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This beatmap was submitted using in-game submission on 2017年6月18日 at 14:09:29

Artist: Moso Calibration
Title: Sakurairo Diary
Source: 冴えない彼女の育てかた♭
Tags: Taiko Saenai Heroine no Sodatekata Flat Saekano Ending TV Size wmfchris
BPM: 153
Filesize: 3279kb
Play Time: 01:28
Difficulties Available:

Download: Moso Calibration - Sakurairo Diary
Information: Scores/Beatmap Listing
---------------
#35 - Taiko mapset
BG - 100%
Image Kantan - 100%
Image Futsuu - 100%
Image Wmf's Muzukashii - 100% ( By wmfchris )
Image Muzukashii - 100%
Image Oni - 100%
Last edited by Nardoxyribonucleic on , edited 11 times in total.
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Waifu @Daiba, Tokyo

Image
Last edited by wmfchris on , edited 2 times in total.
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hi via game-in chat


Image about

  • d is don note
  • k is kat note
  • D is big don note
  • K is big kat note


Image Kantan

Image Futsuu

Image Wmf's Muzukashii

Image Muzukashii

Image Oni

    irc log
    Code:
    14:44 Charlotte: 01:04:549 (292,293) - swap?
    14:45 Nardoxyribonucleic: Hmm, I think keeping it as kd would help reflect the vocal pitch at 01:04:059 (288,289,293,294) -
    14:45 Charlotte: okay
    14:45 Nardoxyribonucleic: while 294 maps to the bg instrument
    14:46 Charlotte: 01:17:392 (377,378,379,380,381,382,383,384,385) - how about you think kdkkddkkd?
    14:48 Charlotte: Oni suggstion is that's all.vocal + inst good map<3
    14:49 Nardoxyribonucleic: 01:17:392 (377,378,379) - is mapped as kkd to follow 01:04:843 (294,295,296) - . 01:17:785 (381,382,383,384,385) - as variation compared to 01:05:236 (297,298,299,300,301) -
    14:53 Nardoxyribonucleic: What do you think?
    14:54 Charlotte: my reason is
    14:55 Charlotte: 01:17:000 (374,375,376) - here is dkd
    14:55 Charlotte: so 01:17:392 (377,378,379) - kdk (swap pattern) is more good
    14:55 Charlotte: imo
    14:55 Charlotte: yourself
    14:57 Nardoxyribonucleic: I guess I would prefer consistency-based variation here
    14:57 Charlotte: okok
    14:58 Nardoxyribonucleic: 01:17:785 - also it seems that k would be better for this snare sound
    15:00 Charlotte: my reason is weak.your mapping is already good
    15:01 Nardoxyribonucleic: npnp~



Good luck Nardo & Wmf :)
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Charlotte wrote:
hi via game-in chat


Image about

  • d is don note
  • k is kat note
  • D is big don note
  • K is big kat note


Image Kantan

Image Futsuu

    00:49:941 - You can add d.bcz,00:49:353 (115,116) - haven't finisher,so I think dd d K is good flow. As the snaps are a bit complicated in this session, I would prefer more 2/1 breaks.



Image Muzukashii

Image Oni

    irc log
    Code:
    14:44 Charlotte: 01:04:549 (292,293) - swap?
    14:45 Nardoxyribonucleic: Hmm, I think keeping it as kd would help reflect the vocal pitch at 01:04:059 (288,289,293,294) -
    14:45 Charlotte: okay
    14:45 Nardoxyribonucleic: while 294 maps to the bg instrument
    14:46 Charlotte: 01:17:392 (377,378,379,380,381,382,383,384,385) - how about you think kdkkddkkd?
    14:48 Charlotte: Oni suggstion is that's all.vocal + inst good map<3
    14:49 Nardoxyribonucleic: 01:17:392 (377,378,379) - is mapped as kkd to follow 01:04:843 (294,295,296) - . 01:17:785 (381,382,383,384,385) - as variation compared to 01:05:236 (297,298,299,300,301) -
    14:53 Nardoxyribonucleic: What do you think?
    14:54 Charlotte: my reason is
    14:55 Charlotte: 01:17:000 (374,375,376) - here is dkd
    14:55 Charlotte: so 01:17:392 (377,378,379) - kdk (swap pattern) is more good
    14:55 Charlotte: imo
    14:55 Charlotte: yourself
    14:57 Nardoxyribonucleic: I guess I would prefer consistency-based variation here
    14:57 Charlotte: okok
    14:58 Nardoxyribonucleic: 01:17:785 - also it seems that k would be better for this snare sound
    15:00 Charlotte: my reason is weak.your mapping is already good
    15:01 Nardoxyribonucleic: npnp~



