Le patterning en blue tick étant assez dur comme ça, je pense pas que t'aies besoin de rajouter des patterns 1/4 dedans en plus, que ça soit doublet ou triplet.
Y'a énormément de trucs que tu peux simplifier pour rendre l'expérience d'un joueur muzu plus agréable.
C'est juste un exemple, mais tu peux delete des notes genre :
00:53:130 (2) - pour mettre l'emphasis sur le finisher.
00:55:356 (12,14) - pour focus la mélodie
01:00:969 (11) - 01:07:162 (12) - impro pas nécessaire
01:08:130 (15) - same as 00:55:356 si t'apply
01:10:065 (11) - suppr pr simplifier le rythme et focus la mélodie
01:13:356 (12) - etc.
French Taiko Mapping Contest 2: Feedback
Structure:
02:07:360 - Add an actual break here please I'm on my knees
Relevance:
00:21:085 (70) - you can delete to keep an equivalent structure.
00:37:060 (218) - you can omit to focus the player on the new layer you represent.
00:39:460 (231) - same
Gameplay:
Creativity:
Appreciation :
02:33:297 (1,1) -
What about making those notes also finishers ? It will create a nice rhythm that you started to implement with 02:32:682 (1,1) - .
If you decide to apply, consider removing 1/4 notes, I think it will play better and will be more understable for the player.
02:24:990 (4) -
This sound is almost inaudible, I'd suggest you remove this note to give the focus on the following strong sound (02:25:144 (5) - )
02:24:682 (3) -
I don't really see why this is finisher while 02:24:067 (1,2,3) - are not, I can't really hear any other impactful sound.
So I'd suggest you either make them all finishers, or all regular notes.
02:04:374 (8,9,10) - It would be nice to have those notes all finisher. It will give a nice emphasis on these vocals mostly because the music stops.
You can remove 02:04:297 (7) - to make it even more impactful.
This representation look a bit too simple ? I think having regular notes between finishers will make the kiai more engaging and challenging -w-)b
I think I got your idea here, mono fits well but I want to give you an extra one just in case you didn't think of it:
Currently this pattern plays well but it lacks of pitch representation especially on those notes : 00:25:297 (1,1) -
I think these d
transition notes are underwhelming.
Maybe you could try representing them with k
, a pattern like ddddkkddkkddddkdkkddkkkkddddk
could make it for exemple. It will emphasize 00:25:297 (1,1) - nicely.