1. Futsuu (2,36 stars, 299 notes)
2. Muzukashii (3,17 stars, 438 notes)
3. Oni (4,27 stars, 598 notes)
4. Stefan's Kantan (1,81 stars, 180 notes)

Weber wrote:

Futsuu

00:14:803 - I'd just make this a d as it's basically the exact same sound as 00:15:140 - from what I can hear.

00:33:006 - Move this note over to 00:33:174 - and make it k, to better match that cymbal in the music.
00:43:792 - ^


Muzukashii

00:21:461 - I think kdd would work better for this pattern as the first note is the most defined in the music compared to the other two.

00:26:938 - Try dkdd instead of kdkd, I feel that it fits with the music a little better, kdkd still works though.

00:54:410 - Since it's Muzu, I think you could start mapping the less prominent background rhythm instead of the 2/1 piano(?) here. For example: https://osu.ppy.sh/ss/7954119


Oni

00:54:410 - ^ Same as muzu.

I wish I could say more about Oni, but it's completely outside of my playing range.


Good luck!

Raphalge wrote:

random mod :thinking:

[General]
The HP curve seems a bit weird imo, I can tell both the Kantan and Futsuu are pretty advanced but HP4 is a bit low, don't you think? to?

[Oni]
00:03:343 (9) - delete? Since you mapped this and not 00:06:208 - it creates some awkward inconsistency imo
00:08:736 (25) - ^ I wanna keep it first

00:15:983 (65,66,67,68,69) - change to dkddk? Would match the rhythm you've used in this section a bit better yeah okay, but I would prefer kkddk then

00:26:601 (133,134,135,136,137,138,139) - if you changed that last one to dkddk I think this would would work better as dkddkdk, you'd also give the drum sound at 00:26:938 (137) - a bit more kick oki, also used that k at the beginning there

00:29:466 (154,155,156,157,158) - change this to dkddk too? 00:29:635 (156) - sound incredibly bassy if you ask me I prefer ddkkd

00:45:983 (267,268,269) - change to dkk? the difference between the two last notes feels too big to be hitsounded the same (could just be an instance of subjective pitch?) mhhh, using kkd now since it's weird to play. D: for me at least

00:53:904 (319,320,321) - I can't hear anything to support the 1/4 triple here, the 1/3's are clearly mapped to the piano, so I'd suggest sticking to only the piano, especially if you want to keep the finisher at the end, at the moment it's very awkward to hit imo

01:02:331 (333,334,335,336,337,338,339) - this section feels a bit sudden and choppy, considering the next section is pretty dense and full of 1/4's, maybe change it to something like this?

01:05:197 (343,344,345) - ctrl+g? would flow into the ddkkd better

01:24:579 (501) - change to k for flow improvements again? would feel better starting the next section on a new color imo

01:30:225 (536) - and 01:30:393 (538) - delete and change 01:30:309 (537) - to k? Since the next section uses a ton of quints I think it'd be a good idea to kind of "prepare the player" yu, and since I don't like the kkkkd at 01:30:477 - then, I changed it to https://tati.s-ul.eu/ww3mUqSC

404 AccNotFound wrote:

( ´ ▽ ` )ﾉツ hi~
from your queue~ Stefan's
Im noob at modding so please just refer my opinion xD


[ General ]

d = don
k = kat
D = Big don
K = Bog kat


[ Futsuu ]

00:16:489 (46) - delete? there's no emphasized sound in here, and for little rest time. oki!

00:26:938 (86,87,88) - delete for rest time imo xD ?

01:12:781 (227,228) - same opinion. so this one 01:23:568 (178) - too? okay


i think this diff has little lack of rest time, consisted with other Futsuu diff.



[ Muzukashii ]

00:03:343 (9,25) - delete? no sound is here without eco, and little feel like offbeat, before started from 00:11:264. yeah there was the same suggestion for my Oni but I would prefer it doing here so that I can use it in the Oni.

00:20:534 (74) - delete or add circle at 00:20:365. for avoid confusing to catch the start of stream. I would like to keep it like it is. Deleting it would feel empty while adding a note feels like too much.

