So, I'm in the midst of catching up on things since I got a little busy this summer.
Uchouten Kazoku is, by and large, the standout artistic achievement of the season, and easily my favourite title of the year. Prose can be poetic and the first episode feels like a giant haze, but it's a haze that eventually forms into a very coherent narrative, and a truly dramatic slice-of-life anime that shows the ties between a broken, confused family. Its tie-ins with basic folklore also make this more impactful if you've familiarized yourself with them, but it's still watchable without because you can infer everything from viewing. It's a show where not everyone is always likable, and yet you find yourselves rooting for them. Where you see the fact that despite a family being broken, they're still a family that is there for each other. It's poignant and not what I expected.
Gatchaman Crowds is a show I did not expect to like. I came off the first episode wanting to punt Hajime through a window and finding the entire sentai idea on display kind of tired, with garish and pretty low-budget visuals. What I did not expect was it to turn into a sentai version of Eden of the East, except following through on its not-so-subtle social commentary with statements that you, indeed, have to look under the surface to see. However, it's not impenetrable and you don't need to be a scholar to see why it works. Hajime ends up becoming one of the most intriguing figures I've seen in recent anime memory and I cannot wait for the last episode.
Watamote, well, I've defended in another thread. It's uncomfortable, darkly humorous, and it has social anxiety pinned right down to a T (including the lighting choices, which are box-like in nature; if you don't see the correlation, look into the disorder some). It's a show that's not for everybody, and I liken it to Welcome to the NHK, even if it's not as extreme as that. It does, at the end of the day, extend a hand of benevolence to its main character, though, and when it does, it becomes increasingly obvious that the show does want Tomoko to start getting over her disorder, but it approaches it in a relatable fashion. OH LOOK, COMEDY WITH PATHOS.
Free! is delightful. It's a good fanservice show aimed at people who like dudes. KyoAni-moe-lovers can look forward to their continued lame panderfests with Chu2koi and Tamako Market continuing in winter.
Yamishibai has been very hit-or-miss with me. Some stories I love, some I am not fond of, some I just outright laugh at (the entirety of that copy machine ghost episode was so try-hard-y that I just hated it). Hope it eventually gets more episodes.
Dog and Scissors is a fucking terrible show, guys. Worst thing I've seen all year.
Attack on Titan is good! Not as good as the general fanbase thinks it is, but y'know, it's solid! Definitely not as bad as some people make it out to be, but overhyped to be fair.
Need to catch up on Kiniro Mosaic, Genshiken 2, Rozen Maiden, Blood Lad, and Silver Spoon.
Dropped Dog and Scissors, Brothers Conflict (boring), Hyperdimension Neptunia (are you fucking kidding me), Daybreak Illusion ~pretentious Italian bullshit~ (want to hear how this ends since it just should not function), Symphogear G (got really bored of it), C3-bu (I am not one for gun fetishism in general), Dangan Ronpa (play the fucking VN), and Servant x Service (it's like Working!, which means it's boring and uses the same unfunny joke ad infinitum).