FIFTH
Hi there from Chromoxx' dank MLG pro nonexistent modding queue. (M4M with Raiden)
Hi there from Chromoxx' dank MLG pro nonexistent modding queue. (M4M with Raiden)
MLG mod
Well, that's it... I hope this was helpful, since it took me 3 hours to get all this done XD[General]
[Nwolf's Kantan]
[Futsuu]
[Muzukashii]
[Raiden's Oni]
[Inner Oni]
[Conclusion]
Preview Point needs to be set
Uninherited Timing Points of the Inner Oni conflict with the other difficulties
Unsnapped Objects in the Inner Oni
Uninherited Timing Points of the Inner Oni conflict with the other difficulties
Unsnapped Objects in the Inner Oni
[Nwolf's Kantan]
First impression when playing: The diff seems pretty consistent in general and fits well with the song, it's definitely on the harder side as kantans go, having quite a few spots with multiple 1/1 patterns in a row and even 1/1 5plets, which may be a bit hard at this BPM. When looking at the general star rating and object count spread i guess it fits in, the suggestions will still be geared towards tuning it down a bit here, as it would probably still fit in the spread when it's toned down just a little.
00:15:396 (2) - you can remove this, because this pattern has the same density in futsuu, and it might be easier for kantan players to start off this long map with easier patterns
00:19:760 (10) - ^
00:24:123 (19) - ^
00:28:487 (27) - ^
01:12:942 (3) - you can change this to k to emphasize the vocal here
01:14:305 (5) - maybe delete this note to add a bit of a break and not overload the kantan player with a 5plet at this bpm, or you can split the kkkkk k into kkk kkk
01:17:305 (12) - change to k to emphasize the vocal and the high instrumental sound here
01:18:669 (14) - same as 01:14:305 (5) -
01:21:123 (20) - you can change this to k to emphasize the vocal and add a bit of variety here
01:22:760 (22,23,24) - i'd change this to dkk since the guitar pitch goes up from 22 to 23
01:26:032 (29) - change to k to emphasize the vocal and high instrumental sound
01:33:123 (14) - delete this note to leave a 4/1 break before the 5plet, this part in general is relatively long without the 4/1 break anyway
01:33:942 (16) - i'd delete this tbh, i'm not too sure about using a 5plet at this bpm for the kantan
01:35:305 (20) - change this to k because of the high guitar sound and 01:35:851 (21) - to D because of the drum crash and low intense vocal
01:37:214 (23) - delete, 3 1/1 triplets in a row might be a bit too much
01:38:032 (25) - change to k because of the high guitar pitch
01:39:123 (28) - change to d, since the guitar pitch goes up and down again
01:41:851 (35) - delete this to leave a 4/1 break, this part goes on too long without one imo
01:42:669 (37,43) - i'd maybe delete these, since i'm not too sure about 5plets here
01:48:942 (2) - i'd change this to k since it's a higher pitch than the sound before
01:51:123 (3) - ^
01:57:123 (10) - i'd delete this, since the sound here is kinda in the background and it would be a bit more steady imo, maybe add these notes onto places like 01:54:942 - as a k, i think it would be more direct, since there is an instrumental sound here that the finishers are following and the other is just a background chorus noise. This is for the whole part if you decide to do it
02:42:942 (2) - delete this, since the kk after it would sound a lot better imo
02:53:851 (18) - delete this, to make it a bit less dense and give better emphasis on the d k d on the other parts
02:58:214 (25) - ^
03:30:942 (37) - delete, the constant 2/1 gets very monotone
03:37:487 (4) - ^
03:49:214 (5,14) - maybe delete, i'm not too sure about the 5plets again, they fit but they may be too hard
03:57:942 (23) - ^
04:03:396 (5) - ^ this one is kinda out of place anyway imo, since the emphasis should be on the red tick at 04:03:532 - but you're omitting that for difficulty reasons... i think you can move the next note there if you want or leave it where it is now, if you don't want the red tick note
04:08:032 (16) - delete to leave a 4/1 break
04:09:123 (19) - again maybe delete, same as with the other 5plets
04:12:123 (26) - same as 04:03:396 (5) -
04:17:578 (40) - same as the other 5plets
04:19:760 (46) - ^ in general an x xxx or xxx x pattern can add the needed emphasis tbh, for all the 5plets
04:23:851 (2) - i'd change this to K since it's a higher pitch than the note before
04:26:032 (3) - ^