00:57:107 (246) - d? I changed that part completely, I'm using a d there now. :>



[ Oni ]

00:03:343 (9,25) - delete? no sound is here without eco, and little feel like offbeat, before started from 00:11:264. ay, as I said. Maybe there's no sound for it but it fits good anyways in my view

00:15:478 (61,62) - delete. for the little rest time. deleted the 2nd only

00:18:006 (79) ~ 00:19:017 (82) - fill some notes for consistence with 00:16:657 (71) ~ 00:17:837 (78). if you wanna some rest time, i recommend 00:15:478 (61,62) here imo xD I actually put breaks because the piano don't play in there... I will think about it

00:32:163 (173,174,175,176,177,178) - slider? nah, I would like to keep the finisher for the next section then. Also I like it how the sound gets bigger, that's why I used these k's then

01:18:258 - add circle? to follow synth melody. not a bad idea. I would keep it like it is anyways because I think "there's not enough sound" for a 5 circle stream I would say



i learned many thing while modding this map xD
i hope that this will help it even a little
Good luck~

Weber wrote:

2am mod

Stefan's Kantan

00:03:174 - I'm kinda fuzzy on what's more appropriate for Kantan, but if you wanted it to be more pitch appropriate to better differentiate sounds in the music, I think dk kdd would work for 00:02:837 (5,6,7,8,9) -, but dd kkk might be more appropriate anyway given the simplicity of the pattern. Just something to consider. (if agree, consider applying for similar patterns later) Since the Kantan itself is "harder", making that sort of pattern is just overkill. I also like it very simple.

00:16:152 - Not really a huge fan of using 1/2 here into 1/1, making it much denser than the last 5 seconds or so, which were 2/1 with an additional 3/1, the contrast I feel might be a little jarring for beginners. Consider removing 00:16:152 (26) - as it isn't really that necessary. Your point isn't wrong but the reason that I won't remove it for NOW is that Futsuu currently works with multi-colour 1/2 continous notes, having none of them in the Kantan is pretty hard if you do the switch.

00:17:331 - and 00:18:006 - don't really feel like they are on any distinct notes in the music and kinda feel like filler from what I can hear, consider moving these notes to 00:17:163 - and 00:17:837 - respectively. The piano hasn't unlike the other difficulties the highest priority in the difficulty.
I do map it, yes but staying on 1/1 if possible is also good and is easier.

00:39:242 - Much like before, I feel as though this could be thinned out by removing this note, and the current pattern would still work pretty well. My thoughts for these parts were to have something like a little burst, while I am sorta unsure if that's really senseful for a theoretical beginner difficulty. I won't change it but I keep this in mind to change whenever I find a solution or someone suggesting me something better.
00:44:635 - ^
00:47:331 - ^
00:50:702 - Move this one over to 00:51:376 - for a better rhythm imo. I don't agree at this point.

404 AccNotFound wrote:

( ´ ▽ ` )ﾉツ hi~
from your queue~
Im noob at modding so please just refer my opinion xD


[ Stefan's Kantan]

00:20:365 (35) - delete? for avoid dense pattern. Removed 00:20:702 - instead.

01:28:118 (159) - move to 01:28:286 and add circle at 01:27:781, so follow main synth melody, imo xD Sounds not bad but the break here
has a better use for giving some rest time and 01:28:118 (158) - is easy to "come back".

01:38:567 - add D? two crush sound to me. Hmmm, added for now.

Stefan wrote:

ja hi

[Oni]
00:11:264 - 00:18:006 - Ich finde, dass du dieses "durchgehende" Mapping hier nicht unbedingt brauchst. Bei den darauf folgenden Parts passt das wesentlich besser, aber hier hört es sich imo unnatürlich an. Da könnte man auf Noten wie 00:12:612 (41) - , 00:15:309 (60) - oder 00:17:331 (74) - verzichten. Ohne solche Filler-Noten hören sich die vorherigen Noten, wo du die entfernt hast, wesentlich stärker an.
00:26:601 (132,133,134,135,136,137,138) - Hört sich per se eher nach kddkkdk an, wenn du dir mal 00:26:854 - genauer anhörst ist da was Helleres als bei 00:26:685 - .
00:37:556 (208) - Das ist der einzige Part, wo es nicht wirklich passt, durchgehendes Mapping zu betreiben und wo du die Note entfernen solltest. Von einander getrennt hört sich 00:36:376 (200,201,202,203,204,205,206,207) - danach viel besser an.
00:40:084 (225,226,227,228,229,230) - I glob, dass kdkdd k besser zu dem passt, wonach du da folgen willst. Ansich ist der Pattern nicht so schlecht, aber kommt mir etwas zu spät vor.
01:17:163 (470) - Könnte man zu k umändern, wegen dem Guitar riffs.

