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Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana - Hal

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Topic Starter
HomieLove

[R] wrote:

yo

[Muzukashii]
00:06:977 - add note, it feels a bit beat here
I know, but I want to keep it consistent with the spread
00:18:977 - | 00:21:377 - | 00:23:777 - delete, muzukashii need some 2/1 break once
2/1 breaks are quite Futsuu-ish, referring to this draft, breaks of 3/2 are highly recommended, but anything lower is not necessary. However, I do agree that I should increase the amount of breaks, as this diff is pretty dense considering the spread. I'll try to do something.
00:43:127 - move 00:43:277 - , to follow vocal nicely
Yes
00:56:027 - | 00:58:427 - | 01:00:827 - maybe delete, to keep sphread between futsuu
Good point
01:15:902 - delete, to much triplet at this part
I kinda want to keep this to measure the end of the Kiai by making it harder than the rest, but if there are more concerns with it I'll do something
01:18:977 - | 01:21:377 - | 01:23:777 - same like 00:18:977 -
Refer to above reply

[Oni]
01:03:902 - u may add note here
I'd like to keep this as it is, a 5-plet feels a bit overwhelming within the structure
01:04:577 - change don, to emphasize triplet forward
Nice
01:13:502 - add note
Same reason as above
01:28:427 - triplet more reasonable in 01:28:277 -
Did

maybe just that from me
good luck
Thank you!
Ladies Night
SΞCTOR #712
M4M Request / Taiko

General Suggestions
  • Difficulty Settings
  1. Any special reason for HP being 7 across all difficulties other than a theme you're using or for extra challenge?
  2. Faillen Angel is probably spelled like that intentionally if I'm guessing the show's premise correctly.
    Inconsistent Values
  3. Turn off Widescreen Support for all difficulties except Faillen Angel, since that difficulty has it turned off already for consistency sake. Unless you're adding a storyboard later.
Nepu's Kantan
    1. 00:18:677 - Could move back the don note here instead of the white tick at 00:18:827 considering the vocalists are more prominent than the instruments. It would feel more intuitive to play considering you start the section off at 00:16:877 on a red tick. Make sure to do the same for all similar sounds like at 00:21:077 and 01:18:677 if you choose to apply this suggestion.
    2. 00:25:877 (36) - Move this note to the red tick at 00:26:177 pretty unique sound that I feel you could represent. Would also work well with the above suggestion since it would prioritize the vocals over the instruments as well.
Futsuu
  1. 00:12:227 (14) - Change to k, small suggestion since the pitch is a bit higher and you can emphasize that if you wanted too.
  2. 00:18:227 (31) - Change to k, would work as well considering how the vocals flow here. Unless, you're keeping the pattern consistent like later on at 00:22:127.
Muzukashii
  1. 00:33:077 - Add k, vocalist here has fluctuations in her pitch here that you can represent.
Oni
  1. 00:28:277 (123) - Change to k, would better contrast the sounds the vocalist is making compared to a don.
Faillen Angel
  1. 01:16:277 (475) - Change to k, would represent the clinking sound here.
yuzu__rinrin
Hello! from your queue~

[Nepu's Kantan]
00:18:827 (25,29,33) - move to 00:18:527 - or 00:18:677 -
Though it is good as a pattern, it is unknown which sound is picked up.
It is recommended to move to a position along the sound easy to understand.

00:55:127 (71) - delete,
Unnecessary feel
I think that it is considerably better to express how to break down this triplet and enter kiai in one note.


01:18:827 (4,8,12) - move to 01:18:527 - or 01:18:677 -
It is the same as the first proposal.


[Futsuu]

00:15:527 (21) - delete.
for consistency, 00:14:927 -

00:17:777 (29) - delete
I think that there is a possibility that Futsuu player will be confused to put triplet and doublet at the same time in early BPM.
00:17:327 (27,28,29,30,31,32,33,34,35) -

00:20:177 (38) - same as ^
00:22:577 (46) - same as ^
00:24:977 (55) - same as ^

00:20:627 - add note.
Mistake?
It is better to add because consistency has collapsed and has gone away.

00:36:077 (84) - delete
Unnecessary feel
I think that it is effective to use five pairs at the place where you want to make the song the most prominent.

01:12:527 (191,193) - delete
Density is too high.


[Muzukashii]
00:18:377 (49,62,75,88) - delete.
By removing it there is a little break and vocal sounds clean.


01:18:377 (318,331,344,357) - delete,
same as ^


[Oni]
00:57:602 (275) - delete?
Since vocal is staccato, delete sounds better.