04:49:214 (43) - maybe delete, i think this one is a bit better than the others tho, since it's near the end and at a very intense part of the song
Nice diff overall, i left a lot of suggestions on how to make it easier, so if you don't want to apply all of them i'd suggest you do at least some, since it really needs to be a bit easier imo, so i left you quite a few options to consider ^^
00:15:396 (2) - you can remove this, because this pattern has the same density in futsuu, and it might be easier for kantan players to start off this long map with easier patterns
00:19:760 (10) - ^
00:24:123 (19) - ^
00:28:487 (27) - ^
01:12:942 (3) - you can change this to k to emphasize the vocal here
01:14:305 (5) - maybe delete this note to add a bit of a break and not overload the kantan player with a 5plet at this bpm, or you can split the kkkkk k into kkk kkk
01:17:305 (12) - change to k to emphasize the vocal and the high instrumental sound here
01:18:669 (14) - same as 01:14:305 (5) -
01:21:123 (20) - you can change this to k to emphasize the vocal and add a bit of variety here
01:22:760 (22,23,24) - i'd change this to dkk since the guitar pitch goes up from 22 to 23
01:26:032 (29) - change to k to emphasize the vocal and high instrumental sound
01:33:123 (14) - delete this note to leave a 4/1 break before the 5plet, this part in general is relatively long without the 4/1 break anyway
01:33:942 (16) - i'd delete this tbh, i'm not too sure about using a 5plet at this bpm for the kantan
01:35:305 (20) - change this to k because of the high guitar sound and 01:35:851 (21) - to D because of the drum crash and low intense vocal
01:37:214 (23) - delete, 3 1/1 triplets in a row might be a bit too much
01:38:032 (25) - change to k because of the high guitar pitch
01:39:123 (28) - change to d, since the guitar pitch goes up and down again
01:41:851 (35) - delete this to leave a 4/1 break, this part goes on too long without one imo
01:42:669 (37,43) - i'd maybe delete these, since i'm not too sure about 5plets here
01:48:942 (2) - i'd change this to k since it's a higher pitch than the sound before
01:51:123 (3) - ^
01:57:123 (10) - i'd delete this, since the sound here is kinda in the background and it would be a bit more steady imo, maybe add these notes onto places like 01:54:942 - as a k, i think it would be more direct, since there is an instrumental sound here that the finishers are following and the other is just a background chorus noise. This is for the whole part if you decide to do it
02:42:942 (2) - delete this, since the kk after it would sound a lot better imo
02:53:851 (18) - delete this, to make it a bit less dense and give better emphasis on the d k d on the other parts
02:58:214 (25) - ^
03:30:942 (37) - delete, the constant 2/1 gets very monotone
03:37:487 (4) - ^
03:49:214 (5,14) - maybe delete, i'm not too sure about the 5plets again, they fit but they may be too hard
03:57:942 (23) - ^
04:03:396 (5) - ^ this one is kinda out of place anyway imo, since the emphasis should be on the red tick at 04:03:532 - but you're omitting that for difficulty reasons... i think you can move the next note there if you want or leave it where it is now, if you don't want the red tick note
04:08:032 (16) - delete to leave a 4/1 break
04:09:123 (19) - again maybe delete, same as with the other 5plets
04:12:123 (26) - same as 04:03:396 (5) -
04:17:578 (40) - same as the other 5plets
04:19:760 (46) - ^ in general an x xxx or xxx x pattern can add the needed emphasis tbh, for all the 5plets
04:23:851 (2) - i'd change this to K since it's a higher pitch than the note before
04:26:032 (3) - ^
04:49:214 (43) - maybe delete, i think this one is a bit better than the others tho, since it's near the end and at a very intense part of the song
Nice diff overall, i left a lot of suggestions on how to make it easier, so if you don't want to apply all of them i'd suggest you do at least some, since it really needs to be a bit easier imo, so i left you quite a few options to consider ^^
[Futsuu]
First impression when playing: The diff is also relatively consistent and fits well with the music, but there are quite a few places where there should be breaks. Some parts are mapped with very long consistent 1/1 without leaving even 2/1 breaks inbetween, so the mod in this diff will also be geared towards toning it down a slight bit, to also mesh better with the suggestions for the kantan.
