LiousPL wrote:

Late mod, nice map btw

• 
  ~Overdose~

1. 00:09:209 (4) - x:329 for increase the flow did these two
2. 00:09:993 (4) - x:174 for the same reason like above
3. 00:11:366 (5,6) - The same soung like 00:10:582 (5,6), I think u should copy the pattern here (like this) and distance from 00:11:268 (4) to 00:11:366 (5) is 3.20 I needed a pattern that goes to the left here, not really something needed to fix
4. 00:11:759 (1,2,3,4) - something like this will be good here there's a drum on 00:11:759 (1) - , so it needs larger spacing than the next pair of sliders
5. 00:16:859 (4) - Hard to do, maybe change a curve a little bit? don't think this is that difficult tbh
6. 00:17:545 (2) - Make the end of this slider at x:300, this add some difficulty and make more fitable dash from the last object prefer having hyper
7. 00:27:647 (3,4,5) - The same sounds, i think u should make this 3 object in the same curve (like this) first one has a lower pitch
8. 00:35:101 (4,1,2) - Pattern like this is better for this sounds (there's a hdash between 4 and 1) changed some stuff

I think later parts and other diffs is good so, that's all

Paranoid Grapes wrote:

ugoku

tbc untill i get the energy to mod the upper diffs

cup

00:03:912 (3,4) - i would rather just be a 1/1 slider for simplicity. the 1/2 makes the noise at 00:04:501 feel awkward because it isnt mapped imo. sure

00:10:582 (1,2) - unlike the previous point, i think making these two sliders be a 1/2 triplet or a 1/2 repeat would be better. The stronger sounds are on the 1/1

00:38:828 (6,1) - with the larger spacing to (1), i think the slider can be more vertical so new players have to move less and get more recovery so they dont fuck up acc or something. sure

salad

00:13:720 (4,1) - i think you could emphasize the jump here more. it maps a loud cymbol noise that also transitions to a new part of the song but the jump is walkable. added distance

00:16:270 / 00:17:839 - i would add a note in at least one of these two places to be consistent with 00:14:701 (2). Or you can just get rid of (2) mentioned in the last sentence lol. having 1/1 gaps in rhythm is nice for new players

00:41:574 (3,4,5,6,7,8) - i think the pattern would loot better if 4/7 were here: https://tastygrapes.s-ul.eu/6zjnJfiV tasty

00:54:324 (2,1) - dont think a dash is really needed in this more peaceful section. removed

00:59:817 (2) - you can make this a 1/4 triplet like 01:03:740 (2) . rhythm already dense enough

good set

Absolute Zero wrote:

oh shit
i have part of my mod

Absolute Zero wrote:

[Cup]
00:31:374 - I'd hit the melody note here, since it's pretty prominent and you're doing that for other parts of the map. prefer to follow main melody, downbeats are bland
00:35:690 (4) - Would tilt this slightly leftwards in order to initiate momentum to 00:36:082 (1). k
00:50:205 (1,2,3,4,5) - Personally I feel this pattern is a bit bland since it basically is 00:48:636 (1) without the droplets. Could you represent the increase in intensity a little more clearly through directional change instead? k
01:07:467 (1) - Can you make this a curved slider curving in the left direction instead? Droplet formation makes it so a single droplet sticks out and makes the slider hard to SS for a cup player. yes
01:54:544 (3) - Based on what you’ve followed before, this works better as a 3/4 slider. violins are on 1/1

[Salad]
00:01:166 (1,2) - Dash is way stronger than any other dash hitting this same drumline, even though the music is strictly less active than 00:04:108 (3), for example. fixed
00:06:659 (2) - Bass starts here. It’s weird to make it the end of a slider, not the start, since it’s sustained. I would make 00:06:659 (2) a hitcircle and make 00:07:051 to 00:07:443 (3) a 1/1 slider. wind instrument is on 3, prioritising that for main melody
00:49:420 (2) - This vertical slider here feels really out of place removed
01:08:546 - I would suggest putting a hitcircle here yes
01:30:613 (3,4) - Could you increase this distance? Kinda looks like a walk. increased
01:39:636 (3,4,5) - Think this should just be a 1/2 slider because I don’t hear what the middle hitcircle hits. done
01:43:363 (2,3) - The flow here is a little awkward to play—I would consider making this one simple back-forth movement instead of require the catcher to double-take. idk what you're asking so i changed the pattern

Absolute Zero wrote:

Other half.

[Platter]
00:13:328 (2,3,4) - This pattern is a little strange to play because of (3) sticking out in the middle.
00:21:174 (4,5,6) - 00:27:255 (3,4,5) - These patterns feel particularly out of place due to their linear shape compared to the other curved streams. Consider curving them.
00:50:990 (1,2) - I don’t think this should be so low of a distance. The music’s pitch is increasing.
01:11:194 (2) - Tilt this to the left slightly to make a smoother flow.

[Rain]
00:45:497 (1,2,3,4,5,6,7,8,1,2,3,4,5,6) - I dislike the 4-standstill patterns here because they don’t actually structurally match the rest of the map.
00:51:480 - I think a note can go here.
01:35:190 (4,5,6) - Strangely standstill here—would consider adding more movement since it feels a little restricted.
01:42:186 (1,2,3) - Easy to overshoot (3) due to the sudden snappy movement. how do i fix this, looks fine to me

[Overdose]
00:19:997 (3,4,5) - This is really flowy for the only significant sound “type” in the section. Would be nice for something more like 00:13:720 (3,1) instead. tbh i like the pattern as it is.
00:50:205 (1,2,3,4,1,2) - I would make these distances more noticeable with the sound increase.
01:03:740 (6,7,1) - (7,1)’s movement feels a little overdone here. Think you could lay off the accenting a bit. Additionally, I would consider making (6) a repeat 1/8 slider because you’ve followed the flute-like 1/8 rhythms like at 00:58:640 (2).
01:52:190 (1,2) - Follow drumbeat here with a hyper. prioritising the flute, can't have a hyper to both
01:54:740 (3,1) - This is optional but if you want to put a hyper here it would be nice. A solution would be to make a double hyper spanning the screen in the same direction. I can't hear any sound to justify a hyperdash