1. Akmed's Democracy Oni (4,86 stars, 1376 notes)
2. Collab Oni (4,67 stars, 1210 notes)
3. Ex's Anarchy Oni (5,73 stars, 1751 notes)
4. Futsuu (2,54 stars, 464 notes)
5. Helix Oni (5,6 stars, 1549 notes)
6. Kantan (1,8 stars, 264 notes)
7. Muzukashii (3,27 stars, 833 notes)

Lost The Lights wrote:

[Akmed's Democracy Oni]
Low the Hitsounds volume to 70% Changed
Wtf with the SV changes. I made them slower
00:00:686 (5) - k Done
00:41:636 - A note here would fit good Done
00:56:036 - ^ Here too
The Breaks you have can be mapped, i recommend to map them. Breaks Mapped

[Collab Oni]
00:39:986 - Note here please Done

Lost The Lights wrote:

[Futsuu]
00:05:786 (14,16,20) - k I would rather not. My pattern is based on kicks.
00:11:636 (29,36) - ctrl + g Definitely not. The rhythm you want me to put is awkward and doesn't fit at all due to the 1/1 gap being a sequence of 5.
00:16:436 (44) - k No. dkd is not a pattern suitable for Futsuu at 200.
00:55:286 (130) - Starting here, you can do something like this to make the diff more interesting I don't like it. I map on mixed instruments, on helix I get on mapping vocal as it's relevant, but after that the vocal is irrelevant.

SPOILER

You could do the same in other kiais.

[Muzukashii]
Low the Hitsounds volume to 70%
00:21:986 (101,103,105,106) - k Same as Futsuu
02:55:886 (500,501,502,503,504,505) - ctrl + g and 02:57:686 (506) - k Holy shit no just no, my dons are 100% relevant to the song.
Nothing much to say.

[HeliXoda Oni]
Low the Hitsounds volume to 70%
01:06:986 (470) - k What's wrong with this pattern ? the d here is for the for.
01:07:586 (476,477,478) - This should be kdk I don't know what's wrong with changing the note color.
01:08:486 (485,486,487) - ^ ^
02:56:786 (32) - Move to 02:56:936 -
02:57:386 (35) - Move to 02:57:536 - applied these two guys
03:14:186 (176) - k Same reason as 01:06:986 (470) -
03:14:786 (182,183,184,191,192,193) - kdk both Same as 01:07:586 (476,477,478) -
03:26:786 (276,277,278,279,280,281,282,283,284,285,286,287,288,289,290,291,292,293,294,295,296,297,298,299) - wtf hitsounds pls No, this would have NO fitting and this would be hitsounding for the sake of hitsounding.

Good Luck with the map!

Dainesl wrote:

Dialgadu's Anarchy Oni

01:45:386 (879,880) - these sound like they should be big kats instead as the last bit before the first kiai had them as big kats. if you apply this make sure to change the previous notes I prefer to keep this because it's easier to play + 01:45:986 (881) - 's pitch is higher
also lol that ending
how to mod inner onis please this was really hard to mod ;~; because I suck ;_; I can really only think of one thing lol

Dainesl wrote:

my god this set is massive; ~24 mins of Drain Time ;; oh hi anjuu

General

maybe increase Kantan's HP+OD by 1 so that it's not stupidly easy to beat (and 3/3 is easy enough for lots of people lol, you could hit like 100 notes and still pass) I'm a berzerk so HP is raised to 7 (people won't BARELY play it to pass it. HP5 and you can basically pass the map with a quarter of missed notes. this then leaves no sense of achievement.) and OD to 3.
remove the Storyboard files from the Kantan as they're not used see ups
Disable Widescreen Support, Countdown and Letterbox in Breaks on every diff except for the Collab Oni fack either way it's useless we don't actually use this.
perhaps also decrease the SV on Kantan+Futsuu to 1.2 as the song's quite fast (200 BPM)? to my likings no, i'd rather have something consistent in terms of sv. 200 bpm is not a big deal. i can't even dthr futsuu

Kantan

00:41:786 (67,68,69) - If you're following the vocal here then why is the last note d when the vocal is at its highest? 67+68 seem about equivalent to 66 so why not ddk or dkk? iiiiiiiiiiiiii donno but i chose kkk instead; as the pain pattern was d k k d d k k / d k k d d k d
01:07:586 (119,120,121,122,123,124) - suddenly you use a very different structure from the previous bits of the Kiai, unless this was done for variety change it. If it was done for variety then to keep the structure use this pattern on 00:57:986 (96,97,98,99,100,101) - too I'd rather have a closing pattern which differs from the beginning, which to my eyes gives as much variety. too much variety kills the variety, and you see no consistency.
02:00:386 (224,225,226,227,228,229) - ^ but with 01:50:786 (201,202,203,204,205,206) - instead of the previously mentioned time lol ^
03:14:786 (348,349,350,351,352,353) - ^ but with 03:09:986 (337,338,339,340,341,342) - instead ^
nothing much to say...repetitive song is repetitive (the kiai times are pretty much the same lol) the same

