[The Former]
00:15:374 (15374|2,15374|1,15374|3,15374|0) - I think this quad should be a triple since you have triples at 00:13:926 - , 00:17:236 - , and 00:18:685 - .
00:16:305 (16305|1) - I think moving this LN to 1 and the notes in 1 to 2 would be slightly more comfortable:
https://puu.sh/AGxsc/585a5432d2.jpg. Similar situation at 00:17:857 (17857|2) - , except I'd move this LN to 4 and the notes currently in 4 to 3 since it makes hitting the following jack less awkward:
https://puu.sh/AGxAz/cdaecdcc50.jpg (feel free to ignore any mod relating to comfort, I'm guessing that a lot of patterns here were mapped with the purpose of being difficult and I totally respect that)
00:19:822 (19822|2) - I'd change this LN to a regular note since the synth starts at 00:19:512 - as opposed to here
00:21:995 (21995|2) - Truncating this LN 1/8 before 00:22:202 - is a little odd imo since no sound ends there, though I'm assuming you did that to make the transition into the streamy bit at 00:22:253 (22253|2) - easier. That being said moving this LN to 2 and extending it to 00:22:202 - will solve that problem.
00:23:236 - You could make this a double if you want since a snare plays here
00:24:271 (24271|2,24271|0,24271|1) - I think this should be a double since you're representing snares as doubles in the rest of the streamy section
00:25:305 (25305|2,25305|1,25305|3,25305|0) - This should be a triple since you're representing cymbal crashes as triples in the rest of this section, however if it's intentional it isn't a bad place for a quad since this crash is the loudest yet.
00:27:062 (27062|1,27062|2) - Should be a triple since it's the same sound as 00:26:910 (26910|0,26910|1,26910|3) - and 00:26:759 (26759|0,26759|2,26759|3) -
00:27:833 (27833|3) - Should be a regular note as opposed to a LN since you used regular notes here: 00:27:419 (27419|0) -, 00:27:626 (27626|2) - , etc. However I do notice that you're using double LNs in other spots in this section such as 00:28:454 (28454|2,28454|3) - and I'm not entirely sure what the pattern for that is.
00:31:971 - Missing notes here and here: 00:35:281 -
00:37:661 (37661|1,37661|0) - Does a good job at emphasizing the snare but one of these should be a LN imo for consistancy
00:37:868 - Bass/organ missing here
00:46:202 - I think it would be pretty exciting to map out the guitar in this section! Maybe with just single notes since it's leading into the next section and would provide contrast to the LNs. It's very noticeable imo.
00:52:098 (52098|2) - , 00:52:305 (52305|3) - , 00:52:512 (52512|0) - , and 00:52:719 (52719|0) - could have doubles for consistancy since everything else here is represented by doubles and is a similar sound. I'd also change this for later sections that repeat this particular pattern like 01:29:752 -
00:53:546 (53546|3,53546|2,53650|3) - Silly comfort mod #2: ctrl+g-ing this would be a little less awkward to play
01:01:719 (61719|0,61822|1) - These probably should be doubles since the you're representing the other guitar notes as doubles. Similar situation at 01:08:339 (68339|3,68443|1) - and 01:09:891 (69891|2) - , though for some of these places I'm guessing they're provided as a break from the chordjacking which makes sense.
01:14:132 (74132|1) - Should probably be a double since the bass plays here
01:19:925 (79925|2,79925|0,79925|3) - I'd suggest deleting one note since only the guitar and (wow I can't remember the name of that one type of quieter cymbal) play there. Similar situation here: 01:20:649 (80649|2,80649|0,80649|3) - , though at the same time this does punctuate that one particular type of cymbal so totally understandable if you want to keep it.
01:33:580 (93580|1) - This might require a little restructuring but I like what you did with the LN at 01:26:959 (86959|3) - and I think this LN should go to 1 to repeat that LN jack pattern you had before. Otherwise this looks good imo.
01:45:371 - General comment about this section but the double/triple patterning confuses me a little since you're mapping out some guitar notes as doubles: 01:45:991 (105991|2,105991|3) - and some as triples: 01:45:681 (105681|0,105681|2,105681|1) - and snares are doubles: 01:46:612 (106612|3,106612|2) - triples: 01:47:440 (107440|3,107440|2,107440|1) - , and singles: 01:45:784 (105784|3) - .
01:58:612 - LN patterns are pretty damn good (don't trust my judgment on that though, I'm an LN junkie).
02:05:026 (125026|3) - From a musicality standpoint this and 02:08:336 (128336|0) - make sense but from a playability standpoint its not too fun and a bit limiting in terms of what you can pattern. I'd suggest getting rid of both of them or at least reducing the first one to 02:06:267 -since the synth sound the LN represents ends there.
