Symphonic Love

00:00:463 (463|2,671|3) - I think you can just stack these like in the top diff. You have plenty of anchors even in this diff anyway so it's not gonna be too hard.

00:12:129 (12129|0,12129|5,12129|2,12129|1,12129|4,12129|6) - Since I'm very noob on LN, I cannot recognize rhythm easily about these LNs' end. I think it'll be better expressing vocal rhythm same as Love+ difficulty for intuition, or you can nerf vocal rhythm from Love+.

00:14:213 (14213|2,14213|1) - I think you should move this into the other hand if you're trying to emphasize the synths with stacked short LN doubles at 00:13:796 (13796|2,13796|1,14004|1,14004|2). Having the double here undermines the emphasis you have on the synths.

Same applies to 00:15:879, 00:17:546, etc

00:16:088 (16088|4,16088|5,16504|5,16504|4) - nudge one column right? This is the only case where you have the longer synths on the same columns as the shorter doubles prior and it's not like the synths are the same pitch here.

00:17:716 (17716|6,17820|4,18133|6,18237|4) - this is kinda nitpick, seems you only use exact pattern only on this synth, I guess you can make them different especially since this sounds 00:18:133 (18133|6,18237|4) is weaker imo

if you don't want to make this counter-flow here maybe you can try this?

00:44:383 (44383|6,44487|4,44800|6,44904|4) - while here is okay coz pattern at this section using all exact pattern 00:41:050 (41050|5,41154|4,41466|5,41570|4) - 00:42:716 (42716|2,42820|1,43133|2,43237|1) -

this also applied on later section like 01:34:383 - and etc, I think guess it's better to have consistent structure in this kind of section

00:28:654 (28654|4) - I personally think it's abit awkward to have this stacked with 00:28:862 (28862|4,29070|4,29279|4,29487|4) coz here is vocal that doesn't seems to be included into the instrument you layer, I suggest to move this into col6 |1~7|

00:52:129 ~ 00:52:963 - I can get the slight speedup + 0.1x SV here as it basically makes a slowjam stutter at basically emptiness but the SVs at 00:52:963 ~ 00:53:692 - is really awkward as it is interrupted by a bunch of notes.

Having the slowjam gradually speed up starting 00:52:963 is really weird as well as it makes 00:52:963 ~ 00:53:171 - significantly wider than previous 1/2 SV gaps. The fact that the 1/16 speedup here is nearly twice as that of 00:52:129 doesn't help either. At the very least, you should have the gradual speedup start at 00:53:171 instead of at 00:52:963.

01:04:421 - the jacks here aren't hard but you only have like two other sections in the entire diff with jacks. I think you should use something trilly instead of minijacks.

The same applies to 02:24:421 and 02:31:921.

01:31:296 - a bit underwhelming here imo. I can see that you tried to differentiate this section from other similar drum sections like 00:51:296 as it lacks the background synth buildup but I think the trill here is way too simple and easy.

01:58:588 (118588|6) - move to col 4(or other col) to avoid triple stack on col 7

02:03:758 - the echo vocals you layer with LN shield on col1 and col7 still continue by the way, I guess you can still layer it 1 more beat

02:10:425 - while here is okay since you change the layering here into the kick sound

03:20:425 - i think the SV could have a fade in here, not just a sudden change, similar to how u have a fade out for 03:26:050 - part, it could be smoother, there's plenty of space to introduce the slow part gradually instead of 1.0x -> 0.6x

03:45:425 (225425|3,225633|2,225841|1,226050|0,226258|1) - does it really need to be one handed? just asking because I think when Love+ using two handed pattern so this might be needs more finger coordination than the two handed pattern