Hi _Gezo_ ( _Baka_ ),
i am going to explain for you how i map for the kiai.
Structure: Actually three parts of kiai are base on one structure and i used mainly vocal mapping style.
For 1st Vocal Kiai,
1. 01:40:837 (462) -
It is the start of kiai. Strong beat is used by following the drum beat.
2. 01:41:018 - and 01:41:200 (463) -
Here has vocal. However, it is really uncomfortable if notes are put in this way
https://osu.ppy.sh/ss/5282325 . So, i sub the note with 01:41:200 (463,464,465) - .
3. 01:42:109 (467) - to 01:46:109 (496) -
This part is fully following the vocal. (But i know there may still some problems with using k and d, so i need some mods to fix the it)
4. 01:46:291 -
You may ask why i didnt put a note here although there is drum beat. I can say that i have try many patterns such as
https://osu.ppy.sh/ss/5282297 ). Totally following vocal and stop 01:45:928 (495,496) - here with K D is more comfortable to me.
5. 01:46:473 (497) - to 01:50:109 (522) -
Actually, here is separated into three part. 01:46:473 (497) - to 01:47:746 (506) - and 01:47:928 (507) - to 01:49:200 (516) - and the remaining part.
The pattern are same -> o ooo o o ooo o
The only difference are the high and low pitch. I am following the pitch of vocal and put the notes.
6. 01:51:018 (526) - to 01:52:473 (537) -
Following the vocal too...
7. 01:52:473 (537) -
Exactly same as 01:40:837 (462) - and all the structure from 01:40:837 (462) - are restarted.
For example:
01:52:837 (538) - same as 01:41:018 -
01:53:746 (542) - same as 01:42:109 (467) - ( The reason for why i didn't use
https://osu.ppy.sh/ss/5282405 i because it is strange to used the same pattern as 01:42:109 (467) - due to different vocal)
01:58:109 (572) - same as 01:46:473 (497) -
02:02:109 (598) - same as 01:50:473 (523) -
For 3rd Vocal Kiai, ( why 3rd?? Because it is same as the 1st vocal kiai and different with the 2nd kiai and i would like to talk this first)
1. You can see that all of the 1/2 is exactly the same as the 1st vocal kiai because the only different between two part is the beat power (3rd > 1st). Therefore, the pattern used is relative higher density.
2. 04:50:291 (1849) - to 04:50:837 (1853) -
Base on same pattern with 01:41:200 (463,464,465) -. Reason for higher density pattern, i connect the part of 04:50:291 (1849,1850,1851,1852,1853) - and 04:51:018 (1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886) -
3. 04:55:382 -
same as 01:46:291 -
4. 04:55:564 (1887) - to 04:59:200 (1917) -
same as 01:46:473 (497,498,499,500,501,502,503,504,505,506,507,508,509,510,511,512,513,514,515,516,517,518,519,520,521,522) -
The only different is the length of the notes (Due to need higher density). 3 changed into 5 ( 01:46:655 (498,499,500,501) - -> 04:55:746 (1888,1889,1890,1891,1892) - and 01:47:382 (503,504,505,506) - -> 04:56:473 (1894,1895,1896,1897,1898) - , etc)
5. 04:59:382 (1918) -
It is added to connect two parts
Part A : 04:55:564 (1887) - to 04:59:200 (1917) -
Part B : 04:59:382 (1918) - to 05:01:564 (1936) -
No big problem is caused for just connecting two parts.
6. 05:01:564 (1936) -
repeat the part and same structure from 04:49:928 (1848) - to 05:01:564 (1936) - .
For example,
04:50:291 (1849) - to 04:55:200 (1886) - same as 05:01:928 (1937) - to 05:06:837 (1974) -
05:07:200 (1975) - to 05:13:200 (2024) - same as 04:55:564 (1887) - to 05:01:564 (1936) -
Back to 2nd Vocal Kiai,
I think the structure are 90% same but the vocal and pitch are very different. So i map this part independently and you may feel very different to the 1st and 3rd Vocal Kiai part. If you check very carefully, you found that they are very similar.
1. 03:13:928 (1124) -
Also strong beat for presenting the start of kiai
2. 03:14:291 (1125) - to 03:14:837 (1129) -
You can see it is different with 01:41:200 (463,464,465) -
However, it is same as 04:50:291 (1849,1850,1851,1852,1853) -
3. 03:15:200 (1131) - to 03:19:200 (1161) -
same as 01:42:109 (467) - and 04:51:200 (1855) - right??
4. 03:19:564 (1162) - to 03:23:200 (1190) -
same as 01:46:473 (497) - to 01:50:109 (522) - and also base on one pattern ( o ooo o o ooo o), but there is some different. ( o ooo o o ooo o changed into o ooooo o ooo o for increasing the notes density)
5. 03:23:564 (1191) - to 03:25:564 (1206) -
same as 01:50:473 (523) - to 01:52:473 (537) -
6. 03:25:564 (1206) - to 03:37:200 (1291) -
repeating again o.O ( same as 03:13:928 (1124) - to 03:25:564 (1206) - )
This message is going to explain how my notes structure work in these three vocal kiai.
If you have any question and want more explain for the other parts, just tell me and i will reply you as soon as possible. Thanks a lot.