00:25:586 00:25:744 - don't want to remove because i think doublets here are a bit clunky, but i changed the patterning of the 9-plet to emphasise the instrumental more
00:50:060 - i mapped it like this so it's more comfortable for full-alt players so ill keep it as it is
01:19:323 01:19:481 - these instrumentals are a lot quieter so i want to stick to emphasising the melody
ill remove the note after but won't change it to a finisher
00:29:270 - this is only a finisher because its a transition into a new section
won't change anything at 02:03:586 cus i think it plays well as it is
i really dont want to remove these 1/6, mapping them as 1/4 dampens the impact im going for here especially since there are dense 1/4 all around this section
idk what you mean by ctrl+g but i remapped this part a bit, the gimmick here is im mapping the same patterns twice for the repeated quieter vocal but for those timestamps i fucked up and mapped stuff 1/2 earlier than i should have so i fixed those
also yea i moved 05:21:198 (1572) to 05:20:975
ok im changing all the doublets to singles but just to explain my thought process here was i wanted to represent how on every other bar the vocal has a held note at the end (00:25:391, 00:28:973) compared to the bar before it but this was kinda dumb