Hi~ From my first ever queue. Sorry for late due to CNY.
[General]
I am not a fan of Marvel honestly. I take Oni as the origin, the other difficulties will follow it consistency. In this case, your notes of Muzukashii are, somehow, mirrors of that of Oni. I just love consistent notes among the difficulties and if you want to keep your original, that's fine (?)
[Oni]
> 00:01:788 (10,11) - change to d k, as 00:01:965 (11) - is the highest pitch among the notes in 00:00:906 (5,6,7,8,9,10,11) - . 00:01:788 (10) - is for emphasizing the k. You can see that you have used this method to emphasize the last note in a phrase.
> 00:03:729 (19,20,21) - better use d k D because of the pitches, comparing with 00:03:376 (18) - and the sound in 00:04:259
> 00:04:259 add k? There's a downbeat sound but you did not make a note on it.
> 00:05:847 (34) - change to d because the pitch of 00:05:847 (34) - is as high as 00:05:671 (33) - .
> 00:06:023 (35) - change to k because the pitch of 00:06:023 (35) - is higher than 00:05:847 (34) - .
> 00:08:847 (50,51) - ctrl+G, following the intervals between two notes.
> 00:14:053 (18) - change from k, sounds better?
> 00:14:671 (22) - shift this note 1/6 backwards to match with the guitar, and change this to k because its pitch is higher.
> 00:17:847 (37,38,39,40,41,42) - change to ddk kkd, to follow the pitches between them.
> 00:20:318 (48) - shift this note 1/6 backwards to match with the guitar
> 00:20:053 (47,48) - ctrl+G, matching with the pitches and the consistency of previous pattern ( 00:14:406 (20,21,22,23,24,25,26) - )
> 00:24:023 (66,67,68,69,70,71,72,73,74,75,76) - DDkkddkkddk, which is an extention of replica of 00:22:612 (59,60,61,62,63,64,65) -
> 00:26:141 (77,78,79,80,81,82,83) - please follow to Muzu. The pattern in Muzu suits more than the original one in Oni.
> The notes between 00:22:612 (59) - and 00:33:376 (113) - are so free to map. Just following one consistency in one diff. is already okay. *
> 00:34:435 (117) - use k here to follow the consistency of the previous pattern (00:05:671 (33,34,35,36) - )
> 00:40:082 (146) - use k here also to follow the consistency of 00:34:435 (117)
> 00:42:906 (161) - change to k to follow the pitch
> 00:45:729 (175) - use k here also to follow the consistency of 00:34:435 (117)
> 00:47:847 (186,187) - change to k ( I am tired of typing reason, you know, consistency of the previous pattern in the same difficulty)
> 00:48:906 (192,193,194,195,196,197) - dkD kdK,and please refer to Muzu.
> > If you find that some repetitive points (there're too many!) and I do not mention, that mean you should also consider changing the notes according to my previous suggestion on the related patterns.
> 01:03:435 (275,276) - ctrl+G, following the pitches
> 01:03:906 (279) - change to k
> 01:04:259 (282) - change to d
> 01:04:494 (284) - change to k ? I am not sure for this note.
> 01:12:288 (332,336) - use Whistle instead of clap due to the glizzando (the sliding of intervals of a note) of the notes.
> 01:14:494 (347,348,349) - kkk? sounds better and have some minor differences with 01:16:082 (357,358,359) -
> 01:24:376 (1) - I think the end of Muzu is quite good. You may use kkk d to end up.
[Muzu]
> 00:01:788 (9,10) - change to d k , following the consistency of Oni.
> 00:03:023 (14) - change to k, following the consistency of Oni.
> Extend the slider from 00:04:259, where is the start of the electro-guitar solo, to 00:05:318. (although the real end of the guitar solo is 00:05:494 , nvm because you did not put note on this timing in Oni.)
> 00:06:200 (24) - change to k because it's the highest pitch among these four notes (00:05:671 (21,22,23,24) - )
> 00:06:906 (27) - change to k because the pitch is higher than the neighbouring notes and follow the consistency of Oni.
> 00:12:376 (48,49) - ctrl+G, 00:12:553 (49) - is higher than 00:12:376 (48) -
> 00:17:847 (71,72,73,74,75,76) - same case in Oni.
> 00:19:259 (77,78,79,80,81,82,83,84,85,86,87) - following all the notes from Oni will be fine since the pattern does not change at all.
> 00:32:671 (134,135,136) - kdk sounds better.
> *The same principle in Oni.
> 00:34:435 (141,144) - change to k to follow the pitches and the consistency of Oni and the previous pattern (00:05:671 (21,22,23,24,25,26,27) - ).
> 00:39:376 (162,163) - use k to emphasize the next downbeat in 00:39:553 (164) -
> 00:40:082 (167) - change to k to follow the pitch and the consistency of the previous pattern (00:34:435 (141) - )
> 00:45:729 (193,194,195,196) - change to k dkk to follow the consistency of Oni.
> 00:48:906 (206) - change to k here (following Oni's consistency). You may want to have some different patterns of this same phrase here, so you adopt dkD kdK. It is okay for me and it can be explained by how you pair up the notes tgt.
> > If you find that some repetitive points (there're too many!) and I do not mention, that mean you should also consider changing the notes according to my previous suggestions on the related patterns.
> At 00:56:494 , you used dddddddddd to map. It is fine because Muzu should not be too complicated.
> Here's a concern on the quadraplets of the k at 01:12:023. As mintong had said so, I think there's a real need to remove them because they are a little bit too hard for Muzu players. Also, according to the Taiko mapping guide from the Wiki, try to use triplets if you want to make some complicated patterns.
> Delete the notes on 01:12:112 and 01:12:641 . The remaining notes can also create interesting patterns.
> 01:13:788 (323,324) - ctrl+G to follow the consistency of Oni.
[Futsuu + Kantan]
> I am still not so good at modding these two difficulties. This map is good-mapping for Oni and Muzu indeed.
EDIT: You can refer to my mod above for the relative ideas.