hell yea alles geändert

[Muzukashii]
00:13:455 (41) - Würde es sich nicht passender anhören, indem du es zu 00:13:624 - schiebst? Da wo man das Klavier hört. oki
00:21:376 (78,79,80) - Ich werde da jetzt vorerst nichts vorschlagen, dass du den multi-colour Triplet ändern solltest, da die bei so einer BPM in einer Muzukashii nicht unbedingt eine gute Entscheidung sind. Aber es würde zumindest einen bessere Gap zu der Oni gewährleisten, da die Oni doch schon ordentlich ist. ich find's ganz okay so
00:33:343 (136) - Die Note hört sich nicht wirklich nach etwas an tbh. Ich würde die zu 00:33:174 - verschieben und sie als kat note ändern, damit sie dem lauteren Beat nachfolgt.
00:52:556 - 00:53:736 - Um die Erklärung etwas zu verkürzen, hier ein Bild: https://derpovic.s-ul.eu/WqYgaT7a.png Der derzeitige dkd Part hört sich imo ziemlich random an und nach nichts, was es im Lied wirklich folgt, eher ein Filler, damit man zum nächsten Combo pattern übergeht. Die Note bei 00:53:567 - sollte dann gegebenfalls auch entfernt werden, damit (234,235) auf dem Bild stärker anhören.
01:06:882 - Die Pause hier ist mega weird imo. Würde schon sagen, dass du da eine Kat note setzen kannst, weil sich der Break nicht wirklich rentiert, wenn es sich am Ende weird anhört. hätte erst gedacht, dass das dann "zu viel" für eine Muzukashii wäre, aber wenn du das sagst, oki!
01:32:500 (444) - Kat sound hört sich da um einiges besser an, wenn man der Melodie im Hintergrund genau folgt. jup, passt sogar gut zu 01:34:185 (451,452) - den beiden Beats.

wenn hinter einem Arrow nichts steht, habe ich es einfach wortlos akzeptiert

[Futsuu]
Entweder bin ich mega geboosted (ja) oder es gibt da wirklich nichts auszusetzen. Ansich muss man ja sagen, dass die Futsuu um einiges schwerer ist als typische Futsuu Difficulties, aber grundlegend passt der Gap ganz gut zwischen Kantan-Futsuu-Muzukashii.

(ja)

baba (´･ω･`)

1. 00:03:174 (6) - den könntest du k machen, somit dann 00:04:354 (9) - d.
2. 00:08:567 - ebenso hier
3. 00:14:635 (24) - k? Der Sound ist dort ja ziemlich hell.
4. 00:18:006 (30) - hier ist er dunkler, würde dann d vorschlagen
5. 00:18:680 (31) - sehe hier ebenfalls keinen Grund den k zu machen.
6. 00:41:433 (71) - ich würde hier ein k bevorzugen. Das passt zum Sound und spielt sich eigentlich ganz gut mit dem d vorher.
7. 00:56:433 (97) - k? Der hört sich genauso an wie 00:57:107 - .
8. 01:05:197 (102) - k machen, weil heller Sound und 01:05:871 (103) - löschen, weil dort nichts ist.
9. 01:24:073 (149) - ja, auch k, einfach weil der Ton sich dafür super anbietet. Dafür könntest du noch 01:24:410 (150) - auf den roten Tick 01:24:579 (150) - daneben moven

Lyawi wrote:

[Stefano]
ich bin schlecht in Taiko modden, erwarte also bitte nichts :ok_hand:

1. 00:03:174 (6) - den könntest du k machen, somit dann 00:04:354 (9) - d. Ich finde den praktischen Aspekt, dass die Pattern schlicht gehalten sind (dass zB 00:03:680 (7,8,9) - einfarbig ist) besser, als verschiedene Sounds zu verwenden. Ist ansich kein schlechter Tipp, aber ich versuche es hier einfacher zu halten.
2. 00:08:567 - ebenso hier HIER wiederum wäre ein Wechsel zwischen 00:08:230 (14,15) - zu k k und 00:09:073 (16,17,18) - zu d d d möglich und würde Sinn ergeben. Hab ich mal eben gemacht.
3. 00:14:635 (24) - k? Der Sound ist dort ja ziemlich hell. Scheint so.
4. 00:18:006 (30) - hier ist er dunkler, würde dann d vorschlagen Oki.
5. 00:18:680 (31) - sehe hier ebenfalls keinen Grund den k zu machen. ~
6. 00:41:433 (71) - ich würde hier ein k bevorzugen. Das passt zum Sound und spielt sich eigentlich ganz gut mit dem d vorher. Vom Klangton her unterscheiden sich die beiden nicht allzu sehr imo.
7. 00:56:433 (97) - k? Der hört sich genauso an wie 00:57:107 - . Wenn, dann sind sich 00:57:107 (98,99) - ähnlich, aber nicht (97,98). Hab aber mal 00:59:803 (99) - zu kat geändert.
8. 01:05:197 (102) - k machen, weil heller Sound und 01:05:871 (103) - löschen, weil dort nichts ist. (103) ist Teil vom Buildup und hbat da schon seine Berechtigung, ich hab's auch daher auf kat, weil der.. hellere Sound? dunno, da eher applied als bei 01:05:197 (102) - .
9. 01:24:073 (149) - ja, auch k, einfach weil der Ton sich dafür super anbietet. Dafür könntest du noch 01:24:410 (150) - auf den roten Tick 01:24:579 (150) - daneben moven Ich hab's jetzt nur mal auf kat geändert, reicht imo auch.