Futsuu

00:18:386 (50,51) - maybe make these kats for consistency with the Kantan? k lol
00:24:386 - why is this bit onwards less dense than the Kantan? there's like 3 notes in the next 2 measures instead of 5 notes ._. SHIT I'M TWO NOTES SHORT
01:34:886 (245,246) - again, following the vocal here means that this should be a kk instead or a dk; because again it seems really weird to have a super emphasised vocal be a d compared to the not as emphasised vocal being a k applied and kddkddk
02:35:186 (119,120,121,122) - unlike the Kantan the red tick before the downbeat isn't used here so...idk why considering that the Kantan is harder in that respect. also there's another issue with the fact that it does ddkd instead of ddkk like the music suggests (again you're mixing up the most important messages)
02:46:386 (159,160,161,162,163,164) - why are you even doing 2/3 patterns in a Futsuu; just simplify it by removing the first note of every 2/3 doublet which makes a 2/1 pattern like in the Kantan
02:50:786 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16) - 16 dons in a row, wow. that's like the most I've ever seen from a Futsuu considering that the Kantan (THE KANTAN) used more variety than this arranged
02:57:986 (17,18,19,20,21,22,23) - and finisher spam here, lovely (this is too hard for beginners; 2 1/2 finishers in a row at 180 BPM would be OP enough but this is 200 BPM) how am i supposed to map this otherwise (really)


this map is so fucked up now I'm not even sure if it's PLAYABLE except the kiai they're great
btw if no answer provided => accepted

Muzukashii

00:01:436 (6,7,8,9) - and 00:03:836 (16,17,18,19) - why are you suddenly mapping the intro like this when the lowdiffs don't use this structure? Since it's Muzukashii I think I have a bit more liberty about pattern structure
00:29:786 (121,122,123,124) - looks like you're about to follow the vocals but then suddenly you don't, why? I call coincidence. From 00:24:386 (108) - to 00:32:786 (129) - , beat 3 is a k. always. 123 was questionable, so I changed to a d, though.
01:02:786 (62,63,64,65,66,67,68,69) - also there are no 1/4s on this pattern despite it being the same as the first pattern of the Kiai dkd dkdd in 1/2 now.
01:09:986 (105,106,107,108,109,110,111,112) - maybe you should try changing this up a bit considering the variety that was used in previous patterns and in lower diffs! well on that one it'd be tougher, making it varied in lower diffs was easier due to the monotonous nature of the chart. here, it'll be much tougher to change to something suitable as there are many color swaps already (where there were only kats on KF). it's pretty much a good thing here it does NOT change. flow would crash down to the WTF.
01:25:586 (164) - a slider that wasn't present in lower diffs for no reason apparently; why can't you map this as 5 1/2 notes instead 'cause previous patterns went further than this 1/3 is much more suitable (the song goes 1/3 and not 1/4, and putting wrong note division is BAD. couldn't do anything simpler than 7.
01:43:586 (234) - and a slider that was a spinner in the Futsuu. why is this even 5/1 when it doesn't really make sense with the music (it should be something like 4/1 or even 6/1) 6/1 kills the "for". 4/1 is too short.
okay from now on issues that are pointed out in Kiai Times will not be mentioned again
02:09:986 (351,352,353,354,355,356,357,358) - lots of finisher spam here again why do you do this it just dampens the effect horribly imo ;; left 112
02:54:686 (498,499) - why the sudden transition from vocal mapping to instrument mapping here when it's mainly been a more mixed feeling? idk lol
more seriously, it's not that sudden (there's 900ms between these two notes, it's a warning-ish thing

Collab Oni

Black = _Gezo_ Blue = dialgadu77 Purple = TimmyAkmed
00:52:886 (63) - Perhaps make this a finisher kat to match with the finisher kats from the end of dialga's part, the instruments really suggest one here!
01:08:486 (172,173,174) - how come this pattern breaks the general structure (helix vocals are given the same patterns all the way through but not here apparently)? I suggest to make this a kkk
02:05:186 (125) - again a slider that isn't present in other diffs that looks kinda out of place actually HXZ Oni has
02:55:886 (123,124,125,126,127,128,129) - invert these hitsounds so that you follow the loud instrument sounds better? actually it's been like this on all diffs lol
03:27:986 (72) - I don't even get why this is a 1/8 slider when it just converts to 1/4 anyways but it doesn't matter well. also that ending inherited point just why WELL #BlameTimmy2014

Helixoda Oni (inner oni? hard oni?)

to answer you : lord gezo made a shit oni

00:26:261 - Maybe you should add a note here to make a nice pattern with the music and to follow the snare that happens here nopenopenopenopenope rather use a pattern like this since it's something much more appealing to me. 2-2 here would make the chart go lol
00:31:061 - same here as previous ^
02:42:386 (137,138,139,140,141,142,143,144,145,146,147,148,149,150,151,152,153,154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173,174,175,176,177,178,179,180) - oh god these patterns they look like they flow horribly ;~; well they don't flow too bad but they look like they're really hard lol. also 180 has a finisher which makes it really awkward to play as it's at the end of a 1/4 stream 1. dons are bulbasaur cries. 2. kats are bulbasaur cries; which is why the pattern look weird. this is what i consider the challenging part (more than the ED)
03:28:586 (300,301,302,303,304,305,306,307,308,309,310,311,312) - this ending how is anyone supposed to even do this ._. 300 BPM 1/4 by scale ;~; not a big deal made that to reflect the hueg 1/8 at the end; it originally lasted 24 notes. not all people can 24 at 300 bpm. I was a nice guy and used only 12. I still want to keep that as a stress element.

good luck all you frenchies -runs-