Ten, Sen, Men, Rittai

• i dont really get why you charted 00:03:493 (3493|3) - as a ln, the whole initial section it's pure rice except for 00:07:364 (7364|3,7364|2) - which it's for the tune melody, soo i suggest to make it a normal note since there's no other tunes added to the "introsnare"

00:07:968 - how about to add a note on 1st col? it's not technically correct but i think it's good way to give volume on this specific sound(bass?)

same as 00:09:904 - , 00:11:839 - , 00:13:775 - ...

00:07:985 - and 00:08:469 - 2 stacked doubles for a same hand each here makes the kick and other strong synth sounds feel all the same. some double reducement could be applied, by, for example, removing 00:07:985 (7985|2,8469|1) - . this way 00:08:106 - keeps the double for the increasing synth sound and 00:08:590 - keeps the double for the kick

if commit, then I encourage the mapper to find some little redistribution of notes for 00:09:679 - 00:11:614 - 00:13:550 - , to not make the same exact pattern 4 times, something more accomplishable with this mod and whatever may come to mind with it.

00:08:573 - and if you like to giving volume on the spot like #3789379
these additional notes would be nice to keep consistent weight for here

I think this is just the right weight compared to Another diff.

00:11:493 - should be double? like 00:12:461 (12461|3,12461|2) -

00:16:816 (16816|1,16876|0) - for all these little 1/8 graces, I'd consider applying ctrl+G, specially for bits like 00:20:566 - (ctrl+G 00:20:687 (20687|1,20747|0) - ), it makes it more continuous visual and gameplay wise I think

same 00:18:751 - 00:20:687 - 00:24:558 - 00:26:493 -

00:19:356 - col4 anchor is only on right hand, and there's no time for the left hand to also have that important anchor because 00:23:227 - uses a different idea. my suggestion is to "double the mirror timings", like this:

• 00:17:421 - to 00:20:808 - : ctrl + H. this way 00:20:808 (20808|3) - can better represent the little anchor sound more continuously and it's more evenly spreaded on both outer columns

if commit:

• 00:24:921 - to 00:28:792 - : ctrl+H, for the same reason

• taking about the pattern at 00:30:226 (30226|3,30347|3,30468|3,30589|3) - if you have stereo head/earphone you can hear that at 00:30:226 - 00:30:347 - the audio-pan switch in the right ear, then 00:30:468 - 00:30:589 - in the left ear. For this i suggest to split it up that pattern by moving 00:30:468 (30468|3,30589|3) - in the left hand (soo 1st or 2st column, it depends by you)

00:31:453 - vs 00:33:389 - : they are the same sound and the same pulse of the bar (2nd pulse). 00:31:453 - is the only one that only has 1 jack because of the quad, but 00:33:389 - 00:35:324 - 00:37:260 - 00:39:195 - etc (all are 2nd measures) contain 2 jacks. 00:31:453 - could add one jack around 00:31:695 - ? I understand it's maybe intended to relief for just a bit right after the quad LN and quad rice, but I'll just point it out just in case

00:38:590 - missing note maybe, which was left out because of the LN tails. how does something like this looks? I think it's a good way to transition to the quad right after

00:44:034 (44034|0) - maybe resnap this note to 00:43:973 - (1/8)? this way there's no weird note gap there for such a continuous sound. also, leaving 00:44:034 - as just a double wouldn't hurt, since triples near here like 00:43:066 - or 00:44:518 - are equal or more intense than 00:44:034 - , and 00:44:034 - has many doubles right after to compensate the lack of triple

00:57:582 (57582|0) - same: resnap to 00:57:522 -

• 00:47:162 (47162|1,47283|2,47283|3,47404|2,47404|3,47525|3,47525|2,47646|1) - this pattern it focuses a lot on the right hand and it leave a blank space in the left hand. for this i'd rather to suggest to move 00:47:525 (47525|2,47525|3) - totally to the left (to even empathize the kick from the two normal doublets behind that jack)

it create a good feeling to fingers by playing in this way

00:47:421 (47421|2) - move 00:47:421 (47421|2) - to col2. 3 stacked doubles from 00:47:179 - on the same hand is maybe too simple for how sound evolves.
also, moving 00:48:389 (48389|3) - to col1 would make it more visually pleasing if we start looking at how the section flows from 00:47:179 - to 00:48:389 - from right to left

00:50:428 - In perspective of sound sequencer, this pattern would be better to have consistence jacks instead alternating trills. for example, you can put 1/1 jacks on 1st col to present kicks. and put minijacks on 4th col with consistent 3/4 snaps for the sounds... i don't know how to call this sounds but you know? like this.

the other notes are fillers. but i've avoid to add on 3rd col when it's not on the 1/1. because it can be distracting from the feeling of playing the jacks.

and now players can feel really they are playing the section :)

• 00:53:331 - this should be charted as a triplet, soo i can suggest you to do two things here :

1. chart it at least 2 note
   or
2. do something like this (it focus on the finisher triplets
   

• 01:01:678 (61678|3,61799|3,61920|3) - are really low sounds, i dont think they should be charted in a 3 lenght longjack like the ones at 01:00:589 - / 01:00:105 - before, also the ""vynil skrech glitchy sound"" (idk how to call it sry) at 01:01:557 - it's chartable at 1/5 tempo grid for 3 notes

same thing at 01:13:170 - / 01:44:259 -

01:03:976 ~ 01:07:847
to make the concept more sophisticated, i suggest make change on the triples on this section.
01:02:525 - 01:03:493 - Here, you can just use [134] consistently like you've been doing, and it's fine.
01:04:460 - 01:05:428 - You can hear the difference in sound from here(you can see it more clearly in 01:09:783 - ) . As you've been consistently using patterns like [124]/[134] for the same sound up to this point, I recommend that you use a different arrangement here since the sound is different.
same with 01:06:396 - 01:07:364 -

01:05:687 - not that many sound for double, it could be adjusted to a single note or a double which doesn't result in a jack like 01:05:566 (65566|2,65687|2) - . this is mainly because 01:05:808 - feels a bit empty in comparison to 01:05:082 - , where there are way more jacks. I understand (and prefer) if mapper wants to keep 01:05:808 -as it is (considering it plays nice when it repeats in 01:06:776 - ), but if so, then some adjustments to 01:05:324 - to avoid any excessive jack should be applied, hence this mod

01:08:227 - missing a not on col4? considering 01:08:711 - and 01:54:679 - I strongly think it does

01:14:881 - the 1/8th trill is quite uncomfortable so something like may be nicer

01:24:981 - would it be too much to add a note on col1? 01:24:981 - is the only instance where the 1/8 hiss sound is omitted, logically, but still, it doesn't break gameplay at all and keeps the hiss sound consistency and the doubles for the synth

01:52:078 - same

01:36:655 - missing a note for the hiss sound here. my suggestion for note readjustment:

• 01:36:534 - move to col2
• 01:36:655 - add note col3

01:46:695 (106695|2,106816|2,106937|2) - this triple stack of notes is maybe a bit overkill here. the real tension of the section is from 01:44:760 - to 01:46:453 - , and by this point onwards the strings start to calm down in pitch and intensity. my suggestion is:

• 01:46:937 (106937|2) - move to col2
• 01:46:816 (106816|2,106937|3) - ctrl+G. this is optional but I just like how it looks :>