more like ebb and antiflow amirite
[Cup]
00:14:165 (1) - Distancing to this feels too small, considering the stronger piano sound on this. Could try a higher distance by moving this to x:160, and then to keep flow, ctrl+H 2 and move it to x:40. (The strong piano after is also good with a higher distance)
00:18:692 (1) - x:424 for more vocal emphasis.
00:23:220 (1) - Distance should be higher to this than next note, as this note is stronger, and also this movement is pretty boring right now. Would fit better and be more interesting at x:316.
00:25:483 (1) - x:336 would feel better on this, because of the switch in the instrument being followed, a higher distance would be nice.
00:27:747 (1,2,3) - You even used a finish hitsound on the head here, the distance shouldn't be so small. Try x:360 instead, on this section, to keep flow and emphasis fitting nicely.
00:32:275 (1,2) - More emphasis for downbeats here please, try x:208.
00:34:538 (4) - x:456, more distance works nicely for vocal emphasis.
00:36:802 (1) - Distance to this is a bit small here considering the strength of this vocal. I think here, for a more interesting pattern, a slightly antiflow slider, such as
this would work nicely.
00:39:066 (3) - Really would appreciate more emphasis on this vocal. Try x:408.
00:41:330 (1,2,3) - Ok so, you've got a whistle and a finish on 1 here, so you really should use more emphasis, considering the strength of this sound. I think a really nice pattern to do here would be moving 1 to x:368, and then moving 2 to x:248, and then ctrl+h 3 and move it to x:368.
00:46:423 (2) - Higher distancing here would fit nicely imo with the instruments. Try x:336 on this.
00:52:648 (1) - Start of the kiai time and strong note, really deserves a higher amount of emphasis here, this distance doesn't even come close to the strength of this sound. Try x:224 on this.
00:55:478 (2) - Slightly higher distancing would be nice, try x:152.
00:57:176 (1) - Vocal emphasis here would fit nicely, ctrl+H and then x:376, also makes the pattern feel more interesting considering this is kiai.
01:01:703 (1) - Again, whistle and finish, you really should use a higher distance on stuff like this. x:48 would be good.
01:06:230 (1,2) - Distance to and from this is pretty small, a better thing would be to increase distance by moving this section to x:80.
01:10:758 (1) - Higher distance to this, you used whistle and finish, and this sound is pretty strong anyway so yeah.
01:13:588 (2,3) - Distance to this could be higher because of the chime sound here, but then I also realised distance from this would also be nice as higher for the whistle hitsound used, so maybe just move this section to x:256.
01:18:115 (2,1) - Higher distance to 2 would be nice for vocal intensity, higher distance to 1 would be nice for the clap sound there, try moving 2 to x:224, and 1 to x:32, adds some nicer distance variety here whilst still keeping emphasis accurate with the song.
01:24:340 (1) - More emphasis for both finish and vocal would be really nice on this, try x:256.
01:26:321 (3) - This note is a pretty strong finishing note, a higher distance would be nice. x:48 works well, especially with my previous suggestion.
[Salad]
00:06:242 (3) - Higher distancing to this to make this a dash would be nice, just curve it or something.
00:14:165 (1) - Maybe a bit too strong for a non-dash. x:168 would be nicer.
00:18:126 (3) - Inconsistency here, this wasn't a dash on the previous line, so having it as one here feels weird. x:440 would feel better, and then increasing distance to the next note accordingly, probably curving the slider to keep a similar type of flow though.
00:23:220 (1,2) - Slightly higher distance to this to make sure it's a dash, try x:72.
00:27:747 (1) - Maybe a tad bit too strong of a dash to this, maybe reduce very slightly, like x:456?
00:34:538 (1) - ^, x:376.
00:39:066 (1,2) - ^, x:216.
00:41:330 (1) - I think this slider would fit better as vertical at x:400, because a higher distance would be nice, and I think this is the best way to obtain good flow whilst increasing the distance to it.
00:52:648 (1,2,3) - Increase distance to this to make it a dash. Try x:80.
00:59:156 (3) - Kinda awkward to do without dashing right now, x:176 would feel a lot better in my opinion.
01:03:118 (3) - Again, doesn't really sound like it should be a dash, but it's a bit awkward without dashing how it is now, try x:424.
01:04:816 (3) - ^, x:296 would be better, synth here isn't really strong enough for a dash.
01:24:340 (1) - By far the strongest dash in this difficulty, and it's far too difficult for a salad because of this. Try x:168.
Pretty nice salad, honestly.
[Platter]
00:02:846 (1) - no
00:05:110 (1) - end me
00:07:374 (1) - stop this
So basically for those past 3 points, you've used HDashes when there's basically no reason in the song for them to be there. There is no strong note there, and in comparison in terms of intensity, 00:01:714 (1) - and 00:06:242 (1) - are the strongest notes of the intro, and don't even have dashes to them. I think it's best to change around this intro to better accomadate the sounds there.
00:18:409 (4,1) - Bit of a change in the pattern here would be nicer, this current pattern is a bit odd because the strong vocal pitch at 1 has the same distance as 4, despite the fact it is noticably stronger. Try 4 at x:224, and then make 1 curved like
this at x:488.
00:20:956 (1) - x:360, to make non-dashing distance more comfortable here.
00:23:503 (2) - x:200 would be better here considering the antiflow from the hyper at the previous note, this distance is a bit big for a non-dash after that.
00:30:011 (1) - Higher distance like x:368 feels nice to me.
00:42:178 (2) - I think it'd be nicer to avoid having a dash here, try x:256.
00:43:027 (3,1) - Feels odd to have a HDash between them in such a calm part, maybe just ctrl+H 3 and move it back to x:408, plays nicely in my opinion.
00:44:442 (2) - Dashing here feels weird, just do x:256.
00:45:291 (3) - Same as earlier, weird to have a HDash here because the note isn't really that strong, try ctrl+H but then on this one you can have a slightly bigger distance for emphasis on the chimes, so try x:56.
00:48:121 (1) - Maybe put this spinner in the cup and salad too? (Wrong place to say this probably but yeah).
00:50:384 (1) - Place this at x:160 for two reasons, firstly because the spinner ends at the left so it'd be nicer to the player, but more importantly, it creates a nice dash to the next note, to start off the kiai.
00:55:761 (3) - A dash would be nice, try x:32.
00:57:176 (1) - Reduce the strength of this to like, x:48, still plays nicely but makes the antiflow feel a bit less uncomfortable in my eyes, and fits nicely.
00:59:156 (1) - Dash to this could be nice, something like x:432, after a ctrl+H, would be nice, because of the synth here, and would stop the repetitive left-right movement.
01:02:269 (2) - A bit strong for a non-dash movement, try x:328.
01:17:266 (1) - Higher distance to this would be nice, something like x:496 after a ctrl+H, to stop it from feeling repetitive and to better emphasise the synth.
01:20:379 (2) - Strong distancing for non-dash movements, try x:320 instead.
Should be it, call me back when rebubbled or whatever.