00:57:178 (2) - Expecting this kind of vocal to have at least some movement. Because you did it a lot in the previous section. 00:58:116 (4,5) -, 00:58:116 (4,5) - as well. Kinda kills the build-up tho

00:46:163 (4,5) - I don't see any reason to make this a hyperdash because the vocal is quite weak. Put this on dash instead?

01:11:241 - Fits more if you extend this repeat slider instead of placing 01:11:241 - at the same pos as 01:11:006 -. Afterwards, put a hyperdash on 01:11:475 - with a slider facing to the right.

01:12:178 - Aaaa, kinda the same case as 1739205#4209335. Please add a circle here to follow the vocal better

00:29:522 - Move to 00:29:756 -. This is to ensure that you focus more on the vocal rather than shifting the focus so sudden.

Feels strange to still have a fruit placed after the vocal stops. Better to have rhythm placement like 00:26:710 (1,2,3) -.

01:11:710 - Feels like something is missing because mostly focuses on the vocal. Adding a circle here is better to follow

01:22:160 (1,2) - Quite unexpected that (2) appears on the right side. Maybe flip 01:22:318 (2,3,4,5,1) -?

Also, make 01:22:160 (1) - lined-up with the position of 01:22:002 (9) -?

00:47:107 (2,3,4,5,1) - Kinda awkward flow. The main cause IMO is this 00:47:107 (2,3,4) - flow that creates a little bit of confusion. Reworking to something more flowy would be good

00:21:528 (1,2) - Would be a better flow if (2) is placed on the right side of the slider instead of on the left side.

01:02:311 (1,2,3) - Not really a good way to end the song with a hyperchain as the song is getting weaker. Put 01:02:596 (2) - as a dash.

00:50:633 (5,6) - I'd suggest to not do this so sudden. To me, it feels like a diff spike rather than being "fun-to-play". As it is pretty much really stands out than the rest of the map. Remove the hyperchain on (5) -> (6) and just merge them as a c-shape stream.

01:03:165 - Either put a long slider just like the platter and overdose did or put a spinner for the guitar sound.

*Putting a long slider is preferable~

00:31:741 (1,2) - Move them farther for more leniency?

00:20:728 (2,1,2,1) - I'd say this is a subjective opinion. But this kind of stream flow is a little bit advanced for a rain. So, if you could make 00:21:678 (2) - a curved slider instead of full-vertical slider, it is much appreciated for a recover pattern.

01:02:311 (1,2) - Pixel

00:30:412 (1) - C-curve would be better for the flow

00:07:627 (1) - Could tilt this more for movement instead of standing still

00:01:551 (1,2) - Dash for vocal emphasis before entering new section.

00:53:197 (1,2,3,4) - Flows kinda break the immersion. Probably could try this to make it less awkward:

or as simple as:

00:31:172 (2,3,4,5) - The shape could be better. Try this pattern alignment.

00:06:108 (1,2) - Feels like it's missing the main beat in playing. Mapping it similar to 00:18:260 (1,2,3) - is better in comparison.

Or make the entire section mapped similar to 00:39:526 -'s section. This one is more pleasant to listen.

00:39:336 - Weirdge that you left this empty. Meanwhile, you have similar parts such as 00:02:880 (5,1) - and 00:15:032 (5,1) - mapped. It's better to be consistent between the similar parts.

00:02:880 (5,1) - A direction change would be cooler for the new section (And vocal) emphasis. But, if you don't want, it's fine to keep.

Similar: 00:15:032 (5,1) -

00:33:975 (5,1) - Hyperdash missing? Seems like you have put a hyperdash for every 4/1 passed in this section

What do you think about making 1/3s having the same distance in-between such as? 00:21:953 (6,7,1) - and 00:11:054 (6,7,8,1) -

Might be aesthetically more pleasing, but up to you

00:32:964 (1,2,3,4,1,2,3,4) - Probably could use some sort of more intense movement because of those "dudududu" sounds. Something other than C-curve pattern or utilizing sliders like you did on 00:35:661 -

01:22:484 (8,1) - Honestly, a 1/4 hyperdash here is not that bad

01:17:084 (7,8,9) - on (8) should be a dash instead of ambiguous walk

Similar: 01:19:484 (7,8) -

01:17:084 (7,8) - Weird to emphasize (8) as a walk. Put a hyper or dash

01:14:384 (5,6) - can be merged into a slider instead and put a flowy pattern to make it prettier in gameplay.

For emphasis, 01:14:684 - to 01:14:834 - can be a walk, 01:14:834 - to 01:14:984 - can be a hyper or dash, your call

01:09:584 (1,2,1) - I think just end each of the sliders on 1/4 instead of 1/8. Feels weird-shaped on 1/8

00:54:134 (8) - can be just a slider instead of repeated slider for the density

01:00:884 (7,1) - This one is worth with hyperdash too. Don't be afraid to use 1/4 hyperdash in Kiai section

00:58:784 - has cymbal that is worth emphasized with a hyperdash instead of putting even distance in between on 00:58:784 -

00:50:234 (4,5) - Can just merge this to a 1 slider. Then, put a dash into 00:50:684 (6) -

00:47:984 (1,2,3,4) - Overemphasized. Just put a hyperdash on 00:48:584 - as the vocal is quite high. The others can use dash

00:39:584 (1,2) - Standing still stacks like this are hard to catch. Just use a curvy c-shape stream with a minimum hyperdash trigger as this is a higher-snapped hyperdash. Can use my diff as reference.

Also, 1/8 sound didn't exist on 00:40:184 (2) -. So, watch out your stream usage here. Be sure to only map an existing 1/8 sound

Similar: 00:42:584 -, 00:43:784 (2) -, 00:46:784 (1) -