I think it's the same idea as 01:08:992 (2,3) - where the synth is emphasized instead of the vocals, the current pattern works fine for me so unless it's still really rough for you then just reopen this
seven months later and I still don't know how to do this lmao considering that rhythm wise it's already so stripped down while still following the music, and the idea of splitting up sliders with circles is absurd then and absurd now. not to mention i'd really like @zerss' part to remain, and revamping the diff will probably alter it significantly. i'd probably modify the diff if there's a more concrete set of instructions that will still retain the essence but it's probably alot of unnecessary effort. i'll think about this more, but i'll probably just remove the diff altogether in the end
both timestamps you point out in the section are intentionally denser: for 02:27:698 (1,2,3,4,5,6,7,8,1) - it's to reflect the tenser chord change of the keyboard thingz, and for 02:33:323 (1,2,3,4,5,6,7,1) - it's to build up to the transition to the upcoming taiko-heavy part
for the 02:22:073 - section however, rhythm wise I think it's most natural to follow the vocals while encompassing the constant 1/2s from the keyboard notes, so it's gonna be similar with the other verses. & patterning wise I think with the lower sv and ds, it portrays quite clearly the decrease in speed compared to the other parts as well
for the 00:50:198 - section, i've modified 00:54:510 (2,3,4,5,6,1) - and 01:02:010 (2,3,4) - because ds big and other notes should be rather ok with ds