A quick recheck here. (no kd)
[General]
[General]
- [Inner Oni]
- 00:17:928 (72,74,75,77) - If you listen to the pitch of these notes, you will find that 00:17:928 (72,74,77) - have the same pitch. Therefore, it would be even better to swap 00:18:655 (75,77) - to d k to match the piano.
- 00:26:109 (110,111) - The vocal pitch of the first note is in fact higher than the second note, so I would recommend changing these notes to k d. Furthermore, the piano at 00:26:655 (112) - could be emphasized more in this way.
- 01:17:928 (373,374,375,376,377,378,379,380,381,382) - How about rearranging the pattern into d d k d k k d k k d ? I would say d at 01:17:928 (373) - would sound better owing to the high-pitched vocal at 01:17:564 -
- 01:37:382 (448,449,450,451) - d k d K would express the vocal nicely since the pitch is increasing across 01:37:382 (448,449,450) -
- 02:40:291 (899,900) - I would still recommend changing this note to d as vocal only appears at 02:40:291 - . More importantly, this could help emphasize the high-pitched notes at 02:40:837 (901,902,903,904) - which are all mapped as k.
- From 02:51:018 to 02:53:200 - It seems that the flow of the new pattern is not good enough. Maybe try this pattern instead to follow the high-pitched vocal accordingly ? (cursor at 02:52:109 - )
- 04:22:655 (1729,1730,1731,1732,1733,1734,1735,1736,1737,1738) - same as 01:17:928 (373,374,375,376,377,378,379,380,381,382) -
- 04:45:018 (1816,1817) - d k would work well since the pitch is increasing across the two notes. In fact, 04:45:018 (1816,1818) - have the same lower pitch, but you can keep 04:45:382 (1818) - as k because of the next D.