Lundlerol wrote:

1st!!!!!!!!!!!
hi
your mod req via my mod queue.
[General]
please add tag: ending
please uncheck Widescreen Support>all diffs

[Kantan]
00:14:560 - add d? Consider following drum sound to make more natural rhythm. /*I'm putting a bit of emphasis in vocals here as they're more catchy imo.
00:26:355 - add k? same as reason ^ /*Added a don in 00:25:843 instead.
00:30:971 - add d? I felt lacking here.. /*Done
00:34:560 - same as above. /*Added a don in 00:34:048 instead.
00:38:663 - ^ /*Added a don in00:38:150 instead.
00:52:509 - 00:53:022 - umm.. remove finisher. there isn't the sound of cymbals here, so the big note is noisy;w; And you don't put a big note at the part of the latter half.> 01:00:714 - 01:01:227 - or K K? /*I put them o3o

[Futsuu]
00:09:176 - move to 00:09:432 - ? I think that it is not necessary to closely a note in consideration of the first quiet flow. and Consider following drum sound to make more natural rhythm. /*Done
00:10:714 - delete ? same as reason. /*The percusions here are louder so I'm keeping this.
00:13:278 - move to 00:13:535 - ? same as reason. /*Done
00:17:381 - move to 00:17:637 - . and change to k? /*Done
00:18:919 - del /*Same
00:21:227 - When snare changed to k, please move this note 00:21:484 - to 00:21:740 -. /*Done
00:25:586 - move to 00:25:843 - ? I suggest that you put a note this way. distinguish it from the next part.>00:26:868 - ~ 00:27:381 -
00:29:689 - same as above. /*Done
00:33:791 - ^ /*Done
00:38:663 - add k. i feel lacking here.. you can put note here. /*I'd put a note there but it'd kill the consistency in the length of pattern I'm using.
00:57:125 - del. I think only a vocal to follow passably /*Did something similar as in previous pattern.
01:13:535 - same as above. /*^

[Muzukashii]
00:19:945 - move to 00:19:689 - ? i like this rhythm and change to k?　Similar part> 00:27:381 - ~ 00:28:407 - /*The beats here goes oooo oo so I think it's better as I have.
00:49:945 - change to d and 00:50:458 - change to k? I follow a vocal in k. What do you think? /*Done
00:51:484 - k I follow a vocal in k. /*Done
00:58:663 - k? /*The pattern sounds better with just a kat imo

[Oni]
00:51:484 - k? I think you sould vocal to follow.you can follow vocal here. /*Done
00:55:586 - ^ /*Done
00:59:689 - ^ /*Done
01:03:663 - umm... d? /*Done
01:11:612 - k? /*Done
01:15:714 - ^ /*Done
01:20:073 - d? /*Done
01:24:945 - add k i feel lacking here. /*I'd want to keep this part the same as the previous one.

nice diff

[Ura Oni]
00:29:432 - k? I think you sould vocal to follow /*I mapped the diff mostly in the beats so I think it's better as a don.
00:59:945 - move to 01:00:073 - ? refer to pic >http://puu.sh/70p2d.jpg and same part >01:16:355 - ~ 01:17:253 - /*Did something similar here
01:13:919 - change to k? When you match this note with the next kkd( 01:14:304 - ), it is best and fit a sound. /*The constant ddk would be a bit boring so I made this a mirror pattern to the previous one.

nice diff too

good luck~:3

Cqfuj wrote:

Hello, that's a nice map you've done here.

-> Kantan
How about add a drum roll from 00:47:381 to 00:48:919? /*The drumroll would feel very ankward imo as there's no rapid percusion or hold in vocals there.
I think there is a lot of k, maybe you could change some into d, especially at the beginning.

-> Futsuu
It seems fine to me

-> Muzukashii
00:19:945 - 00:20:202 (37) - delete both
00:19:689 - add d
00:20:073 - add d
00:20:073 - add d
I think it should be this way, but you can keep it as it is. /*Did something here.
00:21:996 - same as before /*I'd prefer to stick a bit with percusions here as the next vocals where I apply this 3/4 rhythm is unique and has more emphasis
00:36:099 - same as before /*^

-> Oni
You follow a lot the vocal and it look good, but I think you should change some 2 patterns into 3 patterns /*As you said, I follow not a lot, but considerably the vocals here, so making a 3-note pattern this would kill the emphasis on them, checked all them though.
00:09:945 - add d
00:14:048 - add k
00:18:150 - add k
00:26:355 - add k
00:28:407 - add k
00:30:458 - add d
00:34:560 - add d
00:57:125 - add d
01:13:535 - add d

-> Ura Oni
00:09:560 - add d /*This would make this part to repetitive and kill emphasis in vocals.
00:22:509 - add d /*Done
00:33:919 - add d /*I'm not focusing too much in vocals here so I skip this one.
00:40:586 - add d and 00:40:843 - add k /*I'd do, but vocals here are a bit catchy so I decided to leave it as that.
00:52:381 - add d /*I have a finisher for next note and 1/4 finishers are not nice to play.
00:56:484 - add d and 00:56:740 - add d /*Just added the last one.
00:57:253 - move to 00:57:125 it will make a long pattern but I think it's fine. /*Done
01:00:202 - add d? /*A long pattern here would put too much load in this part that isn't that strong in the song.
01:01:099 - move to 01:00:971 /*Done
01:13:663 - move to 01:13:535 /*Done
01:21:740 - add d? /*This would opaque the vocals a bit.