01:03:942 (95) - you can probably delete this note, since it leaves a nice break in this relatively long pattern without 2/1 breaks and adds good emphasis on the next 2 notes where there are strong drum sounds
01:12:942 (121) - change to k to emphasize the vocal and the high instrumental sound here
01:17:305 (134) - ^ , you can also change this one 01:17:851 (135) - since it's high pitched too, that would make this part a bit less monotone and build up more suspense
01:21:123 (146,148) - you can change these to k to emphasize the higher vocal on 146 and the higher instrumental on 148, would also add more variety
01:26:032 (158) - change to k for emphasis on the instrumental
01:34:487 (4) - delete this or one of the notes in this pattern, since it's kinda long for a futsuu
01:38:851 (19) - you can delete this note to add a bit of a break before the triplet and 5plet
01:40:078 (26) - i'd also think about deleting this note, to make it a bit easier
01:43:214 (4) - same as 01:34:487 (4) -
01:45:942 (17,18) - delete these, otherwise this pattern gets far too long, 01:46:623 - you could add a note here for compensation
02:05:305 - starting here there is a 1/1 pattern, which is way too long. I'd suggest cutting it multiple times at places of your choice
02:19:760 (119) - i'd also delete this note, since 12 1/1 notes in a row are also a bit too much
02:40:214 - starting here i'd move slightly away from that consistent 2/1 rythm, since it gets monotonous very fast, maybe leave a break or 2 to keep it fresh
02:44:442 - 02:44:987 - add a k, would groove very well and fit the instrumentals
02:45:532 - add a d for the same reason
02:45:669 (67,69) - change to k since the pitch goes down and up again in this triplet
02:47:305 (72) - change to k because it's the highest sound in the triplet and it would add more variety
02:48:123 (74,75) - change to k since these sounds are higher than in the other 2 triplets
02:50:578 (79) - delete this note to leave a bit of a break and get away from the monotonous 2/1 rythm
for all the notes below this use the 1/3 tick before the red tick on the time stamps... i kinda messed up here xD
02:54:260 - add a k to keep things fresh and less monotone, it would also emphasize the next note very well (this would be 02:54:214 - and so on)
02:56:442 - ^
02:58:623 - ^
03:00:805 - ^
03:01:896 - ^ here as well because the music is escalating a bit in this part and it would keep things flowing forward
03:02:987 - ^
03:04:078 - ^
03:05:169 - ^
03:05:714 - ^ again, now before every note because it goes forwards again
03:06:260 - ^
03:06:805 - ^
03:07:351 - ^
03:11:714 - add k again, to keep things less monotone and emphasize the next note
03:13:351 - ^
03:13:896 - ^
03:14:987 - ^
03:16:078 - ^
03:17:169 - ^
03:18:260 - ^
03:48:396 (4) - change to k to emphasize the high instrumental
03:49:760 (8) - delete this to leave a bit of a break and shorten the pattern a bit
03:52:214 (16,17) - change to k to emphasize the high instrumentals
03:54:123 (21) - delete this to leave a bit of a break and shorten the pattern, since it's slightly too long
03:57:123 (30) - change to k to emphasize the high vocal
04:00:941 (40) - change to k to emphasize the high vocal and instrumental sound
04:09:396 (4) - delete this or any other note in this pattern to shorten it
04:13:760 (19) - delete this again, to shorten the pattern, which is too long
04:14:714 (24) - maybe delete this, i guess it could be ok tho
04:18:123 (4) - delete this to shorten the pattern
04:20:851 (17,18) - delete these to add a 2/1 break in here, the 3 triplets are a bit overkill for a futsuu imo, you can add a note 04:21:532 - here for compensation
