49:557 (5) - removing this would make the pattern feel rigid
16:16 Nwolf: 00:49:719 (6) - removing this would mean no snare mapping which feels odd compared to the rest of the map
16:17 Nwolf: 8 and 10 same
16:17 Nwolf: if anything 7 and 9 would be options
16:17 Nwolf: and even then idk if it feels good
16:17 Jonawaga: i was suggest 9 but... I think increasing difficulty in Futsuu might be all we need
16:18 Nwolf: I'll nerf the 2nd kiai tho
16:18 Jonawaga: okay, thanks
16:38 Hanjamon: aqui estoy
16:38 Jonawaga: bienvenidas
16:43 Jonawaga: 00:27:179 (69,70,71) - creo que es un poco trope
16:43 Hanjamon: trope?
16:43 Jonawaga: torpe*
16:43 Jonawaga: estoy mirando google translate lol
16:44 Hanjamon: oh ;w;
16:44 Hanjamon: we can talk in english, i don't have problem
16:44 Jonawaga: quiero practicar
16:44 Jonawaga: es bien?
16:44 Hanjamon: okay xD
16:44 Jonawaga: gracias
16:44 Hanjamon: si, esta bien
16:44 Hanjamon: a que te refieres con torpe?
16:45 Jonawaga: "awkward"
16:45 Hanjamon: cual es la palabra en ingles?
16:45 Hanjamon: oh
16:46 Hanjamon: es una traduccion rara :thinking:
16:46 Jonawaga: 00:27:179 (69,70) - no es en el "abrumador"
16:46 Hanjamon: te refieres a que sea algo "incomodo" ? raro?
16:47 Jonawaga: claro,
16:47 Jonawaga: mi punto es, las notas no estan en la "abrumador"
16:47 Jonawaga: they're not on the "downbeat"
16:48 Jonawaga: puedes mover 00:27:503 (70) - a 00:27:341 - ?
16:48 Hanjamon: oh, vale entiendo
16:49 Hanjamon: y si lo muevo el tick 1/4?
16:49 Jonawaga: dije 00:27:341 - , que es 1/1, verdad?
16:50 Hanjamon: si
16:50 Hanjamon: pero no me termina de convencer con la nota ahi
16:50 Hanjamon: la razon por la que use k en 00:27:179 - es para enfatizar tambien la vocal
16:51 Hanjamon: pero moviendo a 1/4 no seria muy dificil en mi opinion
16:51 Hanjamon: y seguiria mejor el instrumental
16:52 Jonawaga: puedes mostrarme este?
16:52 Hanjamon: wait
16:52 Jonawaga: claro
16:52 Hanjamon: 00:27:260 -
16:52 Hanjamon: este
16:52 Hanjamon: mover la nota ahi?
16:52 Hanjamon: creo que encajaria bien
16:52 Hanjamon: y no es dificil
16:53 Hanjamon: seguiria el instrumental a la perfeccion
16:53 Jonawaga: un, futsuu?
16:53 Jonawaga: en futsuu... ?
16:54 Hanjamon: si, a pesar de ser una futsuu creo que no es muy dificil
16:54 Hanjamon: https://osu.ppy.sh/ss/9001349
16:55 Hanjamon: ah no
16:55 Hanjamon: el sonido es 1/3
16:55 Hanjamon: hmmm
16:55 Hanjamon: https://osu.ppy.sh/ss/9001359
16:55 Hanjamon: que opinas?
16:57 Jonawaga: es un poco extrena...
16:57 Hanjamon: hmm
16:57 Hanjamon: bueno
16:57 Hanjamon: lo hare kdd
16:57 Hanjamon: la sugerencia que me diste, asi evito problemas de snap
16:57 Hanjamon: xD
16:58 Jonawaga: debes recibir mas opinas...
16:58 Hanjamon: opiniones?