I hope it can help you.

Kurodragon wrote:

Kantan
01:25:330 - Pon un kat aqui :3 /*Si quedaria pero prefiero hacer esta parte algo calmada, ademas la pausa hace las dos partes mas diferenciables.

Futsuu
00:38:663 - Talvez un kat aqui xD /*^

Muzukashii
00:51:099 - Un don aqui :3 /*Lo añadiria pero seria algo demasiado para un Muzukashii, ya que tengo un patron igual despues.
00:51:227 - Y otro don aqui :3 /*^

Ya no modeo mas avanzadas xD

Hinsvar wrote:

Yo; modding for M4M here.

*Bolded = Unrankable or very, very strongly suggested; red = Highly suggested or questionable (still weaker than the bolded ones); black = Minor suggestions/rants; blue = Notes/advices to avoid/fix repeated problems. Also note that hitsound suggestions on a diff may apply on similar parts of the song and the other diffs of the mapset.

>Kantan

1. 00:14:560 - What about adding a don here so it (alongside 00:15:073 (7)) will mirror 00:16:099 (8,9)'s pattern? The rhythm will be more consistent and thus comfortable to play. /*Why not.
2. 00:50:458 (50) - Make this a kat to follow the pitch of the vocal here? It shouldn't be too difficult for typical Kantan players, I think. /*Done
3. 01:06:868 (71) - ^ /*Done
4. 01:25:330 - I think I know why do you place a short break here? It feels too empty, IMO... Try to add a kat here? /*I originally put this, but didn't like how it played due the constant 2/1, idk, it just makes this boring for me.
5. 01:29:432 - Add a don here for the same reason as the suggestion above? /*^
6. 01:30:202 - ^ (No, it shouldn't be too hard to read since it's only at 117 BPM. Also, this is where the song actually ends, so it's weird to end the diff at 01:28:407.)/*Rather ending it in 01:29:945 as it is stronger, but not adding it because what I said above.

>Futsuu

1. 00:23:278 - Add a note here so the pattern here will be consistent with 00:18:663 (19,20,21)? I can't see why should you make the note pattern inconsistent here, since the music is basically the same. /*I knew something was off here, done
2. 01:08:919 (118,119) - Change them into big don notes so they'll be consistent with 00:52:509 (86,87)? I know the song gets stronger here, but I don't really think using big kats is the right solution to emphasize it. /*Well, I've been using this "pattern" for all diffs, I'd stick with it.
3. 01:30:202 - Since the song actually ends here, try to add some notes from 01:28:407 until this point? Feels strange to ignore this last stanza because of the instrument sounds. And since the harder diffs have this mapped, why not here too? Maybe try a rhythm like in Muzu, except with 01:28:663 (256,257,258) removed. /*Modified the rhythm a bit here to end this later.

>Muzukashii

1. 00:22:766 (45,46) - Swap? They'd follow the rhythm of 00:21:227 (41,42,43,44) (k d, then d k, then k d here again if you swapped these two notes) quite nicely, thus creating a sense of consistency, and also because the instrument at 00:22:766 has a higher pitch than 00:23:022. /*But the pitch is higher in 00:23:022 D:
2. 00:47:637 (123) - Change this to a kat? Fits with the vocal and instrument's pitch quite nicely, I think. /*Done
3. 01:18:663 (228) - Make it a kat? I think it goes well with the instruments, and you used a kat here in the Oni and Ura Oni diff anyway. /*I'd do but with i'd want to make it different from 01:19:176 (229,230).
4. 01:22:509 - 01:23:022 - Make this ddd k instead of xxddd (x = no note)? You left out the very noticeable instruments at 01:22:509 - 01:22:637, and 01:22:894 isn't really that important to map, IMO, so a pattern like 01:22:766 (240,241,242) won't really work well due to how they ignored the aforementioned instruments. /*Done.
5. 01:24:560 - 01:25:073 - ddd k again, and then change 01:25:330 (247) to a d? Kinda the same reason as the suggestion above. /*Done.

