1. Add tags " miracle milk projectmili rayark electronic classical contemporary japan " check here .

1. 00:14:088 - missing note? add kat and change don in 00:13:165 (22) - better to voice
2. 00:27:472 - add a note to piano? was somewhat empty imo
3. 00:30:703 - missing note? better follow the rhythm...
4. 00:33:934 (20) - delete? for the pattern in this section for relaxation
5. 00:42:703 (33) - change don?
6. 01:18:011 (111) - delete? feel better follow to voice imo
7. 02:27:934 (1,2,3,4,5) - this pattern it looks good on 02:35:318 (25,26,27,28,29) - but 02:27:934 (1,2,3,4,5) - shoud change... maybe delete 02:28:165 (2,9) -
8. 02:41:318 (4) - change kat?

1. 00:13:165 (28) - change don?
2. 00:28:972 - feel triple here to drums... (but also eliminate 00:29:549 (16) - to balance)
3. 00:49:165 (65,66,67) - control + g... I was somewhat repeated and change don in 00:49:396 (66) -
4. 01:18:357 (161) - delete... only triple in this diff
5. 01:36:126 - add to the triple?
6. 01:39:126 - ^
7. 01:40:857 (201) - change kat and 01:41:549 (202,203) - change don? the voice increases 01:42:472 (204,205) -
8. 01:44:549 (208) - change kat?
9. 01:45:472 (211) - ^
10. 02:42:249 - missing note?
11. 02:45:357 (12) - delete... much triple
12. 03:00:357 (76) - ^
13. 02:50:780 (35,36,37,39,40,41,43,44,45) - and if you make one color? It is said to be prohibited from using ddk this diff... (check pattern in 03:05:549 (100,101,102,104,105,106) - )

1. 00:14:549 - missing note?
2. 00:42:242 (64) - change kat and 00:43:857 (71) - change don?
3. 00:59:780 (135,136,140,141) - change don? and change kat in 01:00:242 (137) - better for the voice to this diff (if i can "if" ..)
4. 01:17:318 (218) - change kat?
5. 01:30:242 (245) - change don? ^ to make different as 01:17:088 (216,217,218) - patern imo
6. 01:45:703 - maybe add note here... same change kat in 01:44:549 (280,283,285) - (feel similar in muzu)
7. 01:47:780 (290,291,292,293,294,295) - ^ same patern? (consider too 01:58:857 (332,333,334,335,336,337) - )
8. 01:56:665 (322) - change kat and change don? It is to make it different
9. 02:13:280 (378) - change kat? feel better for the piano
10. 02:22:626 (425,426,427,431,432,433) - maybe make dkd for no repeat in 02:20:780 (415,416,417,421,422,423) -
11. 02:43:511 (6,7,12,13) - control + g? goes with the rhythm and voice imo (consider in 02:57:934 - )

Volta wrote:

"Etsu"

[oni;]

• 8. 01:56:665 (322) - change kat and change don? It is to make it different hmm wrong timestamp? idk which one you suggest change don and kat lol /*haha sorry ;w;

actually if it was in 01:56:665 (322) - to kat it is good for the voice that is something fast and don in 01:58:049 (329) - to make different pattern

that's what i thought.. anyway thanks for your reply~~

1. Consider moving the background down by 10 so the playfield doesn't awkwardly cover part of Kurisu's face.
2. 02:57:242 - Kiai could be ended here and started again at 02:57:472 - to emphasize the second verse of the vocals here.

1. 00:14:088 - Might want to add something here since the music dies awhile right afterwards, and it would add a bit more impact that just having nothing here.
2. 00:57:011 - Possibly add a note here to follow the guitar. Because the space between 00:56:549 - and 00:57:703 - feels a bit awkward since the vocal starts again, but you're following the drums. (When you've mostly been following the piano, but there isn't any here so.. D: )
3. 01:56:549 - Not a must, but it might be cool to make this a k. Since the vocal does change a bit (It would normally be made a triplet, but you can't do that here. ;w; ) So yeah. Try it out fam.
4. 02:27:934 - to 02:37:626 - Miiiiiight wanna make this a little less dense. This is the densest point so far, and it feels a tad bit out of place, considering how calm everything is right here. (It's even denser than the first kiai.)
5. 03:12:242 - There's a pretty audible finish here. It'd be pretty neat if you ended the map with a finisher, to be honest.