04:28:214 - same as the start of the first kiai, do something about the monotonous 2/1 rythm
04:40:214 - the 1/1 + 1/2 pattern here is far too long, i would suggest shortening it multiple times
04:54:669 (87) - delete this note to shorten the pattern down to a reasonable size
04:57:669 - this end is a bit tricky but i guess it's fine to add a short harder pattern in at the end, might want to make it a bit easier though
All in all a good diff i'd say, i think i gave you plenty of suggestions to make it a bit easier, just choose the ones you like most. Also left some suggestions to make the slow part more interesting.
01:03:942 (95) - you can probably delete this note, since it leaves a nice break in this relatively long pattern without 2/1 breaks and adds good emphasis on the next 2 notes where there are strong drum sounds
01:12:942 (121) - change to k to emphasize the vocal and the high instrumental sound here
01:17:305 (134) - ^ , you can also change this one 01:17:851 (135) - since it's high pitched too, that would make this part a bit less monotone and build up more suspense
01:21:123 (146,148) - you can change these to k to emphasize the higher vocal on 146 and the higher instrumental on 148, would also add more variety
01:26:032 (158) - change to k for emphasis on the instrumental
01:34:487 (4) - delete this or one of the notes in this pattern, since it's kinda long for a futsuu
01:38:851 (19) - you can delete this note to add a bit of a break before the triplet and 5plet
01:40:078 (26) - i'd also think about deleting this note, to make it a bit easier
01:43:214 (4) - same as 01:34:487 (4) -
01:45:942 (17,18) - delete these, otherwise this pattern gets far too long, 01:46:623 - you could add a note here for compensation
02:05:305 - starting here there is a 1/1 pattern, which is way too long. I'd suggest cutting it multiple times at places of your choice
02:19:760 (119) - i'd also delete this note, since 12 1/1 notes in a row are also a bit too much
02:40:214 - starting here i'd move slightly away from that consistent 2/1 rythm, since it gets monotonous very fast, maybe leave a break or 2 to keep it fresh
02:44:442 - 02:44:987 - add a k, would groove very well and fit the instrumentals
02:45:532 - add a d for the same reason
02:45:669 (67,69) - change to k since the pitch goes down and up again in this triplet
02:47:305 (72) - change to k because it's the highest sound in the triplet and it would add more variety
02:48:123 (74,75) - change to k since these sounds are higher than in the other 2 triplets
02:50:578 (79) - delete this note to leave a bit of a break and get away from the monotonous 2/1 rythm
for all the notes below this use the 1/3 tick before the red tick on the time stamps... i kinda messed up here xD
02:54:260 - add a k to keep things fresh and less monotone, it would also emphasize the next note very well (this would be 02:54:214 - and so on)
02:56:442 - ^
02:58:623 - ^
03:00:805 - ^
03:01:896 - ^ here as well because the music is escalating a bit in this part and it would keep things flowing forward
03:02:987 - ^
03:04:078 - ^
03:05:169 - ^
03:05:714 - ^ again, now before every note because it goes forwards again
03:06:260 - ^
03:06:805 - ^
03:07:351 - ^
03:11:714 - add k again, to keep things less monotone and emphasize the next note
03:13:351 - ^
03:13:896 - ^
03:14:987 - ^
03:16:078 - ^
03:17:169 - ^
03:18:260 - ^
03:48:396 (4) - change to k to emphasize the high instrumental
03:49:760 (8) - delete this to leave a bit of a break and shorten the pattern a bit
03:52:214 (16,17) - change to k to emphasize the high instrumentals
