Hola reina >w< ♥ Aquí está mi mod owo, espero te sirva de ayuda :3
d
k
D (Big d)
K (Big k)
Excelente canción y muy buen mapset :33 les deseo lo mejor. Buen mapa bebé, suerte ♥ >u< toma un Kudo OwO
d
k
D (Big d)
K (Big k)
- [ zigi's KantanLove]
- 00:05:826 (6,7,8,9,10,11,12) - You must maintain the consistency you previously made 00:00:637 (1,2,3,4,5,6) - Therefore Delete 00:07:772 (8) - and change a k to change slightly 00:10:366 (11) -
- 00:11:015 (12) - Add a finish, you hear a strong blow but not very noticeable, that is to say it is a low blow, so a finish D is the best.
- 00:14:906 (15) - From this we start to hear the blow we have here 00:15:555 (16,17,18) - this changes to d 00:14:906 (15) -
- 00:16:204 (17) - This sound is similar to the second suggestion, you could put it to a finish D.
- 00:16:853 (18,19,20,21) - This is very long, you have to put consistency for the new players can learn the basic of the Taiko and to keep the balance with 00:16:204 (17,19,21) - for that reason it eliminates 00:16:853 (18,20) -
- 00:19:447 (22,23) - Ctrl G nd then delete the note 23 00:19:772 (23) - to put a finish D here 00:20:096 (24) - to have a great emphasis.
- 00:21:393 - From a kiai you could balance it like this: The first part 00:21:393 (25,26,27,28,29,30) - put a few notes to increase a little in the second Part 00:23:988 (30,31,32,33,34) - and in that way you are doing the others, one part few notes and the second part increasing it by placing one or two notes maximum.
- 00:23:015 (28) - Change it to d, the reason explained in the previous suggestion.
- 00:25:609 (33,34) - These notes have a sound that is increasing, change them to k (Do not add notes here, since you already have d k k 00:25:285 (32,33,34) -
- 00:26:582 (35,36,37,38,39) - Here starts another part, to vary slightly and keep the balance with 00:21:393 (25,26,27,28,29) - so I suggest change to k 00:27:880 (37) -and remove 00:28:204 (38) -
- 00:29:177 (40,41,42,43,44) - Here starts the other part, eliminates 00:31:123 (44) - to leave a break to rest the players a little, remember the new players are starting to play Taiko.
- I recommend that what I said in the first Kiai apply it in the second kiai 00:31:772 (45,46,47,48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,63,64,65) - you ask yourself Why? Well, that is so that you have consistency, balance and sense in both parts, since it would seem strange that in the first kiai you do k d k and the second kiai in the same part coloques d kdk, there must be consistency and a good balance, and more for this difficulty.
- 00:43:447 (66,67,68,69,70) -You could remove all those notes, you better leave to long break, players can rest and prepare for the next boss. Another very important reason is that it would increase its spread, that is, it could look like a Futsuu. Also putting these notes 00:45:555 (69,70) - could be a bit hard. Remove these too 00:48:474 (72,73,74,75) - same reason.
- 00:53:177 (2,3,5,6,7) - Remove it, if you did not realize that part is the same 00:11:015 (12,13,14,15,16,17) - only That in this one hears a voice, also it is good that you follow the consistency and the density in both parts, thus many players could enjoy its difficulty.
- 00:57:069 (9) - Change to d, for consistency with 00:11:015 (12,13,14,15,16,17) -
- 00:57:718 (10) - Add a D for consistency with 00:16:204 (17) -
- 00:58:366 (11) - Remove, consistency with 00:16:204 (17,19,21) -
- 00:59:015 (12) - Change to k, consistency with 00:16:204 (19) -
- 01:00:312 (14) - Add a finish D, and then remove 01:00:636 (15,17) - to keep consistency with 00:18:798 (21,22,24) -
- 01:09:718 (32) - Change to k para variar un poco, también el tono es agudo y está aumentado.
- 01:12:637 (38) - Remove the note to add a break, because the pattern was long and did not get breaks 01:02:907 (19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35,36,37) -
- 01:13:285 - I suggest you put all the same kiai to this kiai and end here 01:22:691 - so you have consistency and variation of the notes, and to prevent the spread spread and keep the patterns easy and basic .
- 01:23:664 (59,60,61,62,63,64,65,66,67,68,69,70,71,72,73,74,75,76,77,78,79,80,81) - Reduces notes a little, with the variety of notes in the two previous kiais is more than enough to give small breaths. Let's see how we can reduce them:
- 01:24:636 (61) - Remove.