1. 00:37:165 - Finisher seems a bit sudden here, since you didn't use this on any of the other "harder" piano sounds, just this one.
2. 01:07:857 - Consider adding a note here since the rhythm continues here unlike the other times where it only has two phrases to it.
3. 01:18:357 - This could be removed, the drums aren't that strong here. As well as the fact that just d's make this pattern feel rather bland.
4. 02:07:626 - How come this is a slider in Oni, but just a note here? Because this follows the same pattern as what you did at 02:05:780 - for both difficulties.
5. 02:42:703 - to 03:12:242 - I would really suggest toning down the amount of triplets that are used here. Since the rest of the map is mainly 1/2, the 1/4 usage here feels a bit overpowering in relation to the other parts.
6. 03:12:242 - Same thing as in Futsuu.

1. 03:12:242 - Same as the other two difficulties.

Ayyri wrote:

Yo, M4M.

[general;]

1. Consider moving the background down by 10 so the playfield doesn't awkwardly cover part of Kurisu's face. fixed
2. 02:57:242 - Kiai could be ended here and started again at 02:57:472 - to emphasize the second verse of the vocals here. i think it is better to make the whole part a kiai

[futsuu;]

1. 00:14:088 - Might want to add something here since the music dies awhile right afterwards, and it would add a bit more impact that just having nothing here. i intend to make longer break before the next section, so i prefer to leave it empty.
2. 00:57:011 - Possibly add a note here to follow the guitar. Because the space between 00:56:549 - and 00:57:703 - feels a bit awkward since the vocal starts again, but you're following the drums. (When you've mostly been following the piano, but there isn't any here so.. D: ) it's possible, but i decide to emphasis the drum since it is different than before.
3. 01:56:549 - Not a must, but it might be cool to make this a k. Since the vocal does change a bit (It would normally be made a triplet, but you can't do that here. ;w; ) So yeah. Try it out fam. i think simple ddd is better to represent the vocal there. changed 01:56:088 - to k instead
4. 02:27:934 - to 02:37:626 - Miiiiiight wanna make this a little less dense. This is the densest point so far, and it feels a tad bit out of place, considering how calm everything is right here. (It's even denser than the first kiai.) rearranged the pattern. the 'executions' is supposed to be dense but easy because of the repetitiveness
5. 03:12:242 - There's a pretty audible finish here. It'd be pretty neat if you ended the map with a finisher, to be honest. fixed

[muzukashii;]

1. 00:37:165 - Finisher seems a bit sudden here, since you didn't use this on any of the other "harder" piano sounds, just this one. b-but it's finisher in all diff.. and it feels good because it is similar with 00:37:165 (33) - imo
2. 01:07:857 - Consider adding a note here since the rhythm continues here unlike the other times where it only has two phrases to it. retained for consistent break pattern with 00:37:165 (33) - , 00:37:165 (33) - , and 00:37:165 (33) -
3. 01:18:357 - This could be removed, the drums aren't that strong here. As well as the fact that just d's make this pattern feel rather bland. ok..
4. 02:07:626 - How come this is a slider in Oni, but just a note here? Because this follows the same pattern as what you did at 02:05:780 - for both difficulties. because it think this would be a good spot for longer break for futsuu and muzu player, so..
5. 02:42:703 - to 03:12:242 - I would really suggest toning down the amount of triplets that are used here. Since the rest of the map is mainly 1/2, the 1/4 usage here feels a bit overpowering in relation to the other parts. should be fixed now. made 1st part same as 1st kiai and 2nd part denser.
6. 03:12:242 - Same thing as in Futsuu. fixed

[oni;]

1. 03:12:242 - Same as the other two difficulties.fixed

Volta wrote:

you have left
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1. The background drop is inconsistent in Oni. Please change the line saying "0,0,"kurisutina.png",0,0" to "0,0,"kurisutina.png",0,10" to match the other difficulties.
2. Use a lowercase "g" in the difficulty names so it's more similar to the title.

