1. 00:32:908 (1) - consider to gradually lower the volume of the spinner to express the fade-out
2. adjust HP setting so it's more fit with the short song. i suggests K/F/M/O = 9/8/7.5/7

1. 00:03:520 (4,5) - these notes can be deleted to have 4/1 break before kiai and better spread with futsuu
2. 00:23:928 - move to 00:23:112 - and remove the finisher is more friendly for kantan player, and somwhat fit the vocal
3. 00:32:092 (43,44) - consider to change to k like you did in higher diffs, vocal sounds same after all

1. 00:03:120 (3) - resnap this note properly
   >> 00:03:936 (5) - same as^
2. 00:05:153 - change this to k fits the vocal better, like you did at Muzukashii
   >> 00:05:969 (10,11,12,13) - and change these to k-ddd, same reason as above, but inverted
3. 00:10:867 - you may remove this note to give proper 2/1 break
   >> 00:10:459 - maybe change this to d after that, since the pitch is lower than 00:10:051 - ?
4. 00:14:949 - consider to move this to 00:15:969 - and change to d, to fits the stretched vocal
   >> 00:16:582 - can add k here after that
5. 00:22:704 (51,52) - change to d can emphasis the higher pitched k at 00:23:520 -
6. 00:23:928 - consider to remove for break after the complex rhythm. the next part is relatively calmer too
   >> 00:27:194 - same as above for consistency

1. 00:03:316 - this part is exactly same as oni. consider to remove this note
2. Kiai can be harder imo, while ending can be easier
   
   1. 00:06:071 - consider to add k here and at 00:06:173 - to make triplet, currently it looks almost same with futsuu
      >> 00:06:377 (1,2,3) - after that you may change the next three notes to d-d-k
      >> 00:07:092 - change to d and 00:07:296 - add k
      in the end it'll looks like this: (cursor on 00:06:377 - )
   2. 00:09:337 - add d, same reason as above
   3. 00:10:459 - change to d? same as futsuu, pitch is lower
      >> 00:10:867 - change K instead?
   4. 00:12:194 - add k
   5. 00:13:520 - and 00:13:622 - add d to make triplet
   6. 00:17:194 - add k
3. 00:18:520 - can be deleted to give break after kiai and better spread with futsuu
4. 00:20:153 (76,77,78) - well, i'd suggest to remove this notes and add k at 00:20:357 - instead for consistent meow with ^
5. 00:22:704 (81,82) - change to d? same as futsuu
6. 00:25:765 - remove? sequence is very long for relatively calm part
   >> 00:29:031 - same as ^
7. 00:26:990 (96,97) - maybe swap note? pitch is going down

1. Kiai can be harder imo, while ending can be easier
   
   1. 00:04:949 - change to k so the start is consistent across all diffs
   2. 00:05:663 (17,18,19,20) - kd-d-k here is more fit imo
      >> 00:06:071 - and can add d here to make triplet and make kiai more intense
      >> 00:06:377 (21,22) - change to d-d
      >> 00:08:214 (33,34) - change to k-d (inverted from above)
   3. 00:09:337 - can add d
   4. 00:10:459 - change to d? same as lower diffs
      >> 00:10:867 - K instead?
   5. 00:12:193 (54,55) - kd is better imo
      >> 00:12:602 - add d and 00:12:704 - change to k, so it consistent like the 1st part of kiai
   6. 00:13:418 - add k here is nice
   7. 00:14:132 (67,68,69) - maybe change to d-k-d to reflect the pitch which is going low-high-low
   8. 00:15:663 - add d?
   9. 00:17:602 - feels like changing this to k can emphasis the next part better
2. 00:22:500 - consider to delete this to give more emphasis to nyan at 00:22:296 -
3. 00:26:683 (127,128) - can be deleted to make this part calmer

Volta wrote:

checking bubble nyan <<< -w-

[General]

1. 00:32:908 (1) - consider to gradually lower the volume of the spinner to express the fade-out <<< good idea
2. adjust HP setting so it's more fit with the short song. i suggests K/F/M/O = 9/8/7.5/7 <<< already in 9 / changed to 8 / changed to 7 / is better in 6

[Kantan]

1. 00:03:520 (4,5) - these notes can be deleted to have 4/1 break before kiai and better spread with futsuu <<< I thought a lot about this if leaving a space or just deleting the note 4 .-.
2. 00:23:928 - move to 00:23:112 - and remove the finisher is more friendly for kantan player, and somwhat fit the vocal <<< why have finish D: ... changed -w-
3. 00:32:092 (43,44) - consider to change to k like you did in higher diffs, vocal sounds same after all <<< ok

[Futsuu]

1. 00:03:120 (3) - resnap this note properly <<< oh my ... orz
   >> 00:03:936 (5) - same as^ <<< ^
2. 00:05:153 - change this to k fits the vocal better, like you did at Muzukashii
   >> 00:05:969 (10,11,12,13) - and change these to k-ddd, same reason as above, but inverted
3. 00:10:867 - you may remove this note to give proper 2/1 break
   >> 00:10:459 - maybe change this to d after that, since the pitch is lower than 00:10:051 - ?
4. 00:14:949 - consider to move this to 00:15:969 - and change to d, to fits the stretched vocal
   >> 00:16:582 - can add k here after that
5. 00:22:704 (51,52) - change to d can emphasis the higher pitched k at 00:23:520 -
6. 00:23:928 - consider to remove for break after the complex rhythm. the next part is relatively calmer too
   >> 00:27:194 - same as above for consistency

all fixed .-.