1. Okay.

1. Easy pattern for beginners. and There are Notes in places where you want to emphasize according to songs.
   nice diff :3

1. 00:22:556 (66) - delete ? ( In accordance with back sound instead of drum :3 )
   
   
2. 00:42:107 (55) - delete it ? ( I can't feel discomfort even if it disappears. So I think can erase it )
   
   
3. 01:15:646 (149) - change kat ? ( 01:07:893 (121) - ~ almost d k dkd pattern. want variation
   
   
4. 01:25:590 (187) - delete here ? ( 01:25:758 (188,189) - To stand out here. :3 )
   
   
5. 01:26:770 (192) - ~ 01:26:770 (192) - so many finish notes.. 01:28:792 (200) - delete ?

1. 00:20:534 (72) - move 00:20:365 - & 00:20:786 (74) - delete. / 00:21:461 (78) - move 00:21:292 (77) - ? ( https://osu.ppy.sh/ss/8037515 I think I can try to make it simple. I think that it also matches drum sound :3 )

1. 00:34:017 (182,183) - swap? ( follow piano sound is better. & It also fits drum sound )
   
   
2. 01:06:713 (379,380) - swap note ? ( 01:06:882 (380) - I think that it is best to change this to k. follow drum & piano sounds. )

toara_fict wrote:

Hi.

[ General]

1. Okay.

- - - - - - - - - - - - - - - - - - - - - - - - -


[ Futsuu]

1. 00:22:556 (66) - delete ? ( In accordance with back sound instead of drum :3 ) deleted it
   
   
2. 00:42:107 (55) - delete it ? ( I can't feel discomfort even if it disappears. So I think can erase it ) okay
   
   
3. 01:15:646 (149) - change kat ? ( 01:07:893 (121) - ~ almost d k dkd pattern. want variation I don't like that since the sound is always the same
   
   
4. 01:25:590 (187) - delete here ? ( 01:25:758 (188,189) - To stand out here. :3 ) mh... wanna keep it as it is, fits good to 01:24:073 -
   
   
5. 01:26:770 (192) - ~ 01:26:770 (192) - so many finish notes.. 01:28:792 (200) - delete ? nah D:

- - - - - - - - - - - - - - - - - - - - - - - - -


[ Muzukashii]

1. 00:20:534 (72) - move 00:20:365 - & 00:20:786 (74) - delete. / 00:21:461 (78) - move 00:21:292 (77) - ? ( https://osu.ppy.sh/ss/8037515 I think I can try to make it simple. I think that it also matches drum sound :3 ) I'm not a fan about this, but changed it a bit anyway: https://tati.s-ul.eu/6uyLzqRe.png

- - - - - - - - - - - - - - - - - - - - - - - - -


[ Oni]

1. 00:34:017 (182,183) - swap? ( follow piano sound is better. & It also fits drum sound )
   
   
2. 01:06:713 (379,380) - swap note ? ( 01:06:882 (380) - I think that it is best to change this to k. follow drum & piano sounds. )
   
   changed both points, it fits well.

- - - - - - - - - - - - - - - - - - - - - - - - -

Kantan&Oni : Simple yet funny mapset. :3

Good Luck

Akemi_Homura wrote:

Hi~ Stefan & Lyawi. from Stefan's M4M queue. :3
My modding is include personal feeling & suggestion.
Please feel free to ignore, If my modding affect your mapping style.

d = don
D = big don
k = kat
K = big kat

• [Futsuu]

1. 00:35:871 (33) - how about change to k~?(for express different with (34). and it can make symmetry like this.)
   
2. 00:38:567 (43) - same opinion. maybe we can change to k too.
3. 00:41:938 (55) - ^ changed all 3 points
4. 00:46:657 - add note~?(I feel break is little long..) yeah we can do that also made this k
5. 01:24:410 (182) - just suggestion. we can change this to d for symmetry pattern with next ddkk.(exactly, 01:24:410 pitch is lower than (181) a little.) lol yes okay, it's better actually.

