LIVESTREAM (frailty's FRENCHCORE BOOTLEG)Explicit

00:18:449 (18449|0,18735|1,19020|3) - shouldnt this be LN for the synth sound? It'd be kinda off for the structure to suddenly stop when the synth sound is still audible, most diffs dont do this so I think u should do the same here

00:19:592 (19592|3,19735|3,19878|3,20020|3,20163|3,20449|3,20735|3,20878|3,21020|3,21163|3,21306|3) - I'd be careful having this long anchor back to back, I'd move some notes to [2] to avoid hand strain.

00:21:735 (21735|1) - I suggest move this to col 1 to emphasize how how the vocal is more pronounced here

00:35:735 (35735|1) - Move this to [3] so you have a left-right anchor instead of having 2 in the same hand while another one starts in the right hand.

00:41:592 (41592|1,41592|0) - Shouldn't this be supposed to be in [23] instead of [12] like you have it right now? For the pattern consistency ofc.

00:45:592 (45592|1) - Wouldn't it be cool adding a LN here to represent the bass hit? 1/1

00:45:592 esto podría moverse 1/2snap más adelante para ser más específicos con el bass synth

00:46:163 (46163|1,46163|3,46163|0) - why triple here? In the break you map the kicks to be double so you should do the same here

00:49:449 (49449|2) - Same thing as I mentioned in #4674259 same column and everything, move to [2].

00:51:235 (51235|2,51306|3) - I felt this would be more comfortable if you switched the idea around here by making this a jumptrill and not having it with a triple. Move 00:51:306 (51306|3) - to the 1/4 snap below and that should do the trick.

00:55:449 (55449|1,55449|2,55449|0,55735|0,55735|3,55735|1) - Yo creooo que estos triples deberian ser quads ya que utilizan el mismo sonido que 00:37:449 (37449|0,37449|2,37449|3,37449|1) -

Tengo dos ideas, podrías reemplazar los de 00:55:449 por quads (sería una "disminución" de dificultad ya que no haría una dependencia de dedos por lo tanto se podría mashear) o hacer lo contrario y reemplazar 00:37:449 (y secciones con el mismo sonido) por triples.

01:22:306 (82306|2,82306|1) - Same thing as I mentioned in #4674268 but in this case also following the melody synth as well.

01:22:735 - Luego del fade out anterior, los patrones de quads deberian empezar acá

01:32:449 (92449|2,92449|3,92449|0) - Este triple es muy overkill, deberías dejarlo como una nota singular para favorecer el sonido.

01:38:092 (98092|0) - Is there any distinctive sound for this single to be there? There is much going on with all the effected vocals and melody playing in the background at a constant 1/2 that I really don't know if this warrants that note here. Feels more like a ghost note.

01:48:449 - Esta parte es demasiado overkill, podrias utilizar el fade de esta sección para hacer un stream en 1/4 de notas normales y luego en 01:49:592 - en 1/6