03:54:123 (21) - delete this to leave a bit of a break and shorten the pattern, since it's slightly too long
03:57:123 (30) - change to k to emphasize the high vocal
04:00:941 (40) - change to k to emphasize the high vocal and instrumental sound
04:09:396 (4) - delete this or any other note in this pattern to shorten it
04:13:760 (19) - delete this again, to shorten the pattern, which is too long
04:14:714 (24) - maybe delete this, i guess it could be ok tho
04:18:123 (4) - delete this to shorten the pattern
04:20:851 (17,18) - delete these to add a 2/1 break in here, the 3 triplets are a bit overkill for a futsuu imo, you can add a note 04:21:532 - here for compensation
04:28:214 - same as the start of the first kiai, do something about the monotonous 2/1 rythm
04:40:214 - the 1/1 + 1/2 pattern here is far too long, i would suggest shortening it multiple times
04:54:669 (87) - delete this note to shorten the pattern down to a reasonable size
04:57:669 - this end is a bit tricky but i guess it's fine to add a short harder pattern in at the end, might want to make it a bit easier though
All in all a good diff i'd say, i think i gave you plenty of suggestions to make it a bit easier, just choose the ones you like most. Also left some suggestions to make the slow part more interesting.
[Muzukashii]
First impression when playing: Again, this is mapped consistently and well to the music, but it is a bit too hard. There are many 1/2 and 1/2 + 1/4 patterns that are too long for a muzukashii, especially at this bpm, so i'll suggest some things where you can tone it down here.
00:23:442 (35) - i'd delete this note to make the pattern easier. I would suggest not using any 1/2 patterns longer than 9 notes anyway and using one like this right off the bat might be a bit over the top imo
00:40:896 (45) - delete this, the pattern is too long
00:49:623 (91) - ^
01:03:669 - this pattern is also too long imo, i'd find some way to shorten it up or or make it easier
01:08:032 - same as before, but this one is even longer ^^
01:11:851 - for this part i'd suggest doing the same d changes to k for pitch emphasis as i suggested in the futsuu
01:53:305 (60) - i'd suggest changing this to d since the pitch is lower than the k in the following triplets and it would add more variety
01:55:487 (72) - ^
01:56:987 (81) - delete this, since the pattern is too long imo
01:57:396 (84,85,86) - change to kkd to because the last note is a lower pitch than the k in the following triplets
01:59:851 (98) - change to d for the same reason as above
for the triplets above this, you might even change them to kkd to be distinguishable from the next part, which is different
02:01:351 (107) - delete for the same reason as before
02:02:032 (112) - change to d for the same reason as above
02:04:214 (124) - ^
02:05:714 (133) - delete again
02:06:396 - for this part you went for the 1/1 beat for buildup but i would suggest adding a couple 1/2 triplets inbetween so that it doesn't get stale
02:11:305 - this is way too long, add breaks in here pls
02:15:669 - ^
02:18:396 - ^
02:52:214 - for this part i would suggest the same as in the futsuu to make it more interesting, maybe even with a few more notes (or reduce the ammount of notes added in the futsuu)
03:08:760 (142) - delete this to shorten up the pattern a bit and make it simpler
03:46:760 - for these parts i'd suggest maybe making some 1/1 triplets inbetween to keep it less stale (for instance adding a note at 03:47:578 - ), do this for the other similar parts too
04:28:214 - the same as i suggested in the first kiai here (including changes to d, pattern cuts etc.)