• [Muzukashii]

1. 00:15:140 (48) - change to k~? (consistency with 00:12:444.)
2. 00:56:601 (247, 248) - swap this~? so make kd. (because 00:56:601 has high pitch.)
3. 00:58:286 (254) - change to k~?(follow electronic sound pitch and reverse pattern with 00:55:590 (243, 244, 245) - dkd.)
4. 00:59:298 (258, 259, 260, 261, 262) - change to kkddk.(I think 00:59:972 same sound with 00:57:275. k is more fit. and it's a reverse pattern with next ddkkd.)

accepted all

• [Oni]

1. 00:08:736 (25, 26) - swap this~? (follow piano sound.) both would fit, but okay, I will change that
2. 00:12:107 (38, 39, 40) - change to kkd~? (same reason above, more fit to piano sound and consistency with 00:14:803 (56, 57, 58).) yes
3. 00:17:500 (72) - change to k. (It's same sound with (71). so please make that same.)
4. 01:31:826 (571, 572) - change to kk~? (for same set with 01:31:152 (568, 569).) okay, why not

Sorry for short modding~
I think it's really nice map already.
hope this ranked soon. GL~! :3

FlamingRok wrote:

Heya, doing a M4M from Stefan's BN queue! Not gonna lie, this map's pretty well constructed, so the following are mere suggestions only, and nothing here will change the rankability of the map. With that being said, let's get this started!

d = don
k = kat
D = large don
K = large kat

[General]

If Kantan is at 6.5, why is Futsuu at 4? Futsuu I think could work well at 5.5, though then Muzukashii looks odd. I think the final spread could look like either 6.5,5.5,4.5,5.5 or 7,6,5,6. Suggestions on the HP, because it looks odd. I don't know that much about HP in taiko, so I will just accept that lol

[Futsuu]

General: Also a bit harder than normal Futsuu, but that's fine. The kiai time is mapped really well, no issues there no matter how hard I look.

00:30:477 I get that this is likely for variety, but this gap feels really weird compared to the other 3/2 gaps you created before. I'd say to keep in line with the other times you mapped these sounds, you could add a k here.
00:31:994 (21) A bit of a nitpick, but I realized that throughout this entire difficulty with the exception of one part, there are no quintuplets in this difficulty, and unlike the future quintuplet, this fifth note isn't mapped to anything super significant. It works for what it is, but moving this to 00:32:163 and changing this to a d keep the similar pattern building you made during this section.
00:42:949 (60) Whoa whoa whoa, let's not scare the Futsuu players, and you never use this coloration for 3/4 gaps again! Please change this to k, it's a bit of a quick change of pace for Futsuu players, and it doesn't match up with anything else you've mapped in the song.

Nice mapping~

accepted each point

[Muzukashii]

General: Solid, one or two things I'd like to address though.

00:13:286 I think a note could fit to be right here, as it also creates a 1/1 gap with the next sextuplet. I don't like that, it feels too much. It would fit better here 00:13:455 - but since it's a Muzukashii, I don't want to make it too hard, so I think that little break is okay there.
00:21:545 (80) Okay, I see where you're going here, but I have a few problems with this triplet in general. The first is that it adds another triplet variety, which wouldn't be so bad if it were used anywhere else in the song. This is the only instance it appears in, and so it just kinda awkwardly sticks out. I think kkk as a triplet doesn't change much at all in playability, and makes more sense thematically. hmm, let's do this

Just those few inconsistencies, but they mean a lot.

[Oni]

General: This felt ontrack for most of the time, but it seemed to deviate for seemingly no reason here and there.

00:26:685 (130,132) Throughout the rest of the song, you map around the idea of monocolor based streams, but this pattern kinda breaks that. I think ctrl+g these notes and that fixes it pretty much immediately. If you really want to authenticate the monocolor based streams here, you could also change 00:26:938 (133) to a d, but that's your choice at that point. Both options would work, let's use your option in there. :p
00:40:337 (223,224) Can stand to ctrl+g these as well if you want to stay in tune with the monocolor based streams, but that's your choice. yup
00:50:702 (298) This triplet doesn't really raise red flags as it is, but this note is a bit low, so I'd say d works well here. I really like my kdk pattern there It sounds a bit crazy, so I wanted to map it crazy as well
00:53:961 (316,318) I think for certain, these can be ctrl+g, as this is the only 1/3 stream in the entire song, it doesn't need to be complex, and it still fits the monocolor theme you're rolling for most of this song. okay
01:37:725 This is a more off beaten suggestion, but if you want to build up to the ending of the song, you could add a d here despite it not being a very prominent sound. This is more or less mapping to the feeling of the song rather than the actual song itself, so it's possibly a bit controversial.
01:38:230 ^ mmmm, I don't like it that much

Probably the weakest diff, but by no means bad. It's still quite good in fact. It just felt a bit out of tune compared to the other diffs in this set.

Again overall, solid set. Sorry for the mod being a bit long, I always decide to go indepth with these mods.

World Fraction wrote:

Hey I'm here from Stefan's BN queue.

Here is da mods!!