Good luck Nardo & Wmf :)


Thanks for your mod Charlotte~ :)
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Charlotte wrote:


Image Wmf's Muzukashii

    00:00:334 - del.I think k dk ddk is more good slow
    The piano is so clear that it's quite hard for me not to use kddk there, as the map is a 1/2-dominated one. Either patterns work so I will keep it for now, but I may change that is more concern are raised.


    00:02:294 - change to slider or notes.because,have drum roll sound.so spinner < slider
    hmmmm no. (1) Slider gives freedom over what to hit that does not necessarily fits the song, this is something that I hesitate very very much to use, which is the case for all my maps (2) in that sense a dkdkdk alteration works actually quite well imo. (3) The finishing sound effect works well with the transition at 00:03:275 - too.

    00:05:039 - del & 00:04:647 - change to k? I think 1/2 pattern is long.still calm part,so I prefer short pattern.
    00:04:647 - Would go for a d when you compare with k at 00:04:451 - with the beating sound
    00:05:039 - the melody actually sounds as a single sentence and the 'calm part' only starts after the second spinner


    00:04:647 - change to k.dkdd < dkkdYou actually want 00:04:843 (7,8) - to be the same due to the pitch, so it has to either be dd or kk. However kk kinds of irritates me as it's not consistent with the pitch at 00:03:863 (3) - . I agree that dd kinds of hides the tone on the transition 00:05:039 (8,9) -
    but I will take mine as a better option


    00:07:981 - hmm...I think no need this spinner.bcz,this part have strong finisher.
    I want to focus on the finishing effect that fits with the song, and also as a transition indication.

    00:23:471 - dkdkkd is more fit?
    Not really from the vocal tone.

    00:28:177 - add kat? follow the vocal.
    There is nothing in the song at that 1/2...

    00:39:549 (98) - still k sound?
    It's a descending tone so it's either kdd or kkd, but considering that the note happens between two drum hits and the vocal intensity I will go for a d.

    00:44:059 - kkddk? I think more clean pattern
    kdk reflects the vocal pitch at 00:44:451 (111,112,113) - , so I will stick with this unless it's a difficulty issue.

    00:45:236 - kkddkdk? ^
    ^

    00:47:785 - change to d?
    The pitch remains the same for the 3 notes so kkk would be better.

    00:49:941 - 00:51:314 - I feel this part spacing is little strange.so add some notes?
    Must be one of the controversial part :D I want to isolate the big notes so as to emphasize the last sentence before bridging into the kiai part. Looks a bit flat if I put notes as usual (like the last 10 secs)

    00:56:020 - kkddkdk?
    Transitions at the white ticks sound more natural to me. Again the last 3 notes follows from the vocal pitch.

    00:58:177 - add d & 00:58:373 - kddkd & 00:59:353 - remove? I think more fit.
    Was going with the vocal throughout the kiai so I don't think a note here would be appropriate, like 00:28:177 - . The note 00:59:353 - acted as a bridge between two sentences so as to create a continuous flow from the beginning to the end of the kiai.

    01:05:236 (191,192) - change to k.bcz,high pitch.
    nice

    01:08:569 - kkddkdk or kkdkdkk.If you pick kkdkdkk,01:10:530 - kdkdd is good? bcz,swap pattern.
    Same as 00:56:020 - . kkkdk follows from the same reasoning as in 00:44:059 - .

    01:18:765 - remove.I think notes is good.
    Same as the second spinner.

    01:23:079 - You can remove this notes. I prefer dkkkkkd < d kkkd
    why not?