16:58 Jonawaga: si
16:59 Hanjamon: es que creo que el snap es 1/3
16:59 Jonawaga: ok ok y 00:48:746 - a ti kiai
16:59 Jonawaga: tu kiai*
16:59 Hanjamon: ok
16:59 Jonawaga: mira a muzukashii, es mucho mas dificil,
17:00 Jonawaga: debes anadir un poco mas notas a su futsuu
17:00 Jonawaga: 1/2 y 1/1
17:00 Hanjamon: ok tengo una idea
17:00 Jonawaga: mhm
17:01 Hanjamon: https://osu.ppy.sh/ss/9001404
17:01 Jonawaga: si bueno idea
17:01 Jonawaga: pero, no necesitas que anadir mucho
17:01 Hanjamon: buena*
17:02 Hanjamon: si, entiendo
17:02 Hanjamon: solo dos doublets
17:02 Jonawaga: 00:53:936 (17,18,19) - / 01:04:314 (47,48,49,50) - es differente..
17:03 Hanjamon: oh
17:03 Hanjamon: no me di cuenta
17:03 Hanjamon: aテアadire k en 00:54:260 -
17:04 Jonawaga: perfecto chico/chica/senorito/senorita
17:05 Hanjamon: chico
17:05 Hanjamon: xD
17:05 Jonawaga: ok
17:05 Hanjamon: WTF
17:05 Jonawaga: ???
17:05 Hanjamon: aテアadi muchas mas notas y el sr ha bajado
17:05 Hanjamon: xD
17:05 Jonawaga: si, es porque SR en taiko es basado en los gaps
17:06 Jonawaga: 1/1 gap -> facil
17:06 Jonawaga: 3/2 gap -> dificil
17:06 Hanjamon: entiendo
17:06 Jonawaga: pero
17:07 Jonawaga: no te preocupes del SR
17:07 Hanjamon: si, si se que el sistema de SR esta muy mal
17:07 Jonawaga: si
17:07 Jonawaga: tienes modding assistant?
17:07 Hanjamon: la app?
17:07 Jonawaga: si
17:08 Hanjamon: lo tenia por ahi guardado xD
17:08 Hanjamon: oh
17:08 Hanjamon: hacer mas dificil esa seccion?
17:09 Jonawaga: no, el opuesto, era un poco facil
17:09 Jonawaga: no eran basta notas
17:10 Jonawaga: dime cuando terminaste
17:10 Hanjamon: wait
17:10 Hanjamon: entonces aテアado mas notas?
17:10 Jonawaga: tu idea
17:11 Jonawaga: https://osu.ppy.sh/ss/9001404
17:11 Jonawaga: es exelente
17:11 Hanjamon: :D
17:11 Hanjamon: espero que no sea muy dificil
17:11 Hanjamon: aunque bueno
17:11 Hanjamon: la muzukashii lo es mucho mas
17:12 Hanjamon: y, 00:27:341 - , esto lo dejo en kdd como habiamos quedado?
17:12 Hanjamon: https://osu.ppy.sh/ss/9001488
17:13 Jonawaga: es bien, me gusta
17:13 Hanjamon: esta bien*
17:14 Hanjamon: okay :3
17:14 Hanjamon: le enviare la dificultad a sh1n1 y ahi me dices si esta todo ok
17:14 Jonawaga: es muy divertido
17:14 Jonawaga: pero no he mirado ya
Thanks for mod!Jonawaga wrote:
Hello M4M in the future someday, please only accept what seems correct to you
[General][Futsuu]
- Flip bg horizontally for the girl's face in song menu perhaps...
call me back
- 00:09:665 (21,22,23) - try inverting to d d k since (23) seems like the strongest sounds good, fixed
- 00:31:882 (79,80,81,82) - this seems a little strange because you map the drums and then stop for the lyric's break. I think you should either map the vocals and include the break, or map the drums through the break. i think it's fine, a want a break there as the next notes are a bit dense, also, it looks consistent with 00:37:071 - .