Futsuu

- 00:14:803 (40) - consider changing this to a k i think it plays better when i tested it. yo
- 00:30:477 - i think you should add a note here, possibly a k because it just feels weird and there is clearly a higher pitched sound there. there's a k note

Muzukashii

- 00:21:376 (78,79,80) - you should probably change this to a kkk pattern because using that kind of pattern you did will be too difficult for Muzu players. As for the finisher after it, make it a D instead. changed that triplet but would like to keep my K
- 01:09:410 (311,312,313) - 01:14:803 (344,345,346) - 01:18:342 (365,366,367) - 01:20:197 (377,378,379) - 01:22:893 (393,394,395) - I see that you like to use a bunch of ddk patterns, but don't overdo them because a Muzu should generally stick to monocolor triplets. I can hear that they fit well with the music but using too many can be a difficulty for the Muzukashii players. yeah I know what you mean and still think about this but I think it's pretty okay there since it's not that hard to pass them and great for the transition to Onis.

Oni

- 00:26:601 (129,130,131,132,133,134,135) - For this pattern here try something like kkdkddk. It just sounds soo much better imo. I'm using kkddkdk there for now.
- WOW this is a FANTASTIC Oni and I don't think that there is much more to be said. nice to hear :>/

I really enjoyed this mapset, and I hope to see it ranked in the future. Best of luck! I even shot you a star i liked it so much

toara_fict wrote:

[Stefan's Kantan]

1. Easy pattern for beginners. and There are Notes in places where you want to emphasize according to songs.
   nice diff :3 Thank you very much! I highly appreciate your nice words and compliments for my difficulty.

Akemi_Homura wrote:

• [Stefan's Kantan]

1. 00:16:152 (26, 27) - I feel this duplet sudden. how about 00:16:152 (26) move to 00:15:983 or delete.) I see.. FlamingRok below also finds that is probably too hard so I guess I will just remove the note so it's good for now.
2. 00:20:365 (34) - move 00:20:534.(I think this is more fit, If you follow piano sound.) Wow, really good catch. Changed.
3. 01:18:174 - how about move this to 01:17:500~? and change to k for drum sound.(this point more fit to triplet imo.) yup! I like this.
4. 01:18:343 (133) - change to k~? (for consistent k rhythm for drum.) thought the same afterwards.
   Finally, we can fixed like this.
   

FlamingRok wrote:

[General]

If Kantan is at 6.5, why is Futsuu at 4? Futsuu I think could work well at 5.5, though then Muzukashii looks odd. I think the final spread could look like either 6.5,5.5,4.5,5.5 or 7,6,5,6. Suggestions on the HP, because it looks odd. I actually told her to change it for her Futsuu difficulty. But well.. #justlyawithings

[Stefan's Kantan]

General: It was initially a bit offputting to see a Kantan at this high of a difficulty, but after scanning through the diff, I can see that it's certainly meant to be a bit of a more difficult Kantan, possibly like a 5* in the Taiko no Tatsujin games if we're to make comparisons. Well constructed still.

00:16:152 (26,27,28) Despite this being a more difficult Kantan than normal, I would still say for the beginning of the map, this might be a bit of a challenge with the varied spacing and different colors. Either change 26 and 27 to k, or change 28 to d. Personally, I think the first not only matches some pitches, but also keeps the pattern integrity that you planned out past this. Since Akemi suggested to remove (26) - and you also agree that the rhythm is probably a bit too hard - I decided to remove the note entirely.
00:50:365 (88) Kinda the same story here, but I think the only way to make this one work if you change it is to change this to a k. Because this is later in the song and could be teasing towards a more difficult section of the map, this is fine, but I'd still consider just making this gap monocolor. I don't find the pitch of the note really high as kat would work well here. I see where are you coming but err.. I can't really agree here.
01:13:286 (121) This does match the song as is, but the k d k ddd d from before worked nicely not only because of how it matched the song, but also because of how friendly relatively it was to play as an advanced Kantan. For this reason, this note could work as a k as well to keep the friendly playfield in tact. Your choice, as it fits the song just fine as is. mmh I think we can have a compromise here, since I had an idea to move 01:12:781 - to 01:12:444 - , so it's k d kkk k d. It actually is what you purpose with your suggestion but different, and it sounds better.
01:21:376 (138,142) Matches, but having 142 as k would make this section a bit easier to play. Then again, right after this, you do a similar idea but it works there. If you wish to match your future idea a bit better back here, 138 could also work as a d. Either or none, all play well enough.
01:37:219 (179) And once more to match the idea you planted back in the kiai time with this similar pattern, I think this could stand well to be a d, and it also works nicer with the Ds at the end. The cymbal sounds on 01:36:882 (177) - are similar to 01:37:219 (178) - , I don't really find it senseful to differ them in this case.

Super solid diff, hard time finding these nitpicks honestly. I always love people being picky for my difficulties!

