00:32:467 (1,2,3,4) - execute gradual DS decrease here would be nice i guess, to follow the general tune of the song.
00:37:801 (3,1,2,3,4,1) - the patterning here are doesn't really connect even though there's important rhythm progression here. doing some progression like would be nice
00:41:134 (3,4) - stack underemphasized the notes since there's there exist both crash and vocal that's notable enough to have some higher impact. since there's similar rhythm like 00:51:801 (3,4,5,1) - and it leans on vocal, you can do something like
01:34:467 (3,4) - similar case
02:27:801 (3,4) - not exactly a similar case, but u can try to increase spacing here
00:46:134 (2) - a bit nitpick but i think you can convert this to circles since pattern on 00:43:801 (3,4,5,6,1,2,1,2,1,2,3,4) - are a pretty good cue to make denser part for vocal crowd emphasis
you can keep 02:32:801 (2) -02:43:467 (2) - the same since you already did active on 02:31:967 (2,3) - 02:42:634 (2,3) -
00:49:134 (1,2,3) - bro, do similar thing to this 01:42:467 (1,2,3,4) - or 02:35:801 (1,2,3,4) - it's cool >.<
it shud be less intense because since there's only 4 actives instead of 6 like 01:42:134 (4,5,1,2,3,4) - >.<
01:00:134 (3) - hs are too loud on giving the burst feedback. decrease volume to around 20-25%
01:51:134 (1,2,3) - because slider leniency and zig-zag movement despite shape lean on circling motion, these pattern have underwhelming impact. doing similar pattern logic like 01:40:467 (1,2,3) - or 00:47:134 (1,2,3) - are preferable
01:58:301 (3,4) - jump pretty underwhelming considering there's crash there, you can do similar pattern logic like 02:00:801 (5,6,1) - cause they have similar rhythm
02:13:634 (4,5,6,7,8) - these pattern are pretty underemphasized because the arrangement are a bit scuffed. doing straightforward movement + jump like looks much more appealing, or if u have any different idea, then im up for it
02:34:967 (3) - still on the same group vocal with 02:33:801 (1,2) - so, fluid pattern arrangement would be nice to enhance the emphasis. simply ctrl+j 02:34:967 (3) - and move it up to left up, around x:350 y:40