1. deetz' Hard (pishifat edit) (3.03 stars, 216 notes)
2. Insane (3.9 stars, 266 notes)
3. Normal (1.92 stars, 131 notes)

pishifat wrote:

no pp from me

1. check tags

1. you ignore 00:03:170 - and follow vocal, but ignore 00:05:035 - and follow the instrument, a bit weird
   
2. 00:24:865 - ^
   
3. 01:12:831 (1,2) - ds

1. 01:02:662 (3,4) - blanket off
   
2. 01:13:170 (2,3,4,5) - bad overlap. Try this: http://puu.sh/tiAaO/efe6f5ddb3.jpg http://puu.sh/tiAbW/9168039c54.jpg

1. Guitar: http://puu.sh/tizIN/4d6a010653.jpg vocal: http://puu.sh/tizLT/bd56b62149.jpg , so ignoring 00:02:323 - makes players feel weird
   
2. 01:09:103 (1,2) - Ctrl+G for rhythm?

1. 00:01:137 to 00:09:272 - versus 00:22:831 to 00:32:323 - you have mapped parts both in the exact same fashion, because you listening to the same vocal-melody, guitar chords, "drum"-beat which you propably took into consideration when mapping those two parts. but when playing this, i was actually confused at why you were mapping it the same way. i thought the second time should feel more relaxed, but i couldnt grasp the "why" at first sight so i went into the editor and took a closer look.
   first i was like, is it really just because of the fact that after a more intense part 00:11:984 - 00:20:120 you naturally want to sit back a bit and relax (so this feeling i only given by the structure of the song itself)?
   after some seconds i realized there is an actual difference between 00:01:137 to 00:09:272 - versus 00:22:831 to 00:32:323 - which you might noticed already. there is a violin sound going from all 00:01:137 to 00:01:137 - (the whole first part) setting a certain atmosphere. the sound of the violin is not in the root of the key the song is written in, and it would be far more nice and harmonious if the sound of the violin were indeed the root (which the song happen to be doing so at 00:11:984 - where the violin vanishes and there is only the harmonius guitar chord left)
   this tendency towards wanting a different violin sound than the actual one, makes you not fully "enjoy" the music here because it gives this part a certain pressure/tension to it (which gets released at 00:11:984 - where the violin vanishes).
   so this part of the song 00:01:137 to 00:09:272 feels kinda "ugh" (and the next part feels even better when the violin vanishes).
   but the second time at 00:22:831 to 00:32:323 - there is no violin sound at all and also not this tension which is why it feels so much more relaxed.
   so what the song basically does, is giving us a littlte thrilling/pressured first half of the intro followed by clearing away the pressure in the harmonious second half of the intro.
   afterwards, after the pressure has been washed away, the song can now be relaxed and start telling us some real lyrics...
   but your mapping does not show this difference in tension! the first pressured part of the intro 00:01:137 to 00:09:272 - plays the same like the relaxed part after the intro 00:22:831 to 00:32:323 - which is contradictory to the song. so despite the same vocals-melody and guitar chord in both parts they should not feel the same way when playing and thus propably should not be mapped the same way but rather in a similiar way, so this calls for a variation.
   i guess the best way to express the difference in tension is to have a difference in flow. for example in the first part the flow gets contantly broken, but the second time (almost) never. or the movement required to FC the first part is bigger/harder and the second time its smaller/easier/more relaxed.

CanadianBaka wrote:

the diff name should be called: "deetz' hard" because it was made by him, but just been tweaked. "semi-deetz'" diff sounds awkward.

The diff hasn't been ranked yet, so I'm just gonna guess not many people have the original map. (correct me if i'm wrong)

• mostly suggestions.

1. rather triggered that notes like 00:03:170 - 00:08:594 - are ignored just to focus on the vocal notes, since the emphasis is implemented on major notes and any ignored beats might cause awkward blanks or even mess up the 1-2-3-4 beat counts in some sections.
2. 00:33:001 (5) - could be horizontally flipped for aesthetic purpose and better V-flow + 00:49:950 (2,3) - W-flows are always much harsher so https://osu.ppy.sh/ss/7166361
3. 01:04:865 - could be implemented a click there to emphasize the sudden halt
4. 01:07:577 (1) - not a fan of >3 reverses in lower difficulties since the notes are hard to be interpreted by players and are mostly able to be represented with separate sliders instead.
5. and the end is different from other diffs

1. 01:25:882 (6) - could consider https://osu.ppy.sh/ss/7166217 just for aesthetic purpose