    * kiai time is haven't 1/4 pattern.but,1/2 pattern is long.so If you think little hard,you can remove some notes.
    By the time I was invited I saw an oni and I thought it's going to be a 2 diff set altogether with solo diffs. I deemed the oni to be good enough and are of similar style as mine so I decided to create a diff below oni, yet preserving the fluidity, and that's why you will see some bridging esp. in the kiai section. The difficulty is precisely what I wanted.


^.^ Image

collapsed text
Code:
osu file format v14

[General]
AudioFilename: Sakurairo Diary.mp3
AudioLeadIn: 0
PreviewTime: 53275
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 1
BeatDivisor: 2
GridSize: 32
TimelineZoom: 0.8

[Metadata]
Title:Sakurairo Diary
TitleUnicode:桜色ダイアリー
Artist:Moso Calibration
ArtistUnicode:妄想キャリブレーション
Creator:Nardoxyribonucleic
Version:Wmf's Muzukashii
Source:冴えない彼女の育てかた♭
Tags:Taiko Saenai Heroine no Sodatekata Flat Saekano Ending TV Size wmfchris
BeatmapID:1316288
BeatmapSetID:621675

[Difficulty]
HPDrainRate:5
CircleSize:5
OverallDifficulty:4.5
ApproachRate:5
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"Utaha.jpg",0,100
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
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Updated Wmf's Muzukashii.
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Beatmap Nominator
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Hello Nardo~


Futsuu

wmfchris
  • 00:07:785 - Please consider removing the spinner and mapping this section normally. This is because you miss strong, offbeat finishers here that a spinner does not properly do justice to.
    ~
    Image
  • 00:14:843 (19) - Consider switching this to k because it's identical to the previous pitch and different from the following pitch, and because it's a slightly easier pattern to play.
  • 00:16:216 - / 00:17:785 - / 00:19:353 - Consider adding a don in some of these locations to account for the missed vocal and to make the spacing cleaner.
  • 00:57:196 (157,158) - Consider switching to dons so they more accurately reflect the lowering in pitch that occurs here.
  • 01:04:059 (185) - Consider switching to kat so that it better reflects the rise in pitch, and the similarity in pitch to the following note.
  • 01:18:765 (1) - Similar to this spinner, this could be mapped normally according to either the strong finishers or the vocals. Ignoring both of these for a spinner does not do this section justice.

Muzukashii
  • 00:17:785 (60) - Switch this to d because it's a much lower pitch than the previous note (and a different singer), and it's the same as the next note. This also creates variety from the surrounding patterns where this is a k and the singer is the same.
  • 00:33:373 (116) - Consider switching to D because the pitch is only getting lower. If not, consider making 00:33:079 (115,116,117) - this KKK and saving the D for the lowest note, 00:33:863 (118) - here.

Oni
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Jonawaga wrote:

wmfchris
  • 00:07:785 - Please consider removing the spinner and mapping this section normally. This is because you miss strong, offbeat finishers here that a spinner does not properly do justice to.
    ~
    Image

    :d
  • 00:14:843 (19) - Consider switching this to k because it's identical to the previous pitch and different from the following pitch, and because it's a slightly easier pattern to play.
    :d
  • 00:16:216 - / 00:17:785 - / 00:19:353 - Consider adding a don in some of these locations to account for the missed vocal and to make the spacing cleaner.You can actually find a few more examples where I skip the notes at the vocal beat (like 00:50:530 - ) because you want to emphasize the rhythmic structure of that section. Here by not putting a d at the suggested position you have the 3/2 - 1/1 - 1/1 - 1/2 spacing within a bar and the decreasing distances works very well with the echo-like structure here. Then 00:19:353 - won't receive a note as well, for the sake of consistency. I can see how people generally see it and I am not strong opposing towards adding those d's, so I will see if more concerns are raised.