[Faillen Angel]


00:51:977 (286,287) - ctrl+g?
You can combine color reversal patterns.
00:50:627 (279,280,281,282,283,284) - ddkdk-d
00:51:827 (285,286,287,288,289,290) - kkdkd-k

01:03:677 (375,376,378) - delete
Unnecessary feel
It is better to erase it because it is unknown which sound is taken.


good luck~ :3
DeletedUser_6637817
Applied all from Yuzu!

No apply on voyage Because:
I was trying to avoid weird spacing due to the already dumb SR in this kantan.
Following your suggestion would make that matter worse. I tried listening more to the background and only focussed on the very markant HAI for that offbeat.
5/2 is way easier to play/read than 3/2 imho.

Muh Negroid
osu file format v14

[General]
AudioFilename: audio.mp3
AudioLeadIn: 0
PreviewTime: 55352
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
DistanceSpacing: 1.2
BeatDivisor: 2
GridSize: 32
TimelineZoom: 0.3999999

[Metadata]
Title:Hallelujah*Essaim
TitleUnicode:ハレルヤ☆エッサイム
Artist:Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana
ArtistUnicode:富田美憂、大西沙織、大空直美、花澤香菜
Creator:Greenshell
Version:Nepu's Kantan
Source:ガヴリールドロップアウト
Tags:Nepuri tv size ending ed gabdro DropOut tenma gabriel white 天真・ガヴリール・ホワイト tsukinose vignette april 月乃瀬・ヴィネット・エイプリル ヴィーネ kurumizawa satanichia mcdowell satania 胡桃沢・サタニキア・マクドウェル shiraha raphiel ainsworth 白羽・ラフィエル・エインズワース
BeatmapID:1409653
BeatmapSetID:666004

[Difficulty]
HPDrainRate:7
CircleSize:2
OverallDifficulty:4
ApproachRate:10
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"gab.png",0,30
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
836,300,3,1,0,50,1,0
836,-116.279069767442,3,1,0,50,0,0
3536,348.837209302326,4,1,0,50,1,0
3884,375,4,1,0,50,1,8
3884,-93.023255814,4,1,0,50,0,8
4259,468.75,4,1,0,50,1,8
4259,-74.4186046512,4,1,0,50,0,8
4727,500,4,1,0,50,1,8
4727,-69.7674418621,4,1,0,50,0,8
6227,300,4,1,0,75,1,0
7427,-100,4,1,0,85,0,0
26777,-100,4,1,0,65,0,0
28427,-100,4,1,0,85,0,0
29327,-100,4,1,0,65,0,0
30827,-100,4,1,0,85,0,0
31727,-100,4,1,0,65,0,0
33227,-100,4,1,0,85,0,0
34127,-100,4,1,0,65,0,0
35627,-100,4,1,0,75,0,0
53027,-100,4,1,0,85,0,0
55427,-100,4,1,0,95,0,1
76877,-100,4,1,0,85,0,0


[HitObjects]
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Topic Starter
HomieLove

Voyage wrote:

SΞCTOR #712
M4M Request / Taiko

General Suggestions
  • Difficulty Settings
  1. Any special reason for HP being 7 across all difficulties other than a theme you're using or for extra challenge? Eh I think it fits quite well for each difficulty in itself considering the song's length, if there are more concerns about it I can do something
  2. Faillen Angel is probably spelled like that intentionally if I'm guessing the show's premise correctly. It is
    Inconsistent Values
  3. Turn off Widescreen Support for all difficulties except Faillen Angel, since that difficulty has it turned off already for consistency sake. Unless you're adding a storyboard later. Oops
Futsuu
    1. 00:12:227 (14) - Change to k, small suggestion since the pitch is a bit higher and you can emphasize that if you wanted too. I prefer to keep it simple
    2. 00:18:227 (31) - Change to k, would work as well considering how the vocals flow here. Unless, you're keeping the pattern consistent like later on at 00:22:127. That'd sound super weird honestly
Muzukashii
  1. 00:33:077 - Add k, vocalist here has fluctuations in her pitch here that you can represent. I haven't done this here 00:30:677 - either though?
Oni
  1. 00:28:277 (123) - Change to k, would better contrast the sounds the vocalist is making compared to a don. Don't really agree with that, but keeping it in mind
Faillen Angel
  1. 01:16:277 (475) - Change to k, would represent the clinking sound here. kkddk kkddk would be really weird though, and I prefer to follow vocals in an imrpovised way
Thanks!
Topic Starter
HomieLove

yuzu__rinrin wrote:

Hello! from your queue~

[Futsuu]

00:15:527 (21) - delete.
for consistency, 00:14:927 -

00:17:777 (29) - delete
I think that there is a possibility that Futsuu player will be confused to put triplet and doublet at the same time in early BPM.
00:17:327 (27,28,29,30,31,32,33,34,35) -

00:20:177 (38) - same as ^
00:22:577 (46) - same as ^
00:24:977 (55) - same as ^

00:20:627 - add note.
Mistake?
It is better to add because consistency has collapsed and has gone away.

