The guitar sounds were built up using streams or dumps, and the synth sounds were built up using jacks. Since that section is a synth sound, I kept it as simple as possible with jacks.
I like your suggestion, but the placement of the trills feels stronger than I intended. I've modified it to an easier pattern that maintains the flow of the guitar.
01:32:918 (92918|0,92992|1,93066|0,93140|1,93214|0) - 1/3 snap one-handed trill to represent the vibrato of the electric guitar, and 01:32:918 (92918|3,93029|2) - 2 snap lines of notes to maintain density.
Since it's a brief refresher between sections, I used a simple structured repetition to represent the music rather than an exact representation of the song.
The pattern in this map doesn't necessarily follow the musical element as a whole, but rather my interpretation of the mood it gives. The same goes for the placement of the 1/3 snaps as 1/4 notes. 01:08:473 - In the same case, since the pattern before that was a 1/4 snap stream, I felt that the addition of the drums should make the pattern much more intense than before, so I represented the 1/3 drum with a dump of various snaps. The dump of 1/6+1/5 maintains a similar density and transitions into a grace that is more like a chord. - translated by deepl translator
01:00:793 (60793|1,60793|0,60872|3,60951|0,61030|3,61109|2,61109|1,61188|0,61267|1) - These notes represent 01:00:793 - this guitar sound
01:01:346 (61346|2,61582|2) - these long notes represent the vibration of the electric guitar
00:15:635 - 00:18:161 - 00:20:688 - 00:25:740 - 00:30:793 - After two consecutive piano chords, I used only singles, The reason for not using doubles is to emphasize the piano chords more