  • 00:57:196 (157,158) - Consider switching to dons so they more accurately reflect the lowering in pitch that occurs here.
    I used k here because it's lower than the previous 00:56:804 (156) - and connects properly with the next sentence that starts properly with kd at 00:56:804 (156) -
  • 01:04:059 (185) - Consider switching to kat so that it better reflects the rise in pitch, and the similarity in pitch to the following note.
    Has to be a k lol must be some sort of accident
  • 01:18:765 (1) - Similar to this spinner, this could be mapped normally according to either the strong finishers or the vocals. Ignoring both of these for a spinner does not do this section justice.
    It is desirable to put a longer break within that 2 bars interval given the difficulty rating. However if you fill the first bar with notes then resting at the second bar makes no sense given the persisting voice and drumrolls. Leaving it blank sounds weird as well, as the song are of the usual complexity (in contrast to the original second spinner), so I would rather use a spinner to balance things off (and the finishing hitsound fits the song too).


As far as my mapping style goes I don't really think that strong finishers are essential places for notes, as long as the map fits the overall structure of the song.
Image

collapsed text
Code:
osu file format v14

[General]
AudioFilename: Sakurairo Diary.mp3
AudioLeadIn: 0
PreviewTime: 53275
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 1
BeatDivisor: 2
GridSize: 32
TimelineZoom: 0.8

[Metadata]
Title:Sakurairo Diary
TitleUnicode:桜色ダイアリー
Artist:Moso Calibration
ArtistUnicode:妄想キャリブレーション
Creator:Nardoxyribonucleic
Version:Wmf's Muzukashii
Source:冴えない彼女の育てかた♭
Tags:Taiko Saenai Heroine no Sodatekata Flat Saekano Ending TV Size wmfchris
BeatmapID:1316288
BeatmapSetID:621675

[Difficulty]
HPDrainRate:5
CircleSize:5
OverallDifficulty:4.5
ApproachRate:5
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"Utaha.jpg",0,100
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
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3275,-100,4,1,0,90,0,0
9549,-100,4,1,0,70,0,0
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480,96,88177,1,4,0:0:0:0:
480,96,88373,1,4,0:0:0:0:
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Updated Wmf's Muzukashii. I will post my response tomorrow.
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Jonawaga wrote:
Hello Nardo~


Futsuu


Muzukashii
  • 00:17:785 (60) - Switch this to d because it's a much lower pitch than the previous note (and a different singer), and it's the same as the next note. This also creates variety from the surrounding patterns where this is a k and the singer is the same. Agreed for variety, fixed.
  • 00:33:373 (116) - Consider switching to D because the pitch is only getting lower. If not, consider making 00:33:079 (115,116,117) - this KKK and saving the D for the lowest note, 00:33:863 (118) - here. In relative sense, K K D D could match the pitch decrease across 00:33:079 (115,116,117,118) - as well.


Oni
best of luck
get more SP and call me back


Thanks for your mod Jon~ :)
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Did a little mod with mapper in irc :)