00:36:077 (84) - delete
Unnecessary feel
I think that it is effective to use five pairs at the place where you want to make the song the most prominent.

01:12:527 (191,193) - delete
Density is too high.


[Muzukashii]
00:18:377 (49,62,75,88) - delete.
By removing it there is a little break and vocal sounds clean.


01:18:377 (318,331,344,357) - delete,
same as ^


[Oni]
00:57:602 (275) - delete?
Since vocal is staccato, delete sounds better.

[Faillen Angel]


00:51:977 (286,287) - ctrl+g?
You can combine color reversal patterns.
00:50:627 (279,280,281,282,283,284) - ddkdk-d
00:51:827 (285,286,287,288,289,290) - kkdkd-k

01:03:677 (375,376,378) - delete
Unnecessary feel
It is better to erase it because it is unknown which sound is taken.


good luck~ :3
All applied except 00:36:077 (80) - in Futsuu because I've put quite dense patterns in all diffs at this spot, but I might change that in the future too.

Thanks a lot! :)

All diffs updated.
zigizigiefe
playshoulder, i will mod this map soon™ tomorrow. sorry for late btw, i was busy with school or playing std :"V mod timu

[General]
  1. 00:04:727 - disable "omit first barline", measure starts again after 3/4 metronome.
[Nepu's Kantan]
  1. 00:03:536 - as i pointed out for futsuu, what do you think about using spinner since it's kantan?
  2. 00:39:527 (50,51,52) - you didn't use 1/1 triplet anywhere. if you want to keep it, pls change into monocolor instead.
  3. 01:04:277 - add a note to represent guitar or vocal, 01:16:277 - for consistency
  4. 01:26:477 (16) - move this note to 01:26:627 - to represent guitar sound, which is stronger than vocal.
[Footshoe]
  1. 00:03:536 - bpm changes here, so having notes is kinda weird. since it's one of lower diffs, how about delete 00:03:536 (4,5,6,7) - starting spinner from here?
  2. 00:38:177 (87) - please have a break after 1/2 doublet by deleting this and other notes like that. players need to breath, u know :v
  3. 01:04:127 (160,161,162,163) - it's just suggestion. the doublets aren't bad idea but if they were mono color like kk kk, it'd be less confusing with upcoming finisher and next part of the kiai. 01:13:727 (189,190,191,192,197,198) - for consistency.
[Muzukashii]
  1. 00:41:627 (156,157,158) - when this section goes with only 1/2 notes, then.. oops, 1/4 triplet may confuse players for the part where 1/4 isn't used.
  2. 01:11:552 (278) - try to move this note to 01:11:702 - so 1/4 triplet would be on the vocal that goes mad :U
    it's mapped consistent, not much complain to be honest.
[Oni]
  1. 00:16:277 (47,48,49,50,51) - if you applied the suggestion about the 7plet at first part for inner oni, you may split this up to ddd k as well.
  2. 00:33:377 (148,149,150) - consistency issue as i pointed out for inner oni.
  3. 01:15:827 (385,386,387,388,389,390,391,392,393,394) - two 5plet in a row is kinda fast for oni, i believe kkddk dkd k would be the way more accurate.
  4. 01:26:777 - the sound is pretty strong, so you may add a note here.
[Faillen Angel]
  1. btw cute bg, which gets me more weeb .w.
  2. 00:16:277 (56,57,58,59,60,61,62) - isn't this 7plet too "hard" for this section? you used only triplets as the longest patterns. i agree that density goes higher gradually here, so how about showing the density by splitting the 7plet into dkddk d.
  3. 00:33:377 (169,170,171) - it is same as the other parts like here. so isn't it supposed to be DdK or you tried to do something else?
  4. 01:05:027 - i didn't get what you tried to do. it has the same density as 00:55:427 -, why is the second part mapped with less dense?
  5. 01:06:827 - how about filling 01:07:202 - with kat so ddkdkkd would show that the vocal goes faster.
The song has complex rhythm, so I couldn't help that much for lower diffs. Good luck though <3
DeletedUser_6637817

zigizigiefe wrote:

playshoulder, i will mod this map soon™ tomorrow. sorry for late btw, i was busy with school or playing std :"V mod timu

