1. DER JODELMEISTER (Oni) (3.25 stars, 824 notes)
2. Futsuu (1.86 stars, 383 notes)
3. Kantan (1.17 stars, 203 notes)
4. Muzukashii (2.37 stars, 601 notes)

snowball112 wrote:

Osu! needs more yodeling!

Raiden wrote:

yes

yes
yes

yes

JessiChan wrote:

Hi snowball~ M4M request from my Queue :3 Heya :3

d
k
D
K

GENERAL

º Please Open the Ai mod and see this: https://puu.sh/slmVh/c857e67d9a.png I explain (since it is in Spanish) You must change the bits of the audio, the limit is 192 kbps, You can use audacity to fix this problem, I can gladly leave you a link:

- http://www.audacityteam.org/download/
- http://lame.buanzo.org/Lame_v3.99.3_for_Windows.exe < This is so you can export the saved file to mp3. Look for a tutorial on how to change the bits. Completely forgot about that, thanks! Thanks to Bonsai forproviding the updated mp3 :3

º The other point is that the display point interferes with the Oni difficulty, please fix. Fixed.

Muzukashii

00:22:303 (1) - Can be a d If you want. Or you can do ctrl + g 00:22:078 (2,1) - for consistency to here: 00:28:619 (1,2,3,4,5,1) - I have a similar pattern in 3 other parts, so I left this one as it is, but made the others to have a 1-2-1-2 pattern of this throughout the map.

You can try changing this part as well (if you do not like it leave it as it is) 00:31:326 (1) - d 00:32:228 (1) - k and 00:33:130 (1) - d I think sound better. I was trying to put emphasis on the yodeling, so that 00:32:228 (1,3) - fit together with the first one here being lower and with 00:31:326 (1,1) - the first one being higher pitch. I'll still trying around with this.
This point made me realize some inconsistencies in muzu and oni, very useful.

00:58:393 (46) - Can be a d Fixed.

02:17:566 (63,64) - ctrl + g here :3
Fixed.

Of the rest I think it is very good. Thank you!

DER JODELMEISTER (Oni)

00:22:190 (4,1) - you can do ctrl + g here :3 Similar changes to this kind of pattern: made a 1-2-1-2 structure with kdkkddk and kdkkdkd here.

00:43:055 (2) - Add note here and 00:42:829 (2) - Move this to here: 00:43:055 - I think sound better. This is more correct for drums, but I would like to keep the emphasis on the long vocal from 00:42:153.

01:18:694 - Same ^ In this part.^

01:24:559 (21,22) - ctrl + g So that it sounds the same as in this part: 01:20:499 (3,4,5) - If you want. Nice catch, Fixed.

01:30:649 (19,20) - ctrl + g here Still considering this, would not be bad to keep it for variety though.

01:41:250 (8,9) - This notes can be kk I changed this in a different way after listening to the drumroll again. Should fit better now.

01:41:250 (8,9) - Same in this part, you know. xD ^

02:24:559 (8,9) - Can be kk Fixed.

Good Diff! Thanks!

Good Luck

xtrem3x wrote:

(?)


General:

don = d
kat = k
Big Don = D
Big Kat = K

Kantan

• 
  HP = 8
  
  00:34:032 - Change this note to k ... have same pitch sound in vocal as previous note.
  01:10:123 - Same
  
  01:36:739 - other note here ( possible d?)
  
  01:46:213 - Same as 00:34:032-
  
  02:06:965 - in this section have more high sounds, then this note is possible in k
  
  02:20:047 - add other note (possible k?)
  
  02:29:070 (2,3) - ctrl+g ... same situation as 00:34:032-

Futsuu

• 
  HP = 7
  00:22:078 - delete this note and ...
  00.22:303 - Add finish ... have better emphasis
  
  00:58:168 - Same indications ^
  
  01:23:205 (7,8) - add finish ... for variety.
  
  01:27:266 - other finish ... other sequence
  
  01:34:258 - same indications as 00:22:078-
  
  02:06:063 - High pitch sound, change for kkk
  
  02:17:792 - same as 00:22:078- but just add finish (variety)

Muzukashii

• 
  00:28:844 (2,3,4,5) - delete these notes ... your next sequence is kiai time and have same pattern, then is better leave without notes this part and give priority to the next sequence.
  
  00:32:341 - is possible add other note here for a triple (?)
  00:39:559 - Same ^
  
  00:57:829 - Move to 00:58:055- ... triple sounds better in this point.
  