irc
Code:
2017-06-14 19:38 qoot8123: 我開始mod瞜
2017-06-14 19:39 Nardoxyribonucleic: 嗯
2017-06-14 19:43 qoot8123: futsuu 的00:37:000 (89,90) - 應該可以刪掉,muzu這一段有2/1 break 我覺得futsuu可以有比較大的
2017-06-14 19:45 Nardoxyribonucleic: 但Muzu主要還是1/2音偏多  Kantan只有2/1所以Futsuu我想用1/1來過渡
2017-06-14 19:46 qoot8123:  恩
2017-06-14 19:47 qoot8123: 00:12:294 (18) - 那kantan 這裡應該可以刪掉
2017-06-14 19:49 Nardoxyribonucleic: 這裡曲的步調比00:34:647 - 這段稍快  所以我下音多一點
2017-06-14 19:49 qoot8123: ok
2017-06-14 19:49 Nardoxyribonucleic: 可以比較Kantan跟Futsuu這兩部分
2017-06-14 20:00 qoot8123: 00:58:569 - ~00:59:745 - 改成[https://osu.ppy.sh/ss/8341367 這樣]如何?
2017-06-14 20:02 qoot8123: 後面也有類似的
2017-06-14 20:02 Nardoxyribonucleic: 不錯 全部改了
2017-06-14 20:03 qoot8123: 01:04:059 - ~01:06:020 - 改成[https://osu.ppy.sh/ss/8341386 這樣]呢?
2017-06-14 20:03 qoot8123: 我覺得跟前一段稍嫌不同
2017-06-14 20:06 Nardoxyribonucleic: 我改成[https://puu.sh/wjK1X.jpg 這樣]了
2017-06-14 20:06 qoot8123: 好
2017-06-14 20:07 Nardoxyribonucleic: 154是大圓
2017-06-14 20:07 qoot8123: 恩
2017-06-14 20:07 qoot8123: 再來換muzu
2017-06-14 20:10 qoot8123: 00:36:608 (124) - 這裡應該可以移到00:36:510 - 
2017-06-14 20:11 qoot8123: 後面也有一些可以放3/4的部分
2017-06-14 20:11 Nardoxyribonucleic: 00:42:883 (142) - ?
2017-06-14 20:12 qoot8123: 恩
2017-06-14 20:13 Nardoxyribonucleic: 改了
2017-06-14 20:13 qoot8123: 如果覺得偏難可以放個3/2 break 像[https://osu.ppy.sh/ss/8341457 這樣](00:35:432 - ~00:40:922 - )
2017-06-14 20:15 Nardoxyribonucleic: 難度上還好  而且有個較易的Muzu作緩衝
2017-06-14 20:16 qoot8123:  恩
2017-06-14 20:16 qoot8123: 畢竟kiai幾乎沒break w
2017-06-14 20:17 Nardoxyribonucleic: 35秒是有點長  不過以Muzu來說還可接受
2017-06-14 20:18 qoot8123: muzu 大致就這樣,換oni摟
2017-06-14 20:18 Nardoxyribonucleic: 45秒的話就要加個2/1 break了
2017-06-14 20:21 qoot8123: 這裡00:39:157 (160,161,162) - 不跟3/4是因為vocal嗎?
2017-06-14 20:22 Nardoxyribonucleic: 對
2017-06-14 20:22 qoot8123: 恩
2017-06-14 20:26 qoot8123: oni 的hp會不會偏低?感覺改成6或5.5會比較好一點
2017-06-14 20:27 Nardoxyribonucleic: 改6了
2017-06-14 20:27 qoot8123: 恩
2017-06-14 20:27 qoot8123: 大致上就這些了
2017-06-14 20:27 Nardoxyribonucleic: 嗯, 謝謝! :3
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qoot8123 wrote:
Did a little mod with mapper in irc :)

irc
Code:
2017-06-14 19:38 qoot8123: 我開始mod瞜
2017-06-14 19:39 Nardoxyribonucleic: 嗯
2017-06-14 19:43 qoot8123: futsuu 的00:37:000 (89,90) - 應該可以刪掉,muzu這一段有2/1 break 我覺得futsuu可以有比較大的
2017-06-14 19:45 Nardoxyribonucleic: 但Muzu主要還是1/2音偏多  Kantan只有2/1所以Futsuu我想用1/1來過渡
2017-06-14 19:46 qoot8123:  恩
2017-06-14 19:47 qoot8123: 00:12:294 (18) - 那kantan 這裡應該可以刪掉
2017-06-14 19:49 Nardoxyribonucleic: 這裡曲的步調比00:34:647 - 這段稍快  所以我下音多一點
2017-06-14 19:49 qoot8123: ok
2017-06-14 19:49 Nardoxyribonucleic: 可以比較Kantan跟Futsuu這兩部分
2017-06-14 20:00 qoot8123: 00:58:569 - ~00:59:745 - 改成[https://osu.ppy.sh/ss/8341367 這樣]如何?
2017-06-14 20:02 qoot8123: 後面也有類似的
2017-06-14 20:02 Nardoxyribonucleic: 不錯 全部改了
2017-06-14 20:03 qoot8123: 01:04:059 - ~01:06:020 - 改成[https://osu.ppy.sh/ss/8341386 這樣]呢?
2017-06-14 20:03 qoot8123: 我覺得跟前一段稍嫌不同
2017-06-14 20:06 Nardoxyribonucleic: 我改成[https://puu.sh/wjK1X.jpg 這樣]了
2017-06-14 20:06 qoot8123: 好
2017-06-14 20:07 Nardoxyribonucleic: 154是大圓
2017-06-14 20:07 qoot8123: 恩
2017-06-14 20:07 qoot8123: 再來換muzu
2017-06-14 20:10 qoot8123: 00:36:608 (124) - 這裡應該可以移到00:36:510 - 
2017-06-14 20:11 qoot8123: 後面也有一些可以放3/4的部分
2017-06-14 20:11 Nardoxyribonucleic: 00:42:883 (142) - ?
2017-06-14 20:12 qoot8123: 恩
2017-06-14 20:13 Nardoxyribonucleic: 改了
2017-06-14 20:13 qoot8123: 如果覺得偏難可以放個3/2 break 像[https://osu.ppy.sh/ss/8341457 這樣](00:35:432 - ~00:40:922 - )
2017-06-14 20:15 Nardoxyribonucleic: 難度上還好  而且有個較易的Muzu作緩衝
2017-06-14 20:16 qoot8123:  恩
2017-06-14 20:16 qoot8123: 畢竟kiai幾乎沒break w
2017-06-14 20:17 Nardoxyribonucleic: 35秒是有點長  不過以Muzu來說還可接受
2017-06-14 20:18 qoot8123: muzu 大致就這樣,換oni摟
2017-06-14 20:18 Nardoxyribonucleic: 45秒的話就要加個2/1 break了
2017-06-14 20:21 qoot8123: 這裡00:39:157 (160,161,162) - 不跟3/4是因為vocal嗎?
2017-06-14 20:22 Nardoxyribonucleic: 對
2017-06-14 20:22 qoot8123: 恩
2017-06-14 20:26 qoot8123: oni 的hp會不會偏低?感覺改成6或5.5會比較好一點
2017-06-14 20:27 Nardoxyribonucleic: 改6了
2017-06-14 20:27 qoot8123: 恩
2017-06-14 20:27 qoot8123: 大致上就這些了
2017-06-14 20:27 Nardoxyribonucleic: 嗯, 謝謝! :3