[General]
  1. 00:04:727 - disable "omit first barline", measure starts again after 3/4 metronome.
[Nepu's Kantan]
  1. 00:03:536 - as i pointed out for futsuu, what do you think about using spinner since it's kantan? No thank you, i dislike spinners in Kantan due to the amount of buttons that need to be pressed even at lower OD's is too high for most kantan players
  2. 00:39:527 (50,51,52) - you didn't use 1/1 triplet anywhere. if you want to keep it, pls change into monocolor instead. To make spread to Futsuu even worse? Nah thanks
  3. 01:04:277 - add a note to represent guitar or vocal, 01:16:277 - for consistency To unneccesarily Inflate the SR which is why this diff is avoiding offbeat spacing in the first place? Nop thank you
  4. 01:26:477 (16) - move this note to 01:26:627 - to represent guitar sound, which is stronger than vocal. This section always used kats before every 2nd downbeat. Why break consistency in mapping?
Thank you for modding!
No changes applied
Topic Starter
HomieLove

zigizigiefe wrote:

playshoulder, i will mod this map soon™ tomorrow. sorry for late btw, i was busy with school or playing std :"V mod timu

[General]
  1. 00:04:727 - disable "omit first barline", measure starts again after 3/4 metronome.
    yeah
[Footshoe]
  1. 00:03:536 - bpm changes here, so having notes is kinda weird. since it's one of lower diffs, how about delete 00:03:536 (4,5,6,7) - starting spinner from here?
    Fair enough
  2. 00:38:177 (87) - please have a break after 1/2 doublet by deleting this and other notes like that. players need to breath, u know :v
    I don't think that's necessary, as the needed breaks of 2/1 within every 16/1 or 20/1 measure are still given and I'd lose vocal emphasis by deleting notes
  3. 01:04:127 (160,161,162,163) - it's just suggestion. the doublets aren't bad idea but if they were mono color like kk kk, it'd be less confusing with upcoming finisher and next part of the kiai. 01:13:727 (189,190,191,192,197,198) - for consistency.
    Only made the last doublet of the kiai kk as the vocals somewhat support it but the rest is kept as it is for now because I don't really like how it sounds.
    Subject to change if there're more concerns about that.
[Muzukashii]
  1. 00:41:627 (156,157,158) - when this section goes with only 1/2 notes, then.. oops, 1/4 triplet may confuse players for the part where 1/4 isn't used.
    Edited this part a little
  2. 01:11:552 (278) - try to move this note to 01:11:702 - so 1/4 triplet would be on the vocal that goes mad :U
    Did something
[Oni]
  1. 00:16:277 (47,48,49,50,51) - if you applied the suggestion about the 7plet at first part for inner oni, you may split this up to ddd k as well.
    did something
  2. 00:33:377 (148,149,150) - consistency issue as i pointed out for inner oni.
    well same I guess
  3. 01:15:827 (385,386,387,388,389,390,391,392,393,394) - two 5plet in a row is kinda fast for oni, i believe kkddk dkd k would be the way more accurate.
    Being outstandingly dense at the end of the Kiai was the idea behind it, not changing it for now as it shouldn't be too difficult
  4. 01:26:777 - the sound is pretty strong, so you may add a note here.
    Supressed that note on purpose to keep the spread more consistent
[Faillen Angel]
  1. btw cute bg, which gets me more weeb .w.
  2. 00:16:277 (56,57,58,59,60,61,62) - isn't this 7plet too "hard" for this section? you used only triplets as the longest patterns. i agree that density goes higher gradually here, so how about showing the density by splitting the 7plet into dkddk d.
    Gotta agree with you, did something in the lower diffs to adjust the spread
  3. 00:33:377 (169,170,171) - it is same as the other parts like here. so isn't it supposed to be DdK or you tried to do something else?
    The idea was to capture the strong vocals with finishers, and as these are rather light, I was using normal notes instead. If this is to be mentioned by others I might change that
  4. 01:05:027 - i didn't get what you tried to do. it has the same density as 00:55:427 -, why is the second part mapped with less dense?
    In the first half, the super strong vocals from the beginning aren't as prominent as in the second half, as well as some background instruments, so I decided to map the first half by improvising a bit and the second half by emphasizing the vocals with finishers as they're stronger by a fair margin (at least to me), where I also have filled the gaps with rather dense patterns. That said, I don't think the difference in density within each half differs all that much.
  5. 01:06:827 - how about filling 01:07:202 - with kat so ddkdkkd would show that the vocal goes faster.
    did
The song has complex rhythm, so I couldn't help that much for lower diffs. Good luck though <3
Thanks man <3