1. OD3.5 to accommodate a lower density than Futsuu.

1. 02:27:011 (234) - Consider switching to d because it's a kick there.

1. 01:10:857 - / 01:13:165 - I'm a little curious why you inverted the vocal mapping here. This isn't a good idea because it means that all the vocal emphasis will be lost. I recommend you invert this section again to restore the vocal emphasis. This section then repeats 02:53:780 - / 02:57:011 - and 03:08:549 - / 03:10:857 - here too.

1. 00:21:011 (18) - & 00:28:395 (15) - Please switch this to k to be consistent with the other times you used k for the snare 00:15:472 (43) - / 00:16:395 (47) - / 00:17:318 (4) - / etc.
2. 01:10:857 - / 01:13:165 - Same as muzukashii, and the section repeats later
3. 02:13:165 - / 02:42:703 - plz no pp mapping

Jonawaga wrote:

hello >w<
here's the M4M return
[General;]

1. The background drop is inconsistent in Oni. Please change the line saying "0,0,"kurisutina.png",0,0" to "0,0,"kurisutina.png",0,10" to match the other difficulties. fixed
2. Use a lowercase "g" in the difficulty names so it's more similar to the title. i think i prefer G

[Futsuu;]

1. 02:27:011 (234) - Consider switching to d because it's a kick there. fixed

[Muzukashii;]

1. 01:10:857 - / 01:13:165 - I'm a little curious why you inverted the vocal mapping here. This isn't a good idea because it means that all the vocal emphasis will be lost. I recommend you invert this section again to restore the vocal emphasis. This section then repeats 02:53:780 - / 02:57:011 - and 03:08:549 - / 03:10:857 - here too. that would break the mapping concept in the kiai, from 01:03:011~ colors are inverted from 00:59:318~ , and from 01:10:395~ they are inverted from 01:06:703~ . same case with the 2nd kiai. i don't think it's bad, it gives more variation

[Oni;]

1. 00:21:011 (18) - & 00:28:395 (15) - Please switch this to k to be consistent with the other times you used k for the snare 00:15:472 (43) - / 00:16:395 (47) - / 00:17:318 (4) - / etc. fixed
2. 01:10:857 - / 01:13:165 - Same as muzukashii, and the section repeats later same concept as muzukashii
3. 02:13:165 - / 02:42:703 - plz no pp mapping no pp given here

call me beep me if you wanna reach me

Nwolf wrote:

This bg hurts me on so many levels

Considering the song's lyrics, story and the fact there's an official video for this song, it doesn't capture the song at all in my honest opinion. A generic anime girl sleeping randomly in a field of functions doesn't transfer the song's more depressing, helpless atmosphere at all. This is following up fartownik's disqus comment which I 100% agree with.

1. changed diffname to mapper.taiko(difficultylevel);
   going from the logic of the title, where the world is executing whatever the "me" object, then the diff name is going by the mapper creating a taiko diff with the difficuly level as the object. (Gezo, 2017, with some changes)
   all lowercase and added semicolon to match the title better and as generic as possible.
2. changed bg to what jerry suggested, since i don't really want to steal other set's bg and personally i didn't like the illustration.

Volta wrote:

1. changed diffname to mapper.taiko(difficultylevel);
   going from the logic of the title, where the world is executing whatever the "me" object, then the diff name is going by the mapper creating a taiko diff with the difficuly level as the object.
   all lowercase and added semicolon to match the title better and as generic as possible.
2. changed bg to what jerry suggested, since i don't really want to steal other set's bg and personally i didn't like the illustration.

Volta wrote:

1. changed bg to what jerry suggested, since i don't really want to steal other set's bg and personally i didn't like the illustration.