00:07:173 (9,10,11) - kkk 和 00:20:599 (9,10,11,12,13) - 一樣
> 後者的音調較高,因此使用kkk而不是ddd。00:34:446 (9) - delete (沒有聲音)
> There is a slight down-scaling glizzando effect made by the Piano (although I don't even know how a Piano can make glizzando). d is added as a result.00:55:215 (61,62,63,64,65,66,67) - (也許) d d k D _ d k D
> 好建議,但這樣做就會把follow中的主調忽略,而且Oni會有三連音,所以不用Finish。02:09:900 (8,9,10,11,12,13,14,1,2,1) - d d k d k d k d k d K
> That's not a wise suggestion here if you are observant enough as I just add some notes based on the session of futsuu. As you do not make such a suggestion in Futsuu, it is quite sarcastic, you know....[/box]
[box=Oni]00:03:606 (6,7,8,9,10,11,1) - kdk ddkkk
> anti flow for ddkkk as well as kdk does not fit the musical sense there, reject.00:10:320 (29,30,31,32,33,34,35) - k d kkddk > Basically the note patterns should not be interfered by changing the cut-off positions, which are consistent in all difficulties.
kkddk breaks the above setting.00:13:886 (50,51,52) - dkk
> 00:13:886 (50,51,52) - ddk instead of dkk since the latter is somehow anti flow there with a bunch of k spammed inappropriately.
00:16:613 (6) - k
> 00:16:613 (6,7) - and 00:17:452 (11,12) - are pair-up notes.00:23:327 (27,28) - Ctrl+G > 00:23:536 (28) - should be d considering the consistencies in overall difficulties.
00:24:376 (32) - k
> 00:24:585 (33) - I wanna emphasize this note, so using 00:24:376 (32) - as d.00:34:446 (9) - delete (沒有聲音)
> ^, same response in Muzukashii.00:41:788 (25,26,27,28,29,30,31) - k d _ k d d k
> 00:42:208 (28,32) - is paired up. 00:42:208 (28) - should not be deleted. 00:43:047 (32) - should be d for consistency again.00:55:215 (62,63,64,65,66,67,68,69,70,71,72,73) - 有點違和 (因為你兩個聲音都跟) →也許 d k k D _ d k D _ d k
> same response in Muzukashii, but I literally change 00:56:054 (67) - to k to prevent the confusion between 00:55:844 (66) - and 00:56:054 (67) - .00:59:305 (82,83) - kk
> these two notes are in low phase, kk makes them outstand. This is not an expected effect.01:00:983 (92,93) - kk
> okay, sounds nice.01:03:396 (106,107) - Ctrl+G
> yes, I mapped wrongly
01:07:696 (132,133) - Ctrl+G
> 01:07:802 (133,134,135) - k d k there. No change considering the later ongoing. 01:09:375 (142,143) - dd
> 01:09:375 (142) - is slightly higher than 01:09:480 (143) - , mapping it with k as a result.01:12:837 (160) - k
> note consistency is preferred, rejected.01:16:404 (173,174,175,176,177,178,179,180,181,182,183,184,185,186,187,188,189,190,191,192,193,194,195,196,197,198,199,200,201,202,203,204,205,206,207,208,209) -
這部分跟的聲音有點亂 試試看這樣
(只是建議而已)
> I map this session with 2 musical parts together. I do not want to see nn nnnn pattern in Oni .01:25:215 (2,3,4) - kkk
> 01:25:215 (2,4,5) - d k d follow the consistency well. 01:25:425 (4) - is emphasized as well.01:37:382 (73,74) - Ctrl+G
> 01:37:173 (72,74) - same pitch, k (d) k is mapped consequently.01:58:152 (32,33,34) - k ddk >01:58:501 (33,34) - 的網飾音用1/6 d 去表示,前面的01:58:152 (32) - 亦不宜用k,因為01:58:571 (34) - should be emphasized emphasized.