icon hype idk
[innerest of onis]
00:12:597 (98,99,100,101,102) - Following your logic on how you map this whole part, that is kats on claps and hardcore kicks (those separated by 3/4 of a beat), this pattern should be kkdkd.
00:14:597 (117,118,119,120,121) - Same for here, unless you want to keep it as kddkd. But both this one and the above one are equivalent.
00:32:097 (347,348,349,350,351,352,353,354,355,356) - I don't know what you think of kkdkd kkddk instead, so you follow more the synth while keeping most of your structure. (It's almost the opposite of your current pattern lol)
00:43:222 (507,508,509,510,511) - kkdkd on these ? The snare follows a Φ * * Ο | * O * Φ structure, which you are following more or less with the "bo".
00:52:097 (612,614) - Claps at these notes, put k as you're doing the same on all other claps until the next bookmark.
01:00:222 (678,679,680,681) - Make it 5-notes, so you have the same thing until the long stream, like you did for 00:16:222 (133,134,135,136,137) - .
01:16:097 (895,896,897,898,899,900,901,902,903,904) - Same as 347-356, since it's... the same.
[inner oni]
00:08:847 (44) - I don't know how to explain that, but I see k fitting more than d.
00:09:597 (51) - AND HERE I CAN'T EITHER, but that's the opposite, for some reason d fits more than k. Maybe on both that's my transitive sense of mapping speaking.
00:23:347 (171,172,173) - dkd, to follow the snare.
00:27:347 (218,219,220) - ^
00:52:097 (482) - Same as for innerest, kat as there's a clap.
01:27:347 (839,840,841) - ^
[oni]
00:52:097 - Add a kat for claps, as for innerest?
3rd kiai and especially 4th should include more breaks due to higher difficulty patterns and restless thingies at 240 bpm; as well as the in-between kiai parts (between 1st & 2nd as well as 3rd & 4th.)
[muzukashii]
00:08:222 (27,28,29,30,31,32,33,34) - that 4-4 is alone in that part, maybe do odd-numbered amount of notes like the rest so you get some sort of logic (keep the skeleton though)
00:52:597 (278,279,280,281,282) - and 00:54:597 (289,290,291,292) - are noted differently but are the same in-song, maybe make them consistent to each other?
[futsuu]
nothing to say
[dain's kantan]
00:55:972 (100,101,102,103,104,105,106,107,108,109) - same density as muzu, maybe tone it down so it equals futsuu ?
(Also most parts feel like a futsuu like kiais but that can't really be helped if you want to make it less boring. I'm just recommending to break more sequences.)
also
[innerest of onis]
00:12:597 (98,99,100,101,102) - Following your logic on how you map this whole part, that is kats on claps and hardcore kicks (those separated by 3/4 of a beat), this pattern should be kkdkd.
00:14:597 (117,118,119,120,121) - Same for here, unless you want to keep it as kddkd. But both this one and the above one are equivalent.
00:32:097 (347,348,349,350,351,352,353,354,355,356) - I don't know what you think of kkdkd kkddk instead, so you follow more the synth while keeping most of your structure. (It's almost the opposite of your current pattern lol)
00:43:222 (507,508,509,510,511) - kkdkd on these ? The snare follows a Φ * * Ο | * O * Φ structure, which you are following more or less with the "bo".
00:52:097 (612,614) - Claps at these notes, put k as you're doing the same on all other claps until the next bookmark.
01:00:222 (678,679,680,681) - Make it 5-notes, so you have the same thing until the long stream, like you did for 00:16:222 (133,134,135,136,137) - .
01:16:097 (895,896,897,898,899,900,901,902,903,904) - Same as 347-356, since it's... the same.
[inner oni]
00:08:847 (44) - I don't know how to explain that, but I see k fitting more than d.
00:09:597 (51) - AND HERE I CAN'T EITHER, but that's the opposite, for some reason d fits more than k. Maybe on both that's my transitive sense of mapping speaking.
00:23:347 (171,172,173) - dkd, to follow the snare.
00:27:347 (218,219,220) - ^
00:52:097 (482) - Same as for innerest, kat as there's a clap.
01:27:347 (839,840,841) - ^
[oni]
00:52:097 - Add a kat for claps, as for innerest?
3rd kiai and especially 4th should include more breaks due to higher difficulty patterns and restless thingies at 240 bpm; as well as the in-between kiai parts (between 1st & 2nd as well as 3rd & 4th.)
[muzukashii]
00:08:222 (27,28,29,30,31,32,33,34) - that 4-4 is alone in that part, maybe do odd-numbered amount of notes like the rest so you get some sort of logic (keep the skeleton though)
00:52:597 (278,279,280,281,282) - and 00:54:597 (289,290,291,292) - are noted differently but are the same in-song, maybe make them consistent to each other?
[futsuu]
nothing to say
[dain's kantan]
00:55:972 (100,101,102,103,104,105,106,107,108,109) - same density as muzu, maybe tone it down so it equals futsuu ?
(Also most parts feel like a futsuu like kiais but that can't really be helped if you want to make it less boring. I'm just recommending to break more sequences.)
also
COME AT MEBATSQATS.