01:29:230 - most of the 1/6 quads in this part are actually 1/4, in fact all of them except 01:36:960 are 1/4. i get the intent of wanting to make things stand out more through usage of higher snaps, but i'd argue you could opt for a bit of creative improve instead, perhaps through some more dense 1/4 patterns to match the hardcore/speedcore-ish intensity, or some blue tick oriented improv, similar to what uone occasionally did in his parts, but with your own twist
01:44:951 - for snappings, try out this:
191 starts on 01:44:951
the first two 1/8 triples capture the buzz, which is 1/8 in both cases, though the first one is a bit choppy. the 1/6 quad captures the xylophone-esque notes, and the 1/8 double after that indicates that the buzz is longer than the one on 01:45:475 .
if you want to be even more unhinged, you could do this too:
Would reconsider the triplet? You didn't comment on it so I thought I'd mention it.
I personally wanted to suggest doing a kkk triplet there instead since I personally didn't feel like I was finishing the sound there while playing.
A full triplet would feel more complete to me and also give the player enough room to do the finisher, especially with the higher SV, reading wouldn't be an issue here.
Added 01:45:508 (201) - k instead to match the 1/8 doublet.
I don't really like 3plet idea because it doesn't leave enough space for the finisher imo
Could kkD at 02:29:361 to also get the last note as a finisher? feels a bit odd skipping it while playing because of the contrast with the other 2 finishers after.
The melody really feels like an X X X in the background, but if you'd wanna omit the finisher here for consistency with the other triplets I'd also be okay with that.
02:46:953 (19) - i'm sure the unsnap here is intentional (1/5 starting on 1/9 tick), but i feel like the note will be more accurate on 02:46:949 . thoughts?
I personally don't really understand the 1/9 quad on 02:52:757, since I can't find anything that really follows this in the music.
I recommend deleting this and just making it a 1/6 stream to be consistent with the rest. This is the only 1/9 pattern in the entire stream while nothing really changes in the music.
02:52:121 = 02:52:667 in the music so it felt strange playing something totally different the 2nd time the part appeared for me.
I think it'd be nice to connect 03:14:240 to the finisher at 03:14:371 by placing a kat in between them.
In my opinion, this gives more effect to the finisher and emphasize the song's sudden transition to the finishers.
You give the player enough room to read this with the high sv so I think it'd be totally doable and not something that'd be hard at all at this level of play!