  01:04:935 - can be same situation as 00:28:844- but have drum roll sound .-.
  
  01:08:318 - Same triple as 00:32:341-
  01:15:649 - Same
  
  01:25:461- to 01:27:040 - Is possible change all this for a slider with Tick Rate = 3 ??
  
  01:44:408 - Same triple as 00:32:341-
  01:51:626 - Same
  
  02:27:717 - Same triple as 00:32:341-
  02:34:935 - Same
  
  02:46:326 - add other note ... is last kiai and well ... harder not? XD
  
  02:48:469 - Same triple as 00:32:469-
  02:49:135 - other triple here (kkk)
  02:52:078 - other triple (ddd)
  02:52:754 - other triple (kkk)
  02:55:687 - (ddd)
  02:56:363 - (kkk)
  02:59:296 - (kkk)

Oni

• 
  00:42:604 - Add k note sounds good, added.
  00:42:829 - delete I think it works fine to keep this for the instrument sound.
  00:43:055 - add d note I prefer to keep the 2-4 structure here for the instrument, I think this space works fine.
  Applied the above to all relevant kiai times.
  
  01:18:694 - same indications with in his respective times ^
  
  01:25:687 - same indication as muzukashii about slider. I'm not sure about this, I feel like a spinner fits fine.
  
  01:54:784 - Same indications as 00:42:604- with his respective times...
  01:55:574 - Change to k .. have same pitch sound. The k is intended for the clap to combine vocal + instrument, I think this works better than using a k triple.
  
  01:59:070 (14,15,16) - kkk .... similar to 01:55:574- ^
  
  02:38:093 - Same as 01:54:784-
  
  02:46:213 - seems rare but in this part is possible a 1/6 stream ... ->

This could work, but I'd prefer to keep things a bit simpler, I just changed 02:46:438 - to k instead.

Aloda wrote:

Mod. Sorry I took so long. No worries, thank you for modding my set :3

General

The offset seems a little off to me. Maybe something like 638 would be better? Sounds a lot better, I'll recheck and change this. [/color]

Kantan

For the 00:15:085 - 00:29:521 section I think your structure flows a little strangely. The 4/1 doesn't contrast well with the 1/1, and it feels weird to play. This section could be mostly 2/1 with a bit of 1/1 and it would flow a lot nicer. The same goes for 00:51:175 - 01:05:611, 01:27:266 - 01:41:702 and 02:10:574 - 02:25:010.

Your use of 1/1 during the Kiai sections seems really arbitrary. Like, 00:29:521 - 00:34:935 and 00:36:739 - 00:42:153 have a pretty much identical rhythm, yet your placement of the 1/1 is not consistent. I get wanting some variety in here, but I think this plays a lot better with the 1/1 triplet at the end of the second bar (like it is in the second part).

Remove 02:09:672 (14,15)? You didn't map these in the identical structure at 02:06:063.

I don't understand our structure in the final Kiai section. You've started off with a 5-length 1/1 pattern near the start, and it seems like you want to make this Kiai section more dense than the previous ones, which is great, but after that you've reverted to the simpler patterns you used in the previous Kiai sections. You can either increase the density of the rest of this section, or change the 5-length pattern, but you need to be consistent.

Futsuu

The 2/1 gap at the start of many of the Kia sections really breaks the flow of the map. You're just coming into what is meant to be the most intense part of the song, so the sudden gap contrasts really starkly with the previous section. I strongly suggest adding a note into each of these gaps.

In the section following the first Kiai, your use of 1/2 doesn't seem appropriate here, This section is much calmer than both the preceding and following sections, so using a pattern like 00:49:371 (10,11,12,13,14,15,16), which is denser than anything you used in either of the other sections, feels really strange. I suggest just using 1/1 for this section.

DER JODELMEISTER (Oni)

I think the 5-plet at 00:14:183 is a little weird. Through this section you've only used triplets, and I don't think that the sounds here are enough to warrant introducing 5-plets here. I suggest removing 00:14:296 (2) to make a triplet here instead.
I think keeping this is fine for transition, and to introduce that I'm mapping later patterns to that background instrument as well.

Other than that, the only thing I have to say about this diff is that it's really repetitive, especially the final Kiai section. You've almost exclusively used ddk and kkd triplets, and the structures you've used are also very repetitive. It's not a huge problem since the song is also quite repetitive, but I think you could introduce a little more variety. I've added a longer pattern, but for the most part I'd like to keep this as is, mainly because it fits the song pretty well, even though it is repetitive.