Using rest moments less frequently is acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player. This sentence is still too vague in my opinion.
May we should say something specific. For the exact norm like,
What I write here is only my opinion. Do not serious with it.
But I think that we should give some words to describe the word "less frequently "
May we should say something specific. For the exact norm like,
Kantan (Guidelines):
You should insert at least 1 rest moment that is 3/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 2/1 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Futsuu (Guidelines):
You should insert at least 1 rest moment that is 2/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 3/2 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Muzukashii (Guidelines):
You should insert at least 1 rest moment that is 3/2 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 1/1 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Oni (Guidelines):
You should insert at least 1 rest moment which is 1/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 3/4 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
You should insert at least 1 rest moment that is 3/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 2/1 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Futsuu (Guidelines):
You should insert at least 1 rest moment that is 2/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 3/2 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Muzukashii (Guidelines):
You should insert at least 1 rest moment that is 3/2 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 1/1 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
Oni (Guidelines):
You should insert at least 1 rest moment which is 1/1 or longer after 16/1 to 20/1 of continuous mapping. But using equal to or more than 2 rest moment that is 3/4 or longer after 8/1 to 10/1 of continuous mapping is also acceptable if either the pace of the music makes rest moments counter-intuitive or if the continuously mapped part is overall more forgiving to the player.
What I write here is only my opinion. Do not serious with it.
But I think that we should give some words to describe the word "less frequently "