World Fraction wrote:

Stefan's Kantan

- This Kantan seems fine IMO but you use a lot of 1/2 triples and that can be kind of hard for Kantan players. I'd suggest nerfing them just a bit, you choose which ones you want to. I am still ongoing with the nerfs but also considering that Futsuu uses a lot of 1/2 rhythm so a balance needs to exist. Anyways, thank you for looking over it.

osu file format v14

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Midnaait wrote:

Hey, M4M
// = Optional/Suggestion

[General]

Disable Widescreen Support check o/
// HP is a bit too low on the lower diffs, consider making it a bit higher?
// BG coordinates should be 0,-50. I think it looks better that way

[Events]
//Background and Video events
0,0,"BG.jpg",0,-50

I'm not familiar with that, I'll just ask Stefan about it

[Futsuu]

00:04:017 - Change to d, same pitch as 00:04:354 -
00:09:410 - ^ oki owo
From 00:22:051 to 00:32:837 - I think this part is a bit too dense for a Futsuu, so I'd delete some notes and make some patterns a bit simpler, you could use this as a basic structure for example: http://puu.sh/vRjug/83b85b3fc8.jpg I deleted some notes, I hope that's still not too dense
00:39:916 - // Delete this note and change 00:40:421 - to don? Would suit well for the piano imo you're right.
01:12:949 - Delete for a bit more lenghty break, It's a bit too dense again I think
01:18:343 - ^ owo

I'd look a bit into the density, comparing with Kantan is a lot more dense[/notice]

[Muzukashii]

00:24:579 - I think this extra note kills the flow a bit, consider deleting it mmh ok
00:46:067 - Delete this kat, triplet is not necessary here imo it could fit, but I deleted the 2nd one now
00:46:657 (198,199) - Ctrl+G? Snare sounds first and plays better great
00:47:837 and 00:48:343 - Invert those triples, piano notes are higher in the first triplet rather than the second I really thought the same then.
If you did ^^^ change 00:48:680 - to kat okay

Kiai is a bit difficult, but I'll let it pass lol

[Oni]

00:08:736 - Delete? no piano there well yeah, and changed 00:08:904 (25) - to d.
00:40:506 - Move this to 00:40:169 - piano there
00:46:657 - k? snare lol
01:10:421 - kkd triplet there? The guitar solo is really clear there
01:15:815 - ^
01:21:208 - ^ alright
01:23:483 - Delete? Melody stops there oki! I also deleted 01:23:820 (522) -
01:36:713 - dkdkd there, drums call it that fits well
01:37:303 - Add d? Same reason as above yea

Good luck

Stefan wrote:

[Muzukashii]
00:57:275 (236) - und 01:05:534 (271,272) - könnte man entfernen, damit mehr Rest Times eingebracht werden. ok
Kiai - generell sollte man auch irgendwo eine 3/2 bzw. 1/1 Pause unterbringen, aber idk.. eventuell kann der nächste BN da Vorschläge geben. dann warte ich darauf, bevor ich hier noch irgendeinen Unsinn veranstalte

[Futsuu]
00:30:140 (92,93,94,95) - kann eventuell so geändert werden: https://derpovic.s-ul.eu/4Yw1fHEg.png done, nur habe ich keine Ahnung, ob 00:31:489 (96,97,98,99,100,101) - jetzt so doof ist.
00:41:938 (133) - während 00:40:927 (131,132,134,135,136) - einen guten Follow zum Piano haben, finde ich (133) wiederum unpassend und würde sich bieten, zu entfernen. yw der Sound dort war eh langweilig.
00:44:466 (139,140,141,142,143,144,145,146) - So von der Musik könnte man auch hier wieder das Piano prioritsieren: https://derpovic.s-ul.eu/G96cXDtZ.png Die Note bei 00:46:657 - würde ich dann auch entfernen. klingt besser, yeah
00:47:837 (151,152,153,154,155) - könnte man auch konsistenter gestalten imo: https://derpovic.s-ul.eu/24YurPrx.png ok
00:51:208 - würde ich dann raten zu entfernen, da es eines der schwächeren Töne ist und sich als Pause ermöglicht. finde den gar nicht so schwach, aber kann man machen
00:53:904 - der dk kd Übergang passt meiner Meinung nach nicht wirklich hierher, dkd k ist besser. ? das sieht bei mir alles so aus
00:54:410 - 01:05:197 - Wie ich schon zuvor gesagt habe, muss die Futsuu - da du die Muzukashii hier nicht einfacher gestalten willst - für diesen Teil gebufft werden. 00:54:410 - 00:59:803 - https://derpovic.s-ul.eu/a1hUz8OL.png und 01:00:477 - 01:05:197 - https://derpovic.s-ul.eu/isEhMdzQ.png (Hitsounds kannst du anpassen, wie es dir gefällt) "da du die Muzukashii hier nicht einfacher gestalten willst" - ich habe gesagt, dass ich nur nicht genau weiß, wie ich die Muzukashii dort vereinfachen soll und ich nicht direkt auf den Punkt zurückgreifen möchte, die Futsuu zu buffen. Zumal das schon ziemlich heftig ist für eine Futsuu, oder? Zu dem Thema lasse ich es erstmal unverändert.