All diffs updated.
DeletedUser_6637817
w
17:44 Greenshell: OK BOI I'M READY
17:44 Nepuri: Ok
17:44 Nepuri: noch die otomads dann kann ich
17:44 Greenshell: btw der alte bg von rebirth war 100 mal besser
17:44 Greenshell: DansGame
17:44 Nepuri: Ari :v
17:52 Nepuri: so
17:52 Nepuri: los gehts
17:53 Nepuri: moment
17:54 Nepuri: BG zu groß :^)
17:56 Nepuri: Muzu ist viel zu schwer
17:57 Greenshell: meme zu alt :^)
17:58 Nepuri: und moment
17:58 Nepuri: ich sag mal so wo man was wegmachen könnt
17:59 Nepuri: 00:16:877 - bis nach 00:26:477 - sind zu viele triplets
17:59 Nepuri: kannst nur jeden 2 triplet mappen tbh
17:59 Nepuri: sonst geht das mit der oni allein schon nicht mehr klar was density betrifft
18:00 Greenshell: oh ich merk gerade ich hab keine 3/2 breaks von 00:13:127 - bis 00:28:127 -
18:00 Greenshell: rip me XD
18:00 Nepuri: Und ja das auch
18:00 Nepuri: 3/2+ sind wichtig
18:00 Greenshell: da noch mehr breaks zu forcen fühlt sich iwie so falsch an
18:00 Greenshell: low diffs make me wanna quit w
18:00 Nepuri: lamo
18:02 Nepuri: sonst ausser den breaks/dem part da ist muzu zu oni gut
18:02 Greenshell: ich glaub ich handle die triplet sache in der muzu wie 1/2 in futsuu
18:02 Nepuri: ?
18:02 Greenshell: im ersten part wenige bis keine, nach der kiai mehr
18:03 Nepuri: Das ist mein problem mit der futsuu
18:03 Nepuri: zu wenig 1/2 bis zum kiai hin lol
18:03 Nepuri: da sollten definitiv welche hin
18:03 Nepuri: Irgendwann musst du von der einen diff zur anderen ein jump machen und genau das ruiniert din spread
18:03 Greenshell: moment lass mich erst versuchen muzu zu adjusten
18:03 Nepuri: Okay
18:05 Greenshell: srsly der song provided NIX um 3/2 breaks sinnvoll einzubauen
18:05 Nepuri: Dann muss es leider forced sein
18:06 Nepuri: zwei oder so würden auch schon genügen
18:06 Greenshell: ja irgendwo halt
18:06 Greenshell: dass das immer noch consistent is
18:06 Nepuri: sooo consistent muss es auch nicht sein
18:07 Nepuri: da ist das break argument stärker als consistency finde ich
18:07 Greenshell: 00:20:927 - wäre das ein guter spot?
18:08 Nepuri: ja klar
18:08 Nepuri: kannst das so bei jeder occurence machen
18:08 Nepuri: dann wird der spread auch mit futsuu besser w
18:09 Greenshell: https://puu.sh/xMELz/fac055ac74.png
18:09 Nepuri: ;w;
18:12 Greenshell: ich fokussiere mich mal lieber auf 3/2 breaks als darauf die 1/4 zu nerfen, so extrem find ich die wirklich nicht
18:12 Nepuri: Also an sich nicht extrem
18:12 Nepuri: nur in dem part halt
18:13 Nepuri: die sind da schon denser als in der kiai und viel denser als die oni in dem part
18:13 Greenshell: ich will da erst mal abwarten
18:14 Nepuri: Okay
18:14 Nepuri: Frag nochmal leute die more experienced sind
18:17 Greenshell: so
18:17 Greenshell: footshoe time
18:17 Nepuri: Hmmm?
18:17 Nepuri: Jo
18:17 Nepuri: Wenn die muzu entsprechend mit den 3/2 generft wurde
18:17 Nepuri: dann ist die footshoe ok in beziehung mit der muzu
18:17 Greenshell: updated
18:17 Nepuri: Jo moment
18:17 Greenshell: :thonk:
18:18 Greenshell: weiß noch nicht wie ich das mitm ende der kiai machen soll, da nen spot für ne 3/2 zu finden is noch schwerer
18:18 Nepuri: Da finde ich es nicht unbedingt notwendig
18:18 Nepuri: alle diffs haben da wenig breaks
18:18 Nepuri: also für ihre verhältnisse
18:18 Greenshell: jo
18:19 Greenshell: war auch der sinn dort nochmal mADnutS zu gehen
18:19 Nepuri: jo
18:19 Greenshell: btw
18:19 Nepuri: hmm?
18:19 Greenshell: du bist glaub ich genau einen rank hinter mir
18:19 Greenshell: zfgRunOgre
18:19 Nepuri: bin ich
18:19 Nepuri: :^)
18:20 Nepuri: noch was?
18:20 Nepuri: Weil oni - Angel ist gut
18:20 Nepuri: ist ja eh ne inner .^)
18:20 Greenshell: futsuu hat doppelt so viele objects wie kantan WutFace
18:20 Nepuri: Die buffe ich gleich auch einmal
18:20 Nepuri: (ohne die SR zu breaken lol)
18:20 Greenshell: wollte grad fragen ob du das iwie hinkriegst
18:20 Greenshell: nice
18:21 Greenshell: kannst den log dann posten I guess
18:21 Nepuri: okay

