00:08:441 (8441|2,8730|3,9018|4) - since this is a low insane diff, i think these can be LNs just fine
00:21:113 (21113|3) - since it feels that this notes have higher pitch than the previous one, i prefer it to be moved to col 6, but not really necessary, just my prefrences.
Not bad. I knew this. Just thought it plays easier in col 4. But well it is not hard to put it in col 6 cuz few notes here.
00:22:940 (22940|4) - maybe this too, but you can leave it there since its the end of the stream
you can remove these 00:25:440 (25440|3,25633|2,25825|3,26017|2) -
or you can remove this 00:26:210 (26210|0) -
00:25:556 (25556|1,25556|0,25941|0,25941|1) - why doubles? the sound is not that strong and they dont flow that good imo, i think it's better if you change those cymbals 00:25:364 (25364|4,25364|5,25749|5,25749|4) - to triplets (? it would be more accurate
As u can find out in kiai, I am using 21212 patterns to express consecutive drums, here applies the same concept. But I reserve the idea to map triples for cymbal, just considering it will break the current pattern and making it a bit less dense should be fine imo.
00:31:883 (31883|0,31979|1,32075|2,32171|1,32267|0) - a bit tricky. How about move 00:32:075 (32075|2) - to col 4, so 00:32:075 - will be played only with right hand?
00:31:979 (31979|1,32171|1) - i'm considering 16 beats as the longest, acceptable stream length in hard diff. remove this
how about make 00:44:190 - as double, then delete 00:44:286 (44286|0,44479|4) - to emphasize the music?
This is a trill pattern to repreasent the 1/4 sounds, and I put all doubles only on a single hand so it could be easier to hit. So I think keeping it is acceptable.
Considering its overall difficulty, I don't think it needs to be nerfed.
00:58:056 (58056|1) - starting point of stream can be double so that the intensity of the section is more consistent
01:03:537 (63537|4) - double here too
01:07:095 (67095|3) - ^
01:23:036 (83036|0,83036|1) - how about make one of them as another ln? Considering similar gimmick with 01:18:613 (78613|5) - 01:21:690 (81690|4) - or 01:24:863 (84863|2) -
01:40:921 (100921|1,101113|4) - i know every ln are represented as 1/2 long. However, since it's the end of the section, i guess it'll be ok if you make another variation to end it. I prefer these lns to be extended to 01:41:498 -
I know ur feelings, but i think the sound is too short (actually even not as long as 1/2), so extending it feels weird when u play it.
I can't catch a piano here but a string sound. If u were saying something like the string sounds which appear per 1/1 and are mapped as 1/2 LNs in the section from 01:16:883 - , I wanna clarify that I have ignored this sound starting from 01:29:190 - cuz mapping both string and piano with additional drums is quite messy. So to keep consistent, I also ignored the sound at 01:41:113 - cuz it is not mapped in this whole section.
02:00:556 (120556|2,120653|1,120749|0) - and 02:01:326 (121326|3,121422|4,121518|5) -
i think these are ok as trills like in 6K Future. The difficulty is hard enough to support trills. Also PR is better with trills.
02:16:113 - since the pitch is super high compared to the other, i think it'll be better if you give a column gap for every double here. So, i suggest something like this
02:20:056 (140056|1,140152|2,140248|4) - there has to be a break after the previous chord, you can remove these, or find another way around
I mapped the 1/4 because the piano after cymbal is quite clear to me. Since this section is filled with 1/4s I don't think the piano here should be ignored. I rearranged the notes, making the drum flow different from piano.
02:22:075 - The double on the right hand looks like it is only handling kick, and the main rhythm (piano?) which follows 02:21:786 is missing here. So I suggest this: https://osu.ppy.sh/ss/14794191/a19f
Keep for now. As u see I have all cymbal sounds in kiai represented by triples except for really dense part like the end.
Hm I agree on 02:27:864 - stuff since it can be also a consistency issue, since I mapped 1/2 all around for 1/4.
But 02:27:191 - 02:51:806 - looks like filler notes which is not meaningful enough to me. True that they are not ghost and I know it can somehow improve the flow but it doesn't really fit my concept so will leave them blank.
02:28:421 (148421|2,148613|3,148902|3,148950|2,149190|3) - i kinda believe the piano is louder to map than the 1/8 burst of kick, you can map this section to follow the piano, and this can be applied to all other diffs
Um i know what u mean, but I planned to have different patterns for the 2 kiai sections, and following the piano would be harder so I charted it in the 2nd kiai.
Nah actually I have simplified 1/4 to 1/2 as I am gonna mapping LNs for melody. No 1/4 for pianos except specific places.
02:40:921 (160921|2,160921|1) - not intense enough for double, imo. Maybe consider to reduce them?
Well cuz the piano becomes louder here. It might seem subjective, but as the song is full of 1/4 with few other instruments, I tried my best to give some emphasis to certain sounds which feel a bit different. Actually the piano u've noticed has been emphasized in all other diffs.
Hmmmm also because the piano becomes louder to me. And the reason I didn't map 02:43:902 - is because there's a lead melody sound at 02:43:806 - , and I wanna emphasize the kick later, so I left a 1/2 gap here. If I filled it with a note, it will be no difference with the kick sounds later since the chart is still 2121212 stream.
U could also see this concept in 8K Another.
I mapped it in even higher diffs cuz the chart becomes a chordstream for kicks.
02:44:575 (164575|0,165152|2) - This two LNs sounds on the same pitch, consider moving to the same column?
02:52:075 (172075|3,172171|4,172267|5,172267|3) - i won't do this 1 hand bracket for Hard diff. find a more simpler approach around
02:56:113 (176113|0,176210|1,176306|2,176402|1,176498|0) - another tricky pattern. How about this?
https://osu.ppy.sh/ss/14364841/ef9a
haha equally tricky for me too. And u have made col 1 and 3 both 1/2 gap which might be harder imo.
03:02:748 (182748|3,182940|2) - remove, in the next section, player will got some dense 1/2
03:03:036 (183036|5,183036|3,183229|3,183229|5,183421|3,183421|5,183613|5,183613|3) - 这一堆真的...很奇怪....我这里没有听见可以摆成这样的纵的音,建议再考虑一下?
说实话,这里主要是旋律音太明显了。至少,我得有个纵在这里,不过会导致1/4体现不太够。这个pattern可以分解成一个旋律的纵+剩余的1/4跟随之前的背景音。
为此呢,我调整了一下排列,留一道纵,剩余的打乱一点,就不做成两列纵了。
03:03:056 (183056|5,183056|3,183249|4,183249|5,183441|5,183633|5,183633|3) - anchor is a little awkward and it's very uncommmon to have an anchored stream in this diff so better just make it easier.
03:03:441 (183441|5) - can go to 4 as solution
03:07:460 (187460|3,187460|1,187556|2,187556|4) - big nope, this is harder to execute than insane, bracket jump then chords are highly discouraged
I think these triplets 03:09:980 (189980|2,189980|5,189980|0) - , 03:10:749 (190749|5,190749|3,190749|0) - , 03:11:133 (191133|5,191133|2,191133|0) - are too much for this part, it's a bit tiring imo, i suggest you to make them doubles so it would be cooler :)
Keep for now, as this is the end of the kiai. The rhythm becomes extremely intense here, so I don't think it is much too emphasized.