00:51:020 - dkkd kkkd
01:24:020 - kkkd dkkd
01:05:020 - If that note is deleted, I don't want to delete it because the feel of the hit will be much worse.
01:43:020 - k k k k kddkddkddk Ensure sufficient breaks to maintain kddkddk patterns.
02:43:103 - 02:43:353 - The last part must be true to the sound or the player will feel uncomfortable.
In this case, I understood the use of the name to indicate possession.
However, this negates any relationship to the song or difficulty, indicating that it cannot be used in Onosakihito's mapset.
I hope the new rule will be applied soon.
The mapper name is definitely not related to the song title or difficulty, and nothing has changed in the rules since 4 years ago when that was said. Raidcore, Fiery's Rage, 0108 style can't be used either.
I dont want to see Onosakihito trying to circumvent and justify the rules.
4 years ago, I would have argued that "saki" was a violation of the rules because not related to either the song or the difficulty.
I won't complain any more, but
I think it is healthier for the community to wait for the rules that are in the process of being amended and then let them Rank, rather than setting a precedent that any name is allowed if you add the word Taiko.
I don't mean to deny this diffname at all, but the interpretation of this rule should be clarified for the sake of the creative diffnames that have been erased by this rule.
It would be great if the rule itself could be erased.
This rule was problematic when I tried to rank diffname interpreted from username, and some of the text and interpretation of the rule was changed.
Quoting or interpreting usernames has a history of being considered a violation of the rules because they have nothing to do with the song or its difficulty.
Thanks for putting up an article with good suggestions. I did not know about it.
But it is still in the proposal stage, so the rules should still apply.
I would like to know how is interpreting and circumventing the rules.
Players don't want that kind of halfway placement.
I can't accept it because it's counter-intuitive and not fun.
All I can do is either simplify the hitting notes to make this 7plet easier to beat or make it a single note like Futsuu.
This notes is hard but not difficult.
Although locally hard, players who have been able to hit this far will understand and beat this arrangement very well.
There is a break in the middle to follow the silly guideline, but adding a d to make it 11plet would make it an easier arrangement.
I am concerned that it may be a bit difficult for Kantan players to keep hitting this rhythm repeatedly.
Also, the 00:33:770 - sound should be emphasized, as applying it would weaken this expression.