- 00:46:152 (1) - stretch this spinner until 00:47:287 - here, as it seems awkward to force the player to stop spinning 00:47:125 - here if they have not yet completed the spinner but extending the spinner could be a bit hard (for a Futsuu), some people can miss due to hitting the spinner slowly and can't see the next note
- 00:52:638 (15,16,17,18) - / 01:03:017 (48,49,50,51) - you should definitely variate the two "kimi no morata"s because one is clearly much more intense than the other, and imo, that means it should be mapped with more k's for variation. 01:03:017 (48) - / 01:03:503 (50) - changing either of these to k would be beneficial imo i made some changes in the kiais at that section, now it follows better the vocal
- 01:14:044 (5) - imo you can remove this if you want because it's a very calm section and there's no guitar there as it fits better with vocals done
- 01:27:990 (39,40,41) - remove some of these to make a break so the player can hear the lyric here if you want it sounds weird deleting some of them, also i think isn't necessary a break there.
ty~Jonawaga wrote:
[Muzukashii]
- 00:29:125 - the offbeat kats around here play just a little strange, consider
any apply similar, for example add a d 00:31:395 - here, or a k 00:34:152 - here butbut not having 1/1 structure to emphasis this is a different, calmer part .w.not really a problem i just thought you might find the screenshot to be cool- 01:07:395 - / 01:07:882 - these seem like strong beats that could use hits, if you like, to break the rigidness of 01:07:557 (99,100) - this pattern tried something
- 01:27:990 (43,44,45) - remove some of these to make a break so the player can hear the lyric here if you want, since you follow the instruments mostly anyway uuuuh sure
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Thank you very much, I'll do <3, everything updated.Jonawaga wrote:
Hello M4M in the future someday, please only accept what seems correct to you
[General][Oni]
- Flip bg horizontally for the girl's face in song menu perhaps... Okie :3
call me back
00:13:071 (6) - it seems like you're following the drums here, should this be a d? I could be wrongi guess it makes sense I'm agree tbh, fixed
00:15:665 (22) - ^ / 00:20:855 (52,53) - ^- 00:18:746 (41,42) - ctrl+g for that ^ reason, I prefer accuracy to drums here I wanna add more enphasis to the high vocal pitch on 00:18:909 -
- 00:38:287 - add something, this can make a good triplet true
- 00:52:152 (28,29) - ctrl+g if you want to focus on the vocals a little better, and if you do, consider fixing consistency where needed I think that 00:52:314 - deserve k to keep consistency with my previous patterns
- 01:21:179 - consider switching to k for the strong vocal Okie, fixed
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Thank you very much broChromoxx wrote:
quik chek
Oni
00:05:936 - 00:07:233 - maybe try differentiating these a bit, i feel like the sounds at 00:07:233 (32,33) - are a bit deeper so maybe try ddkd for the 2nd one and ctrl G 00:06:746 (30,31) - ? in general I think that the guitar sound of 00:05:936 (26,27) - and 00:07:233 (32,33) - are very similar, so my intention is follow such guitar with k
00:17:611 - the cymbal here is kinda faint so i'd suggest making this a normal note and adding a k at 00:17:530 - the built up impact of the stream would make up for the lost emphasis by the finisher and it would just feel a lot smoother and more natural imo ok
00:29:287 - maybe change this to k for more emphasis on the "i" and contrast with 00:30:422 - ? ok
00:31:719 - drums? added a note on 00:31:719 -
00:47:449 - i'd suggest ending the finisher at 00:47:287 - and adding a k here, since otherwise there is no hit on the "da" sure
01:14:692 - the 1/2 chain here is a bit too intense imo considering how this part is more of a slow buildup yeah, I didn't notice, removed notes after finishers to add more enphasis.
call me back~
Chromoxx wrote:
recheck.
@sh1n1 01:15:017 - the pattern here still looks like something that would appear in a kiai, not a slow buildup part when comparing it to the rest of the diff, so i would strongly suggest nerfing this a bit more to add at least a few more 1/1 breaks in okay
Chromoxx wrote:
@qoot, if you're not going to change the part at 00:12:422 - i'd suggest deleting 00:18:260 - for a break at the very least to allow the player to recover from this
okay,removed
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