derp dang

Arrival wrote:

lowering the volume to 70 for the pre preview point part then putting it to 90 sounds better to me
lower it here 00:54:410 - again and re 90 for the kiai I can't hear any difference but you should know what you're talking about, so I'll just change it LOL

oni

00:42:949 (239,240,241,242,243) - i'd definetly replace this by kkdkd, the kk start flowing better after a dk kd oki

01:07:893 - kiai's good although it could have been made a bit more interesting via some pattern differenciation there's one thing I don't like in the kiai, maybe you know something better for 01:22:725 (511,512,513,514,515,516,517,518,519,520,521,522) - ? Idk but it's weird to play for me (maybe it's just me and I am stupid or something). I like the rest

in muzukashii i really think breaks after a bicolour triplet should be more important.
it's also lacking a bit in breaks, dont hesitate to give like 2/1 breaks to players before main downbeats. if you have troubles putting some, tell me and i'll help you out. mmm yeah maybe I need help with that, otherwise I would make it more worse I guess lol

by the way, in the muzu, do you think I should make 01:26:433 (385) - as a k?

lower diffs seem good except kiai in futsuu which repeats itself to much, diversif your patterning a bit. with kkd's for exemple. did it, hope that's fine now owo?

Gabe wrote:

add stefan thenutritiousguy in the tags :<

Kisses wrote:

owo what's this

• [Stefan's Kantan]
  
  

  Ranking Criteria wrote:

  If a 1/2 pattern is used, the patterns must stay simplistic and be followed by a rest moment. For songs that follow a swing beat, this limit is 1/3.

1. From 01:16:994 to 01:29:466 - there is no 3/1 or longer rest moments within this session while combining 1/2 triplets in the pattern chain, which is in fact quite similar to the difficulty of a typical Futsuu. I would suggest rearranging the pattern like this to allow break between every 1/1+1/2 cluster. (cursor at 01:23:062 - )

• [Futsuu]

1. From 00:11:264 to 00:29:972 - this part is rather consecutively mapped without 2/1 or longer breaks and the pattern chain is even longer than those in the kiai. I would suggest you to remove notes like 00:16:994 (47,51) - to crack the chain into smaller ones. This would help emphasize the intensity of the music from 00:18:680 to 00:22:051 - as well.

• [Muzukashii]

1. From 01:07:893 to 01:38:736 - despite this session being the difficulty spike, it would be better to use 3/2 rests to avoid consecutive mapping, given Futsuu has certain number of 2/1 breaks. You may delete one or two notes like 01:29:803 (401) - to achieve the said purpose.

Stefan wrote:

💤

1. 00:00:983 (3) - to d
2. 00:04:017 (12) - to d
3. 00:06:376 (19) - to d
4. 00:09:410 (27) - to d

1. 00:15:477 (58,59,60,61) - changed to d k k d instead (already forgot what I had here before)
2. 00:28:960 (144,145,146) - to ddk (kkd before)
3. 00:43:202 (242,243) - ctrl+g
4. 00:45:646 (258) - to d
5. 00:46:152 (262) - made this to k

1. 00:04:017 (11) - to d
2. 00:09:410 (26) - to d
3. 00:34:185 (134) - to k because of the sound

1. 00:57:107 (177) - to d because it's pretty much the same sound as 00:56:433 -

Nardoxyribonucleic wrote:

Hello, I would like to mention some difficulty/spread issues existing in the lower difficulties of the set.

• [Futsuu]

1. From 00:11:264 to 00:29:972 - this part is rather consecutively mapped without 2/1 or longer breaks and the pattern chain is even longer than those in the kiai. I would suggest you to remove notes like 00:16:994 (47,51) - to crack the chain into smaller ones. This would help emphasize the intensity of the music from 00:18:680 to 00:22:051 - as well. okie, I removed those at 00:13:455 - , 00:16:152 - , 00:16:994 - , 00:18:343 - , 00:21:039 - , 00:23:736 - , 00:29:129 -

• [Muzukashii]

1. From 01:07:893 to 01:38:736 - despite this session being the difficulty spike, it would be better to use 3/2 rests to avoid consecutive mapping, given Futsuu has certain number of 2/1 breaks. You may delete one or two notes like 01:29:803 (401) - to achieve the said purpose. *placeholder*

Raiden wrote:

it seems you want to make some changes, go ahead

in addition, I think the muzu should have at least some 3/2 break in that kiai as well, lots of 1/2+1/4 grouped together
but at the same time Oni is super dense in 1/4 albeit simple patterns huuuuuuuuuhhhhhhhhhhh middle way!!!!