02:09:371 (129371|1) - Should probably be deleted since only the synth plays there
02:22:403 (142403|3) - Part 1: It'll require slight restructuring but this LN should go to 3 for pitch relevancy since this LN is a half-step lower than the previous LN pitch-wise.
02:22:403 - Part 2: I'm very biased since this is my favorite part of the song music-wise (the previous section is my favorite to play) but I'd suggest a kiai from here to 02:33:159 - . The violin mixed in with the other instruments makes this section stand out quite a bit, I think.
02:22:816 (142816|1,142816|0) - Snares are represented by doubles (first timestamp), triples: 02:23:437 (143437|1,143437|0,143437|2) - , and 02:25:092 (145092|3,145092|0,145092|2,145092|1) - . I think they should be one type of chord throughout for consistency.
02:31:918 (151918|3) - It is reasonable to leave these here since it provides a way to transition between this section and the next, but this and the other LNs at 02:32:332 (152332|2) - , 02:32:746 (152746|3) - , etc could be deleted since none of the other violin notes in this section are represented by LNs.
02:34:607 (154607|1,154607|0,154607|2,154710|2,154710|1,154710|3) - These guitar notes (as well as the ones at 02:37:917 (157917|0,157917|2,157917|1,158021|3,158021|1,158021|2) - and 02:41:227 (161227|1,161227|2,161227|0,161331|2,161331|3,161331|1) - ) should be doubles to provide contrast with the snares, which are triples. However if the intent is to triple them in order to provide emphasis since they're the most noticeable guitar notes, that's totally understandable. But it would give areas like 02:44:538 (164538|3,164538|2,164538|0,164641|0,164641|1,164641|3) - a little more musicality imo.
02:47:952 (167952|2,167952|1) - I think this should be a single note since only the vocal part is playing here
02:51:159 (171159|2,171159|0,171159|1) - Should be a double since you're mapping other snare parts here as doubles. But triples at places like these make sense imo: 02:53:021 (173021|2,173021|3,173021|1) - (side note I'm not going to touch the patterning in this section since I was godawful at playing it)
03:28:119 (208119|0) - I thiiiink this LN should be as long as the one next to it but not 100% sure music-wise. From a player's standpoint that would definitely be preferable.
03:46:512 (226512|1,226512|3,226512|0,226512|2) - Should be a triple since you used one to represent this sound at 03:41:695 (221695|2,221695|0,221695|3) -
03:53:955 (233955|1,233955|0,234392|0,234611|0,234830|0,235049|0) - If this section's meant to be a tad bit easier than ctrl+g would make this a lot more comfortable.
04:05:800 (245800|0,245977|3) - It's such a little thing but I love how you put these LNs on columns 1 and 4 (respectively), which matches up perfectly with the guitar's stereo effect here.
04:14:444 (254444|3) - Assuming the anchor isn't intentional moving this note to 2 will help avoid that.
04:22:559 (262559|3) - I think moving this to 3 would help make things a bit more comfortable
04:31:425 - I'm assuming the right-hand bias here is intentional so I won't touch it
04:42:908 (282908|2,282908|3,282908|0,282908|1) - and 04:43:218 (283218|0,283218|2,283218|3,283218|1) - should be triples for consistency imo
04:53:975 (293975|2,293975|1,293975|0) - This should theoretically be a quad since 04:53:354 (293354|3,293354|0,293354|1,293354|2) - is, however it would be a definite difficulty spike
04:59:388 (299388|3,299388|0,299388|2) - Should theoretically be a quad like 04:58:512 (298512|2,298512|3,298512|1,298512|0) - since it represents a similar sound.
05:00:483 (300483|0,300483|1,300592|0) - ctrl+g would make this light years easier, however avoid this if difficulty is the intent, of course
05:09:022 (309022|1,309022|0,309022|3) - Should be a double since you're representing other snares as doubles. Same here: 05:10:336 (310336|1,310336|2,310336|0) -
05:55:445 (355445|2,355445|1) - Should be a triple since 05:55:092 (355092|0,355092|2,355092|3,355268|3,355268|0,355268|1) - are triples
05:55:622 - Holy bpm change this is fun to look at in the editor.
Very fun to mod overall, lots of stuff pointed out but this map is pretty damn unique imo and requires players to be proficient in a lot of different skills. Once this gets more mods you should totally try to get it to be a tiebreaker in an earlier SOFT round or another tournament like that. But definitely get better players (and modders) than me to check it out though.
edit: now in a readable form.