00:10:140 (1) - how about moving it a little bit more to the right so this whole pattern moves across the whole playfield horizontally? Every time you seem to finish the measures at the very edge of the playfield (00:12:690 (5) - etc.), but 00:10:140 (1) -this one for some reason is only halfway there
00:47:490 (4,1) - this is much much more intense than 00:46:290 (2,1) - , yet the spacing is very underwhelming, so I would suggest to move 00:47:490 (4) - a little bit to the right so the spacing is bigger
00:57:240 (1) - 01:02:040 (1) - Holy shit, I've never seen usage of slider ticks with this kind of hitsounding, absolutely amazing.
01:13:890 (3,1) - this seems a bit too conventional for end of the measure, Ctrl+J for 01:14:040 (1) - ? (with a bit of upward adjustment)
it would kinda fit with this 01:49:890 (4,1) - , just reverted, so I think this could be great idea
02:21:690 (2,1) - Not quite sure if music justifies going to the left, like, in similar parts of the song you dont switch to left in the middle of the pattern, 02:59:640 (1,1,1,1,1,1,1,1) - 03:20:940 (1,2,1,2,1,2,1,2,1,2,1) - etc.
So, I would recommend to consider following this trend and not doing left 02:21:840 - but 02:22:440 -
03:22:740 (2) - Not sure what about this one but it seems to contradict your "left-side reset" idea because its not important sound at all, but idk maybe it fits as is, just wanted to point it out
03:37:740 (1) - hmm, this NC is questionable since up to that point you didnt really NC before left jump (02:25:890 (3,1) - 03:04:140 (3,1) - 02:21:090 (4,1) - etc.) and when you did (03:33:090 (1,1) - ) it was a rhythm change
05:52:733 (1,2,3,4,5,6,1) - personal opinion, but I think it could be something more interesting for the final part of the song than just a straight simple line...