04:58:351 (12) - delete this note to shorten the pattern
04:58:351 (12,18) - ^
I guess i gave enough points that can be changed here, i hope you take these into consideration ^^.
00:23:442 (35) - i'd delete this note to make the pattern easier. I would suggest not using any 1/2 patterns longer than 9 notes anyway and using one like this right off the bat might be a bit over the top imo
00:40:896 (45) - delete this, the pattern is too long
00:49:623 (91) - ^
01:03:669 - this pattern is also too long imo, i'd find some way to shorten it up or or make it easier
01:08:032 - same as before, but this one is even longer ^^
01:11:851 - for this part i'd suggest doing the same d changes to k for pitch emphasis as i suggested in the futsuu
01:53:305 (60) - i'd suggest changing this to d since the pitch is lower than the k in the following triplets and it would add more variety
01:55:487 (72) - ^
01:56:987 (81) - delete this, since the pattern is too long imo
01:57:396 (84,85,86) - change to kkd to because the last note is a lower pitch than the k in the following triplets
01:59:851 (98) - change to d for the same reason as above
for the triplets above this, you might even change them to kkd to be distinguishable from the next part, which is different
02:01:351 (107) - delete for the same reason as before
02:02:032 (112) - change to d for the same reason as above
02:04:214 (124) - ^
02:05:714 (133) - delete again
02:06:396 - for this part you went for the 1/1 beat for buildup but i would suggest adding a couple 1/2 triplets inbetween so that it doesn't get stale
02:11:305 - this is way too long, add breaks in here pls
02:15:669 - ^
02:18:396 - ^
02:52:214 - for this part i would suggest the same as in the futsuu to make it more interesting, maybe even with a few more notes (or reduce the ammount of notes added in the futsuu)
03:08:760 (142) - delete this to shorten up the pattern a bit and make it simpler
03:46:760 - for these parts i'd suggest maybe making some 1/1 triplets inbetween to keep it less stale (for instance adding a note at 03:47:578 - ), do this for the other similar parts too
04:28:214 - the same as i suggested in the first kiai here (including changes to d, pattern cuts etc.)
04:58:351 (12) - delete this note to shorten the pattern
04:58:351 (12,18) - ^
I guess i gave enough points that can be changed here, i hope you take these into consideration ^^.
[Raiden's Oni]
First impression when playing: I really enjoyed this, it's mapped very well to the music and the patterns play well. It may well be one of your best maps, Raiden. The only thing that kind of disturbed me was the high SV part where finishers came flying at you, i think it's ok in a way but there are a lot more interesting things that you could do here, especially the second part like that was kinda overdone with the finishers imo, i'd suggest changing that up a bit and i'll make a few suggestions to that in the mod. I don't think i'll have much more to add other than that, since the map seemed really good over all!
01:53:305 - ok for this part i would suggest toning down the SV a bit and adding 2 1/2 buildup notes for every finisher, maybe even more connecting notes for the last half of this SV part, i think the finishers with the SV are kind of a cool idea, but it feels like something is missing, so maybe tone it down a bit and add the notes inbetween as i suggested ^^
04:28:282 - again, here i'd suggest toning down the SV a bit and making 1/2 triplets by adding notes between the finishers, this would fill out the song a bit more and feel less empty.
All in all this is a really good map, i might have mapped some stuff differently, but i like how you did it and don't really see it as neccesary to change anything else other than the parts i pointed out. Nice one Raiden
01:53:305 - ok for this part i would suggest toning down the SV a bit and adding 2 1/2 buildup notes for every finisher, maybe even more connecting notes for the last half of this SV part, i think the finishers with the SV are kind of a cool idea, but it feels like something is missing, so maybe tone it down a bit and add the notes inbetween as i suggested ^^
04:28:282 - again, here i'd suggest toning down the SV a bit and making 1/2 triplets by adding notes between the finishers, this would fill out the song a bit more and feel less empty.
