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这两个地方想要表示的其实不是同样的东西,参考后面一段,所以keep for now

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00:13:220 (13220|0,13220|3) - 其实一个note够了

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done

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00:15:527 (15527|0,16297|3,17066|0) - 有点不太理解你这三个LN在采什么(
如果是采钢琴和弦的话...你后面(00:18:604 - 00:20:143 - )又直接用note表示出来了
2219679#4513729
看起来像这个

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emmm...确实可能需要改一下采音逻辑

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00:16:297 (16297|2) - 建议放1轨

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OK

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00:17:258 - miss note

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added

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00:27:835 - 00:51:681
这一整段里背景里的那个比较轻的鼓声其实都差不多,但是排列的逻辑貌似没什么规律,有时候是分散的有时候又是叠键,最好以既定的规律排列。虽然bpm很低实际玩起来可能无伤大雅,但是毕竟还是不一样的pattern,得有一点敏感度

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好吧,好像整张谱都这样,还是一样的,感觉似乎是只在考虑抓音没有仔细琢磨排列,建议仔细想一下什么时候用叠键,什么时候用散点。可以不一致,但是一定要有逻辑

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好的

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00:37:835 (37835|3) - 如果放在一轨会更顺手简单,因为1轨前面的空隙更大

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fixed

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00:38:604 - 这里可以加个note来表示琴声,类似于00:37:066 (37066|2) -

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00:40:143 - same

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added

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建議還是保留雙壓就好,因為很多琴聲都沒加,加的話密度會太高

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Reopened by Usagi_

fixed

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00:41:681 (41681|2,41874|3) - 为啥这里不叠了,前面00:40:720 (40720|0,40912|0) - 00:38:604 (38604|3,38797|3) - 都是叠来表示这个音

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02:23:220 (143220|2,143412|0) - 这里也建议写叠

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倒是可以改成叠

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00:53:604 - should be single 与后面钢琴作区别

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00:59:758 - same

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OK

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01:20:720 (80720|2,80720|3,80912|2) - 01:25:143 (85143|3,85143|2,85335|2,85527|2) - 盡量避免這種pattern比較好,有點難打。建議是直接把1/4上的雙壓改成單壓就好

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改的話記得剩下全部也要改

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好的

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OK

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这里double想要的是承上启下的隔断效果,后面基本都这么处理

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02:40:143 - 02:43:220

太突兀了,这个部分显然和01:13:989 - 01:17:066是差不多的,采音思路不太一致,考虑到歌曲的流向可以接受,但是问题在于02:42:450 (162450|3,162450|2,162547|0,162643|1,162739|3,162835|1,162835|0,162931|3,163027|2,163124|0,163220|2,163220|1)有些用力过猛了,没有合适的递进。鼓声实际应该是从02:41:681开始的,可以从这里就开始安排1/8的连续单点,也不至于让后面显得很突然,为了对应这部分的渐进走向,01:13:989 - 01:17:066也可以采用一样的思路,即把01:16:297的前后部分做出区分,具体怎么分就看你自己的想法了

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其他类似这样的问题可以自己对照检查一下。对于这类比较长,存在重复段落的歌,在音乐结构上的一致性最好是能更敏感的把握住,这样可以显得整体的逻辑更加清晰,也更加合理

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这一段的话.....我想想......我更倾向于从02:41:874 - 这里开始塞1/8;至于01:13:98901:17:066的话,我是倾向于保持原样(因为这一段kiai,vocal是几乎盖过背景音的所以是主vocal,这一段就更倾向于拉LN写vocal如果写1/8note表示鼓不太符合这一段的主思路),同时考虑到歌曲的流向,也不是不能接受的吧(可能会突兀,但不会太突兀)。

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fixed

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