8/10 I like the calm atmosphere this song gives out. I'd definitely recommend this to someone else. Oh, I also like the psychological feeling it gives. It's pretty cool. I don't know about the video though: it makes me a bit dizzy.
4/10 I don't like these kinda songs, but I do have to admit that it's not too bad.
I suggest watching the whole video, and paying attention to the lyrics for this one. It's really well made. The ending literally turned the whole song dark in a split second.
After listening to it more than once, it starts getting a bit catchy, but it's a little high pitched for my tastes. However, it's still fine. I think I'm going to give this one a 6/10.
I think I might be one of the few people to call this track relaxing.
not my kind of music but kudos to "creativity" 6.5/10
"It matters not how many men you throw at me! I will kill them all!" "And what if I threw kittens at you, Tadakatsu? Would you kill them, too?" ~~Tadakatsu and Shingen; Samurai Warriors 2
It all went downhill when vocals came in. But what did I even expect from a Japanese song. As an instrumental, albeit horribly generic, it could be not too bad. 3.3/10
I'm not too familiar with the chillwave genre but it is what it is. The vocalist has a really nice, soothing voice and the tune is catchy to say the least; while it's calm throughout the song around the outro it gets more upbeat-ish for that few seconds.
8,5/10
Hard to believe it's already been almost more than 4 years since i discovered this track. I'll go full weeaboo next song to upkeep the formula, promised.
To be honest, she has a nice voice but it still has that strong "pubescent" undertone which kind of drives me away. When she tries to put power in some of those verses it still is not enough to give the song the necessary peak that could catch me. The instrumentals are so-so, i mean she's pretty much the lead in this so there's no point given/taken.
I'd probably would want to listen to her once again if he gets older as her voice still needs to develop a bit, for my taste.
6/10
Overall she's pretty good, by no means is she bad at it, but not my cup of tea when it comes to her ranges , IMO still needs age doing it's thing for her voice. (then i'd probably gave her a 8/10)
NotEvenDoomMusic wrote:
I'll go full weeaboo next song to upkeep the formula, promised.
Honestly, this vocal type is annoying as fuck. The singers are barely in tune and sound like 6-year-old girls who've barely learnt to talk. The genre itself is completely not my stuff either, though the part around 1:35 was refreshing. Sick solo, though.
Shit's tight 10/10 The japanese really like to use that synth that sound like bee farts but i love it because it gives it that distinct touch of neo-japanski alá 2000. Vocals are not screechingly high which is a positive thing - genre overall is a nice one that i can familiarize with so that's positive i suppose. 2:42~ ish has a nice change of pace
(9/10)
also can we have like, only western artists on this page or something (no animeweebstyle420 stuff and preferably no doujin music) i would appreciate it and AFAIK would be the only page on this topic that could achieve that
Yiesss, I love that intro. And then it just gets even better. Original, chilly, not overloaded with bass unlike everything else in the world (thanks Scrilex). The voice sample breaks in the middle of the beat are nice, I just tend to love flowbreakers in music for some reason. Kind of wishing they would have done something groundbreaking for the outro, but I guess that Detuned Lead 7 chordfuckaround also works pretty well.
I don't really like remixes of random noises. It doesn't have enough substance and is just abrasive to my ears. just opinions though.
I like this stuff better. though it's weaboo music that you wouldn't like I guess. It has a lot of emotional influence and has a bit of a nostalgic/sentimental feeling if you've watched the anime. but yeah I don't like music a whole lot, so when I do I listen to music listen to this, otherwise the noise just annoys me.
KoF's soundtrack got significantly worse with the latest entries with no sense of direction. XIII's almost just sounding like bad HDR versions from older entries without a distinct element or memoriable tracks. IMO KoF: Maximum Impact had one of the best GSTs in the entire franchise - top tracks such as Unbreakable Stained Glass Requiem for 50.000 People Kiss Geese One More Time
and that's just talking about the Maximum Impact soundtrack.