Thank you very much qoot~ :)

Difficulties are updated to this point.
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As requested


Kantan

00:53:471 (73) - What about a rhythm like this : (00:56:608 - timestamp) Image

-> Would help emphasizing the vocals while letting a 3/4 break after.

Using this kind of structure overall may help making the Kantan kiai less repetitive than it is now.


Futsuu

All fine


Wmf

00:44:255 (110) - I'd suggest removing this not to create a build up and not suddenly mapping all vocals, since 00:43:863 - isnt mapped. You can also do the same for this note 00:45:628 (116) -

00:56:216 (153,154,155,156) - Not changing colours at all makes the map uninteresting, most of all when there are actual pitch changes for exemple on this note 00:56:412 (154) -

00:58:373 (161,162) - What about ctrl+g these two notes, removing 00:58:961 (164) - and putting this as kat 00:59:157 (164) - . Would structure better the switch between vocals and instruments.

01:04:647 (187,188,189,190,191,192,193,194,195) - Long 9 1/2 patterns bring the issue of them not emphasizing anything, try removing 01:05:628 (193) - and apply this kind of change for the other related patterns. Also at this part a 2/1 break is necessary after such a long period of continuous mapping, so basically removing these notes 01:05:432 (192,193,194) - should be considered.

My personnal dislike about this difficulty is that you dont bring emphasizes between vocals and instrumentals, you're mapping more a difficulty (aka long 1/2 patterns for muzukashii) without caring too much of the song itself.


Muzukashii

Looks fine


Oni

00:03:079 (16) - This is very personnal and nitpicky but I'd like to point it out : Putting a don before a don finisher, even though called by the instrumental behind kinda break the emphasizing of 00:03:275 (17) - since you'll use the same fingers for both note and thus not really make a big gameplay differentiation. Therefore I'd put a k triplet here.

00:57:588 (247,248) - I'd ctrl+g these two notes since you're mainly focused on following the vocals, therefore the kick should'nt be considered more than the vocal pitch there. 00:57:981 (249,250,251) - You can then put this as a kdk in order not to break the contrast you prealably made.

01:18:569 - I'd do it like this Image

> Would respect the instrumental better while bring further emphasis to 01:19:941 (395) - since a triplet would be ahead of it.

