nothing wrote:

there's nothing lol

reffty_gag wrote:

keep gambling

sametdze wrote:

Merry Christmas, you dirty farmer.

Farfocele wrote:

chocomint’s Harumachi Clover [Koa%Wer Clover] NFDT 6.83 104 miss. Without a doubt, one of the most impressive plays ever set in osu! history, but one that takes some experience to appreciate fully. In the 3.5 years that this map has been ranked, chocomint’s score remains the ONLY NFDT 6.83%, and there’s much more to unpack about this score. While some maps easily convey how difficult they are through the raw aim, or speed requirements, Harumachi Clover is much more nuanced than it may seem at first glance. To help illustrate just how difficult this play is, I would like to break down and analyze aspects of the map and the play itself. Right off the bat, we get a sense of the density of the notes, and the reading difficulty associated. With DT applied, the map becomes around 213 bpm, and AR 10, a higher note density than most players are used to. Still, this should be manageable, but adding to the difficulty is the constant rhythm of, and spacing of the patterns which continues for the entire map. These would already pose a significant challenge to players’ rhythm sense, reading, and finger control, but with No Fail, the reading becomes MUCH harder. This is all bread and butter to someone like chocomint, who plays maps with similar patterns all the time, but everything we’ve gone over is just the beginning. Ask any top player what the hardest part of Harumachi Clover is, and they will all say the 1/2 jumps. Many of the patterns in this map are continuous with strange velocity and angle changes, which need very fine adjustments in a player’s aim to hit. None are more apparent than the various zig-zag patterns, which appear in the highest spacing sections. These require a player to aim to each note in a 1/2 beat time window, while potentially changing to an almost opposite direction. This is where chocomint shines, as almost no players have the level of aim control which he does. Bringing it all together is where the magic of this play really lies. DT alone makes the aim control barely in reach for any other player, but adding No Fail makes these highly control-intensive patterns nearly impossible. Following the rhythm on such a map can be hard already as well, and trying to keep low accuracy, given the layout of the patterns, becomes ridiculous too. The real challenge is diverting focus between the aim aspect and the tapping aspects of the map, while keeping your reading in check as well. Keeping up with the map the entire way through to such a degree is exactly why chocomint’s play is so astonishing. It’s hard to put into words how much skill goes into a play like this, but to get an idea, I recommend trying the map for yourself. chocomint’s NFDT score truly is in a league of its own when it comes to the aspects described earlier. Just over 2 months after it was set, some players are now approaching DT passes, but not with nearly as low accuracy, and the majority lacking No Fail. For now, it will remain a dream play for every top play, and a reality for chocomint. Hopefully this video has given you some more insight into, and appreciation of, one of osu!’s best plays of all time.

sametdze wrote:

HARUMACHI CLOVER

[TCD] Dzar03 wrote:

CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO CARPI TAIKO

reffty_gag wrote:

HOLY POGGERS

replcu wrote:

kibitz 1 millioning

Kaeya x Diluc wrote:

ok grandma go back to bed

reffty_gag wrote:

KAMU 😘 LAH 😐 MAHLUK 🐒 TUHAN 👼 YANG 😗 TERCINTA 😍 YANG 😗 PALING 😆 SEKSI 🥵 CUMAN 😩 KAMU 😳 YANG 😗 BISA 🤗 MEMBUATKU 🥴 TERUS 🤫 MENJERIT 😱 AW 🗣 AW 🗣 AW 🗣 IH 🗣 IH 🗣 IH 🗣
(wtf is this copypasta)

I AM VERY SMART wrote:

that's a catchy opening right here

Farfocele wrote:

Words cannot describe how much I resent Nanahira, her voice makes me lust for blood more than anything has in my entire life. Every time i hear her high pitched nonsense I just want to pummel her to the ground and completely wipe her off the planet

I AM VERY SMART wrote:

🔪🔪🔪🔪🔪🔪🔪🔪🔪🔪

meow?

fluffpup wrote:

SOMEONE GET ME IN CONNECTION WITH WILL STETSON IMMEDIATELY I SWEAR WE CAN OWN THIS WHOLE FUNCTION

NicNock wrote:

jqijnasfapsfnansfasfmpasfo

-Kori wrote:

you're fully allowed to brag about committing murder. good job

sametdze wrote:

rest in piece letter b