00:07:355 (7355|3,8126|1,8866|2) - can change into LN follow piano, it will be more interesting
00:10:365 (10365|3) - 귀찮네 걍 한글로 쓸게요
이거 2로 보내는거 어떠세요?
00:09:254 (9254|2,9254|3) - 34 00:09:809 (9809|1,9809|2) - 23
이게 붙어있는 롱노트가 아래에서 작은 구조를 이루고 있는데 여기도 맞춰주면 좋을듯해요
그리고 1/1 잭은 00:09:994 (9994|0,10179|3) - 이 두친구가 잭으로 구성되는데 PR 에서 훨씬 좋겠죠? 칙칙이가 반복되니..
https://osu.ppy.sh/ss/15577796/bff8 ex
00:10:365 (10365|0,11676|3,11868|2,12062|1) - how about doing like it: https://osu.ppy.sh/ss/15683981/2422
to follow bas
00:10:365 (10365|0,11676|3,11868|2,12062|1) I'll change like this : https://osu.ppy.sh/ss/15686696/8afa
00:40:191 (40191|1,40191|0,40191|2,40566|0,40566|1,40566|2,40566|3) add LN but W+F = quad
00:27:160 (27160|3,27160|2,27254|3) - 이런 패턴 무루무님의 아담 맵에서 뭐 올드한 패턴이다 라는이유로 디퀄 먹은 경력이 있는데 참고해두시는게 좋을거같기도 해요 그리고 아마 수정하게 되신다면 이런식으로
https://osu.ppy.sh/ss/15577802/899e
드럼 스네어 3개로 강조, 잭 제거
00:29:316 (29316|2,29691|1) - i don't think this LNs is good to follow the guitar sounds, because they sounds different. maybe you should follow the vocals in 00:29:504 - and 00:29:879 - like you did before.
same with 00:32:316 -
00:39:816 (39816|3,39816|0) - also, 00:39:816 (39816|3,39816|0) - is same as 00:39:629 (39629|1) -
all fixed except 01:14:691 (74691|0) - I think that sound is different with other C so keep
00:38:129 (38129|2,38129|1,38316|3,38316|2) - 이거 두개 같은 선에 배치하는거 어떻게 생각하세요? 마지막이라가지고 보컬이 좀 흐려지면서 드럼 악기가 많이 강조되는데 여기에 베이스 둥 둥 있거든요 주관적으로 먼가 느낌 사는듯? 그런느낌? 좋은느낌?
For the part start at 00:39:254 I feel it's a bit under-mapped.
Since you've already introduced such 4 col pattern at 00:37:754 (37754|0,37941|3,37941|1,37941|2) -
I feel doubles are no longer that reasonable for here 00:39:254 (I would say... Use triples.)
Also 00:42:254 Could shorten this LN 00:41:879 (41879|0) - And create a shield pattern.
Similar reason as what I've said at #2771672
00:40:566 00:43:566 Could consider using quads.
But I think 01:06:160 and 00:54:160 their volume is similar to 00:52:660 (52660|0,52707|1,64660|0,64707|1) -
Since the lyric > 00:51:629 (51629|0,52004|1,52379|3,52566|3,52941|0,53129|0,53504|1,53879|2) - is similar like 00:54:629 (54629|3,55004|2,55379|0,55566|0,55941|3,56129|3,56504|2,56879|1) -
I think they should have same structure ; w ;
But the sound is really small so it can be ignore if the mapper want.
01:07:379 (67379|1) - what is this 1/4 LN for, u only do in some speical vocal stack like 00:52:941 (52941|0) - , i think it should be 1/2 long like u do in 00:52:379 (52379|2) -
01:08:597 (68597|3) - 이거 지우는게 낫지않을까요?
맵의 전체적인 구조 자체가 1/2 로 이루어져있어요 그 중간중간에 1/4 드럼을 트릴로 강조하는 방식이구요
근데 여기는 드럼 자체는 01:08:691 - 여기서부터 강조되는 느낌이 커서 맵 전체적으로 보았을때 01:08:597 - 여기다가 노트 넣으신건 전체 구조에서 좀 상반되는 느낌이에요 여기에다가 넣으면 다른데 넣을데가 좀 많이 생기거든요
01:13:379 - 01:13:566 -
I often see a difference between them, but I don't feel an obvious difference between the two sounds. Do you think it needs to be improved? Because the quadruple count doesn't seem to happen that often.
https://osu.ppy.sh/ss/15706405/e628
https://osu.ppy.sh/ss/15706409/41dc
https://osu.ppy.sh/ss/15706412/74e5
01:17:035 (77035|3,77129|3) - The only 1/4 stack in this diff.
Tbh, you don't have to forcing 'kick = doubles snare = triples'.
For special places, you could definitely 'make some differences' to make pattern more smooth.
Well, it's fine to move 01:17:035 (77035|3) - to 01:16:941 for this case.
Triple to emphasize the vocals in this part like 01:16:191 01:16:379 01:16:566