Consistency Errors:
Since you mapped 01:35:927 as a finisher, you should try to map the other snares (such as 01:49:564) just like it.
In my opinion it'd likely be best to go with an approach that either uses no finishers for these snares, or all snares
are mapped as finishers.
You mapped 01:57:064 as (1/8) kk kk , but mapped 02:02:518 as (1/4) kdk.
It'd be best to use the pattern (1/8) kk kk for each instance of the same sound instead of (1/4) kdk.
This also applies to 01:51:609, 02:02:518, 04:02:507, 04:13:416,
02:33:541 (953,954,955,956,957) - is mapped differently than 02:36:268 (973,974,975,976,977,978,979) - although they have
the exact same sound.
Likely the better choice to go with 02:33:541 (953,954,955,956,957) - as it's mapped far less drastically and is far
more simpler, which is more sensible as this isn't apart of the kiai.
Also, 02:41:723 (1020,1021,1022,1023,1024,1025,1026) - is using this exact sound but is mapped far differently.
If this is meant to show significance, then for this instance it'd be best to use the pattern at
02:36:268 (973,974,975,976,977,978,979).
But if this isn't meant to be significant, then use the pattern at 02:33:541 (953,954,955,956,957)
Snapping Errors:
Move 03:19:212 (9) - to 03:19:382 as it doesn't sync up at all with what the other k's were following.
Add a k note at 03:49:127 as it has a noticeable sound that'd fit well if mapped.
Remove 05:17:763 (787) - as it doesn't match up with any noticeable sound.
Game-play Concerns:
The usage of a 1/6 stream at 00:51:295 - 00:51:977 is far too jarring compared to what came before it.
As the sound isn't too significant, it seems to just be a unnecessary choke-point in the map, and would be better off if
simplified to something like (d...kkd.k 1/4).
The 1/8's at 00:53:298 - would be better off if simplified to ddk on the yellow ticks of 1/8.
Other places in which things should be simplified:
00:53:809 (kkkkd 1/8) -> (kkd 1/8)
00:54:320 (kkd 1/8) -> (kd 1/8)
00:54:704 (dddkd 1/6) -> (dddk 1/6)
00:58:284 (kkkkkkk 1/6) -> (kkkd d k k 1/6 & 1/4)
02:08:058 (ddd 1/8) -> (ddk 1/4)
02:29:876 (kkk 1/8) -> (kkk 1/4)
03:24:325 (kkddd kkkkk 1/6) -> (k k d d kddk k d 1/4 & 1/6)
03:26:030 (kdddd 1/8) -> (ddk 1/4)
03:26:541 (kkkkd 1/8) -> (kkd 1/4)
03:57:138 (kkk 1/8) -> (kkk 1/4)
04:18:956 (ddd 1/8) -> (ddk 1/4)
05:06:939 (kkkkkk 1/6) -> (dddk k d 1/6 & 1/4)
05:12:394 (kkkkkk 1/6) -> (dddk k d 1/6 & 1/4)
05:15:121 (kkkkdd 1/6) -> (kkddkk 1/6)
05:20:575 (kkkkkk 1/6) -> (dddk k d 1/6 & 1/4)
Subjective Ideas:
Very long spinner at 02:54:883 (1) - consider removing as it would function far better as a break.
Removing notes 01:16:581 (256,257) - would be a cool way of emphasizing the loud kick at 01:16:496
Removing the note 01:48:413 (532) - to make the proceeding (1/8) kk kk notes more impactful, consider removing.
Consider changing 01:48:712 (535,536) - to dd and 01:48:996 (537,538) - to kk as it'd match the shift of pitch.
If considered, please apply to other instances of this sound being used, such as at 03:59:610.
Consider removing 01:50:672 (554,555,556) - as the mono (1/6) k stream beforehand makes it a tad bit overwhelming.
If considered, also consider making 01:50:587 (553) - a finisher alongside with it for more emphasis.
I can see what you're doing with the alternating 11-plet to 2 5-plets at 04:44:269, but 04:53:814 breaks this alternation
so consider turning those 11-plets into two 5-plets as there's a noticeable 1/4 break in the middle of them.
Consider making 05:05:575 (750) - a finisher due to it's impact.
Consider reversing 03:46:144 (44,45,46,47,48,49) - to (1/6) dddkkk then followed by a D finisher for improved impact.
Consider reversing 03:27:308 (45,46) - to kd to match the pitch.
Metadata Changes:
Add the tags "hyperdrive" and "ep", as that is the EP in which this song originates from.