- 01:25:609 (63,64) - Move to 01:25:285 -
- 01:27:231 (67,68) - Change to k.
- 01:28:528 (70) - Remove.
- 01:29:501 (72) - Change to k.
- 01:32:420 (78) - Remove.
- [ MuzuLove]
- 00:41:501 (188) - Cambialo a d, el golpe es bajo, también muy similar e incluso igual a 00:41:825 (189) -
- 01:05:178 (285) - Quita el finish también, la razón sería como en la primera sugerencia (en este caso 01:05:502 (286) - ) y para que tengas consistencia con ello.
- 01:06:150 (289) - Podrías cambiarlo a d ya que en esa parte la canción sube, baja y vuelve a subir de nuevo, es decir --> 01:05:826 (287,288,289,290,291) - las notas 287 y 288 tiene un tono o un sonido alto, mientras que bajan en las notas 289 y 290 hasta que vuelve a subir en la 291.
- 01:11:340 (318,320) - Podrías hacer Ctrl G, la razón está en la cuarta sugerencia.
Excelente diff :33
- [ OniLove]
- 00:15:474 (102) - Cambialo a k, kkd da como un poco más de fuerza después de pasar kdd 00:12:799 (86,87,88) - ya que esa parte donde se encuentran son similar una con la otra.
- 00:41:501 (272,273) - Estas partes suenan como un golpe bajo, en la diff anterior los tienes como d, es mejor que lo cambies aquí también.
- 01:12:150 (444,445) - Ctrl G, ya que la nota 445 tiene el mismo tono agudo que 01:11:988 (443) -
- 01:27:799 (549) - Cambialo a k para variar un poco, ya que tienes muchos kdd.
- 01:29:907 - Agrega una d, se ve bien ya que sigue el piano (el sonido es similar)
- 01:30:718 (571) - Como dije anteriormente, cambialo a k para variar un poco, ya que tienes muchos kdd.
Muy buena diff, me encantaron los Kiais OwO
- [ Ulqui's OniLove]
- 00:22:366 (134) - Cambialo a d, consistencia con 00:32:583 (201,202,203,204,205,206,207,208,209,210,211) -
- 00:24:312 (146) - Cambialo a k para fluir mejor el stream.
- 00:27:555 (169) - Cambia a k, consistencia con 00:37:772 (236,237,238,239,240,241,242,243,244,245,246) -
- 00:29:501 (181) - Lo mismo acá ^.
- 00:49:447 (281) - Cambialo a k para darle fuerza a la voz con 00:49:609 (282) -
- 01:05:826 (365,366) - Cambialos a k, razón similar a la segunda sugerencia.
- 01:11:015 (400,401) - Igual^
- 01:16:205 (433,434) - Cambialos a k para variar un poco.
- 01:25:528 (13) - Suena muy bien si lo cambias a k, también sigue muy bien el piano.
- 01:29:420 - Agrega una d para mantener el balance de tripletes con 01:29:826 (43,44,45,46,47,48,49,50) -
- 01:32:015 - Agrega una d igual, que muy bien con los streams que se aproximan.
Muy buena diff >W<
- [ Inner OniLove]
- 00:28:447 (59) - Suena muy si lo cambias a k.
- 00:30:474 (74,75,76,77,78,79) - Cambia esta parte por kkddkk ya las notas 74 y 55 aumentan, luego en la 76 y 77 disminuyen hasta aumentar de nuevo en la 78 y 79.
- 00:38:826 (147) - Una k suena bien, ya que tienes muchos kdd así que sería mejor variar un poco con kkd.
- 00:41:501 (170,171) - Estos golpes son bajos, sería mejor una d, un ejemplo de esto puedes verlo en MuzukashiiLove.
- 00:53:096 (221) - Mueve esa nota a 00:52:934 - por la voz rápida que se escucha ene sa parte.
- 01:09:961 (353) - Podrías cambiarlo a k, como dije antes para variar con lo de las kdd.
- 01:11:988 (368,369,370,371,372,373) - Cambialo a kkddkk, consistencia con 00:30:474 (74,75,76,77,78,79) -
- 01:20:339 (441) - Cambialo a k para variar con lo de las kdd.
Excelente diff >w<
Excelente canción y muy buen mapset :33 les deseo lo mejor. Buen mapa bebé, suerte ♥ >u< toma un Kudo OwO