I guess thats pretty much everything :) Good Luck !
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Arrival wrote:
As requested


Kantan

00:53:471 (73) - What about a rhythm like this : (00:56:608 - timestamp) Image

-> Would help emphasizing the vocals while letting a 3/4 break after. Hmm, I think this kind of structure is a bit complex for this level of difficulty... Did some pattern changes to make it less repetitive though.

Using this kind of structure overall may help making the Kantan kiai less repetitive than it is now.


Futsuu

All fine


Muzukashii

Looks fine


Oni

00:03:079 (16) - This is very personnal and nitpicky but I'd like to point it out : Putting a don before a don finisher, even though called by the instrumental behind kinda break the emphasizing of 00:03:275 (17) - since you'll use the same fingers for both note and thus not really make a big gameplay differentiation. Therefore I'd put a k triplet here. Retained as I think the stressed sound could still be emphasized by the finish note with bilateral hand movement.

00:57:588 (247,248) - I'd ctrl+g these two notes since you're mainly focused on following the vocals, therefore the kick should'nt be considered more than the vocal pitch there. 00:57:981 (249,250,251) - You can then put this as a kdk in order not to break the contrast you prealably made. In fact they are still following the vocal. 00:57:588 (247,249) - share the same vocal pitch and are lower-pitched than 00:57:000 (243,244) - , so they are both mapped as don for the pitch decrease.

01:18:569 - I'd do it like this Image

> Would respect the instrumental better while bring further emphasis to 01:19:941 (395) - since a triplet would be ahead of it. I would prefer different representations of the stressed sounds (D, ddd and K) for greater variety as the top difficulty.

I guess thats pretty much everything :) Good Luck !


Thanks for your mod Arrival~ :)
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Hey Nardo~ here is my mod as requested.

    d=Don
    D=Big Don
    k=Katsu
    K=Big Katsu


General
  • All looks fine

Kantan
  • 00:06:804 - add k in 00:06:804 - and d or k in 00:07:196 - ? considering how it's the Futsuu wouldn't be too hard imo and maybe improves a bit the spread?
  • 00:14:255 - change to d? you already have a d there in Futsuu and probably for a Kantan it flows better having a different note colour before the 1/1 like you did in 00:11:118 - ?
  • 00:48:373 - add a d here? makes a good consistency with 00:51:510 - :3.
  • 01:00:922 - it's strange because you have a 5plet 1/1 pattern out of the kiai 00:45:628 - but the kiai should be a bit more dense? i suggest a adding a note in 01:00:922 - (k maybe?) for a little more of density and more consistent with 00:54:647 - as you have a note there.
  • 01:13:471 - if you applied ^ add a note here (k probably too).
  • 01:25:236 - if you applied 00:06:804 -, i suggest adding a k in 01:25:236 - and 01:25:628 - .

Futsuu
  • 00:36:804 - add a d here? i think a dk here wouldn't hurt the spread and sounds good.
  • 00:42:294 - if you applied ^ same here about adding a d here.
  • 00:42:883 - i suggest adding a d or k here and deleting 00:43:667 - as it's more consistent with 00:37:392 - .
  • 00:44:647 - change this note to k and 00:44:843 - to d? a kkd fits good with vocals + instrumental and makes more variety with 00:46:216 - instead of being two kdk patterns.

Wmf's Muzukashii

Muzukashii
  • 00:05:039 - add a d here? fits good and isn't harder than Oni.
  • 00:18:765 - delete this note so it looks a bit different from Oni? as it's the same.
  • 00:40:138 - same as ^, delete this note for variety with Oni like you did in 00:46:804 -?
  • 01:01:902 - change to d as the pitch is lower in vocals and instrumental?
  • 01:08:177 - same as ^.
  • 01:23:471 - if you applied 00:05:039 - , same here about adding a note.

Oni

  • 01:01:902 - same as Muzu, change to d as the pitch is lower in vocals and instrumental?
  • 01:08:177 - same as ^.
  • 01:27:687 - add a k here? i think ddk d kkd fits pretty good there and in the similar section of the start of the song you already have 2 triplets, so having two triplets here too it wouldn't hurt i think.

Nice mapset, good luck~
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