All in all this is a really good map, i might have mapped some stuff differently, but i like how you did it and don't really see it as neccesary to change anything else other than the parts i pointed out. Nice one Raiden
[Inner Oni]
First impression when playing: I had a lot of fun playing this and the patterning seems consistent through the map, but those really long stamina streams in the kiai are really overdone imo. Yes, there is a consistent drumline there, but there are other things you can use it for, which would make the map more interesting and fun than it already is ^^. There might also be a few suggestions to make some of the other streams play better.
Change HP to 6. 7 is a bit harsh for the difficulty of the map.
01:08:851 (214,215,216,217,218,219) - i'd ask you to consider changing this up, i mean it fits i guess and this is mainly based on personal preference but xxxooo patterns have a problem with giving right emphasis imo. Since there is a color change on a blue tick, but no color change on the red/white tick the blue tick will recieve more emphasis from such a pattern, making things feel really weird. That's why i would suggest changing 01:09:124 (218) - to k, as it plays smoother, sounds smoother and the k also emphasizes the sound on that white tick very well.
01:11:851 - i'd suggest mapping a bit to the vocals in these parts as it would help build up tension and make things less stale, this suggestion goes for all these parts throughout the map.
01:55:487 (63) - i'd suggest changing these notes to d, similar as in the muzukashii as they are lower pitch than the other k sounds here, this goes for all of them again, if you accepted what i suggested in the muzu
02:00:669 - I don't really agree with these streams, even though there is a consistent 1/4 drumline here. i think you could make things a lot more interesting if you made some shorter streams that were maybe a bit more pattern intensive or something like that. It's ok to keep some long monostreams, but having them go on for so long is a bit over the top in my opinion. The same goes for the last kiai, although you can probably keep those a bit longer than in the first (as you already did, but shorter than that please)
02:37:419 (21) - i don't really see any reason to have this color change on a blue tick here, ctrl G this 02:37:419 (21,22) - and it will sound a lot cleaner imo
I don't have much more to suggest, since i agree with your mapping for the most part, just please consider toning down those streams in the kiai a bit, since they are overkill imo.
Change HP to 6. 7 is a bit harsh for the difficulty of the map.
01:08:851 (214,215,216,217,218,219) - i'd ask you to consider changing this up, i mean it fits i guess and this is mainly based on personal preference but xxxooo patterns have a problem with giving right emphasis imo. Since there is a color change on a blue tick, but no color change on the red/white tick the blue tick will recieve more emphasis from such a pattern, making things feel really weird. That's why i would suggest changing 01:09:124 (218) - to k, as it plays smoother, sounds smoother and the k also emphasizes the sound on that white tick very well.
01:11:851 - i'd suggest mapping a bit to the vocals in these parts as it would help build up tension and make things less stale, this suggestion goes for all these parts throughout the map.
01:55:487 (63) - i'd suggest changing these notes to d, similar as in the muzukashii as they are lower pitch than the other k sounds here, this goes for all of them again, if you accepted what i suggested in the muzu
02:00:669 - I don't really agree with these streams, even though there is a consistent 1/4 drumline here. i think you could make things a lot more interesting if you made some shorter streams that were maybe a bit more pattern intensive or something like that. It's ok to keep some long monostreams, but having them go on for so long is a bit over the top in my opinion. The same goes for the last kiai, although you can probably keep those a bit longer than in the first (as you already did, but shorter than that please)
02:37:419 (21) - i don't really see any reason to have this color change on a blue tick here, ctrl G this 02:37:419 (21,22) - and it will sound a lot cleaner imo
I don't have much more to suggest, since i agree with your mapping for the most part, just please consider toning down those streams in the kiai a bit, since they are overkill imo.
[Conclusion]
Nice set in general and really nice song. I hope to see this ranked in the near future.
Props to everyone for making a full spread for a 4:59 song xD
Props to everyone for making a full spread for a 4:59 song xD