>Oni

1. 00:13:535 (23) - Change this into a kat? Can't really explain... I just feel that don isn't really fitting with the instrument here while the kat does, somehow. /*Done.
2. 00:32:253 (99,101) - Swap since the pitch is higher at 00:32:253 than 00:32:509? /*The pitch is higher in the latter D:
3. 00:37:637 (126) - I think a kat blends with the instrument (and the diff's rhythm in general) for some reason. Maybe try that? /*Done.
4. 00:38:663 (130) - ^ /*Done.
5. 01:23:022 (319) - Change to kat? I think the instrument here has a slightly higher pitch than 01:22:766 (318), so it'd be nice to use a kat here too. /*I'm using don to make clear the difference between this and 01:23:791 (323), which is stronger

>Ura Oni

1. 00:11:740 (19) - Make this a kat since the pitch of the instrument gradually increases from the beginning of00:11:484 (17,18,19) up to the end? /*Done.
2. 00:13:278 (28) - Change this into a don? I think the instrument here is more "subdued"/"subtle" (I can't find a better word for this lol), so a kat won't work too well. /*Done.
3. 00:13:535 (29,30,31,32,33) - Try kddkd? I'm not even sure why; I just think this goes along with the instruments well. /*It fits, yeah, but I'm sticking with my actual pattern following the synthesizer.
4. 00:18:022 (55,56) - Swap? A kat at 00:18:022 would blend nicely with the vocal, and a don at 00:18:150 will work pretty good for the same reason as 00:13:278 (28). /*I mapped this diff basing me mostly in the synth and drums, so this pattern fits more overall.
5. 00:20:073 (66) - Change to kat since the pitch of the instrument here is higher than 00:19:945 (65)? /*Done.
6. 00:21:868 (75,76) - Swap for the same reason as the suggestion above? /*The resulting ddk k pattern would fit too much here imo.
7. 00:25:586 (90) - Change this into a kat so 00:25:073 (86,87,88,89,90) will be consistent with 00:27:125 (96,97,98,99,100)? The music here and there is kinda similar in terms of structure, IMO, and it'd be nice to make the pattern consistent too. /*Done.
8. 00:35:843 (143) - Same as 00:20:073 (66). /*The pitch isn't much different here.
9. 00:36:484 (146,147) - Same as 00:21:868 (75,76). /*Same as there.
10. 00:37:894 (154) - Same as 00:20:073 (66). /*Done.
11. 00:55:458 (243,244) - Similar case to 00:18:022 (55,56), except it's the don that fits the vocal and the kat that fits the instrument. /*Done.
12. 00:59:689 (267) - Change this to a k to follow the pitch of both the vocal and instrument? /*Done.
13. 01:00:330 - 01:00:971 - kddkkd? I can't really feel what are you trying to follow the current pattern, and since I feel that the best thing to follow in this section is the vocal, I made another rhythm that (at least for me) fits with it. Maybe you should give it a try. /*Did dkddkd, to keep the dk kd dk with the previous suggestion.
14. 01:09:817 (324,325) - Same as 00:55:458 (243,244). /*Weren't 01:11:868 (336,337)? I changed this instead, changing the other ones would break the consistency of having kat in offbeats
15. 01:17:125 (367,368) - Same as 00:18:022 (55,56). /*Did the same
16. 01:23:022 (404) - Same as Oni. /*Same
17. 01:26:612 (418) - Same as 00:20:073 (66). /*Done.

Eh, I hope this mod is gonna be of some use since this is, like, around the 10th Taiko mod I've made or something. I can't really figure the exact number, but the point is: I'm still not really experienced in this lol

Good luck on the way

Hair wrote:

Hai !

M4M (req is on your queue)

[Kantan]

00:18:663 (11) - Move to 00:18:919 (11) - /*I'm mostly basing the map on the main beat and just focusing on vocals when they stand out more like in 00:15:073 (8,9), and here vocals aren't too strong so I prefer keeping this.
00:35:073 (31) - Move to 00:35:330 (31) - /*^
00:58:663 (61) - Change to a k ? /*It fits but I want the kat in 01:00:714 (63,64) be unique there so they stand out more.

[Futsuu]

00:08:919 (2) - Delete /*I'll be considering this, I like the idea but I think a note fits better there with percusions than the kat you suggest in next line.
00:09:945 (3) - Add a k /*v
00:13:022 (10) - Delete /*^
00:14:048 (11) - Chnage to k /*There's nothing there, I get your point though, but as I explained in Kantan, I'm following the main beats here rather than vocals.
00:14:048 (11) - Timing : Move to Blue Tick before /*^
00:20:202 (23) - Move to blue tick /*^
00:20:458 (24) - Move to red tick before /*^
00:22:766 (27,28,29) - Move these three to 00:23:022 (27,28,29) - (keep the extra don) /*^
00:51:868 (87) - Add a k /*Not a kat but a don.

[Muzukashii]

00:12:637 (15) - Add a d /*Okay
00:56:355 (155) - Delete /*The oo oo patterns help to keep an idea about the rhythm, 3/4 spacings may be a bit tricky here.

I can't map Oni Maps, sorry D: /*Don't worry