[Muzukashii]

1. 00:03:316 - this part is exactly same as oni. consider to remove this note <<< possible .-.
2. Kiai can be harder imo, while ending can be easier
   
   1. 00:06:071 - consider to add k here and at 00:06:173 - to make triplet, currently it looks almost same with futsuu <<< seems a long sequence but can try...
      >> 00:06:377 (1,2,3) - after that you may change the next three notes to d-d-k <<< to follow vocal is good.
      >> 00:07:092 - change to d and 00:07:296 - add k <<< seems hard but well
      in the end it'll looks like this: (cursor on 00:06:377 - )
   2. 00:09:337 - add d, same reason as above <<< ok
   3. 00:10:459 - change to d? same as futsuu, pitch is lower <<< ok
      >> 00:10:867 - change K instead? <<< It's a little doubtful ...
   4. 00:12:194 - add k <<< I did not plan to do something like this but I guess it would be good to leave it more hard ...
   5. 00:13:520 - and 00:13:622 - add d to make triplet <<< discrect drums .-.
   6. 00:17:194 - add k <<< well is good -w-
3. 00:18:520 - can be deleted to give break after kiai and better spread with futsuu <<< and consistence with 00:21:888- without note...
4. 00:20:153 (76,77,78) - well, i'd suggest to remove this notes and add k at 00:20:357 - instead for consistent meow with ^ <<< applying the above suggestion is too weird...
5. 00:22:704 (81,82) - change to d? same as futsuu <<< ok
6. 00:25:765 - remove? sequence is very long for relatively calm part <<< interesing ... and is better to follow whistle sounds.
   >> 00:29:031 - same as ^ <<< ok
7. 00:26:990 (96,97) - maybe swap note? pitch is going down <<< good

[Oni]

1. Kiai can be harder imo, while ending can be easier
   
   1. 00:04:949 - change to k so the start is consistent across all diffs <<< ok
   2. 00:05:663 (17,18,19,20) - kd-d-k here is more fit imo <<< possible
      >> 00:06:071 - and can add d here to make triplet and make kiai more intense <<< good idea
      >> 00:06:377 (21,22) - change to d-d <<< consistent ith other diffs ...
      >> 00:08:214 (33,34) - change to k-d (inverted from above) <<< is better as kkk
   3. 00:09:337 - can add d <<< is weird but ok .-.
   4. 00:10:459 - change to d? same as lower diffs <<< ok
      >> 00:10:867 - K instead? <<< ok
   5. 00:12:193 (54,55) - kd is better imo <<< is possible
      >> 00:12:602 - add d and 00:12:704 - change to k, so it consistent like the 1st part of kiai <<< have variations in vocal but is possible.
   6. 00:13:418 - add k here is nice <<< harder -w-
   7. 00:14:132 (67,68,69) - maybe change to d-k-d to reflect the pitch which is going low-high-low <<< maybe but is better kkd
   8. 00:15:663 - add d? <<< more triples
   9. 00:17:602 - feels like changing this to k can emphasis the next part better <<< rare but ok...
2. 00:22:500 - consider to delete this to give more emphasis to nyan at 00:22:296 - <<< specially to emphatize nyanko
3. 00:26:683 (127,128) - can be deleted to make this part calmer <<< ok

you may call me back after that~

Volta wrote:

no kd

[Kantan]
00:10:459 - change to d for lower pitch? forgot to mention this lol <<< Then I would have to change the same note in all diffs (they have the same color) and it works out better.

[Futsuu]
00:05:969 - according to your reply, maybe you forgot to change this to k? <<< ok
00:10:459 - same, according to response, this should be d <<< ok

[Muzukashii]
00:23:010 - change to d so it's more consistent with futsuu? <<< ok

[Oni]
i think combo number somehow fucked up my mod. maybe there is some misunderstanding, i hope this follow up mod will clear things up lol
00:05:663 (17,18) - i meant to swap this note to kd, but currently it is still unchanged <<< ok
00:06:582 - why is this empty? there is a don last time here <<< I had a k note, it's d now
00:11:479 - change to k like you did in muzu? <<< ok
00:12:194 - change to k so it's consistent with 00:05:663 - <<< ok
00:12:500 - this pattern is rare (i don't remember suggesting it lol), maybe change to d? <<< already d ...
00:14:133 - change to d? at this point 4 k in a row is a bit weird, and it would fits the lower pitch vocal <<< ok
00:26:786 - this can be deleted to reflect the calm part of the ending better and suits the stretched instrument sound <<< I have other idea, I hope works...

call me again.

Surono wrote:

hi! daddy extremo 😺

* 00:01:684 - delete this on Muzu diff... dem spread density betwen, even though its beginning part <<< is possible

* 00:23:112 - move to 00:23:316 - here for kantan, in this area part are really have many rest section. so actually this for accurated emphasize on music.. than in white tick. easier for newbie, bcus still synchron with music <<< seems a bit hard but is nessesary other emphasis

* at least add 00:31:888 - kat here for muzu <<< I can try

´・ω・`