Spread stuff lmao
DeletedUser_6637817
KKKantan Buff cause of spread
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Title:Hallelujah*Essaim
TitleUnicode:ハレルヤ☆エッサイム
Artist:Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana
ArtistUnicode:富田美憂、大西沙織、大空直美、花澤香菜
Creator:Greenshell
Version:Nepu's Kantan
Source:ガヴリールドロップアウト
Tags:Nepuri tv size ending ed gabdro DropOut tenma gabriel white 天真・ガヴリール・ホワイト tsukinose vignette april 月乃瀬・ヴィネット・エイプリル ヴィーネ kurumizawa satanichia mcdowell satania 胡桃沢・サタニキア・マクドウェル shiraha raphiel ainsworth 白羽・ラフィエル・エインズワース
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Topic Starter
HomieLove
updated
Charlotte
hi via pm.

[ about]
  1. d is don note
  2. k is kat note
  3. D is big don note
  4. K is big kat note
[ General]


  • Looks good.


[ Fallen Angel]


  • 00:34:127 - change to d.follow the vocal.

    00:36:827 - change to k.^

    00:41:552 - del? I prefer triplet.

    00:44:852 - or 00:45:152 - del? I think little excessive pattern.

    01:16:277 - change to k.Plays better to me.

    01:28:427 (563,564) - change to k.I feel high sound.

    Good.
If get more mod,call me.I'll second mod :)
Topic Starter
HomieLove

Charlotte wrote:

hi via pm.

[ about]
  1. d is don note
  2. k is kat note
  3. D is big don note
  4. K is big kat note
[ General]


  • Looks good.


[ Fallen Angel]


  • 00:34:127 - change to d.follow the vocal.

    00:36:827 - change to k.^

    00:41:552 - del? I prefer triplet.

    00:44:852 - or 00:45:152 - del? I think little excessive pattern.

    01:16:277 - change to k.Plays better to me.

    01:28:427 (563,564) - change to k.I feel high sound.
    To me, the high pitch is held constantly, with a slight decrease from 01:28:427 (561) - onwards.

    Good.
If get more mod,call me.I'll second mod :)
Everything else was applied with other minor changes, thank you! :)
neonat
Nepu's Kantan

00:18:227 (26,27) - 00:20:627 (30,31) - 00:23:027 (34,35) - using 1/1 beats here, it just feels like the main rhythm in the song is cut short. They are more generally portrayed well if you had them 3/2 apart, just like 00:25:427 (37,38,39) -
This would also apply at the section from 00:36:227 to 00:42:527 - just ensure the 3/1 spacing after 15-20 notes, which is possible. Importantly though, 00:37:127 (49,50) - really sound off, they sound better on 00:36:827 and 00:37:427 - if you do not want to land notes on beats like 00:38:927 and 00:41:327 - shifting the focus to 00:39:227 and 00:41:627 is also nice as the vocals on that beat are held and could work nice if mapped to
similarly at 01:18:227 (3,4) - 01:20:627 (7,8) - 01:23:027 (11,12) -

Fallen Angel

00:40:352 (222) - why the triplet here though, if you put it at 00:40:652 though it would be similar to the phrase earlier on that area in the music still seems more appropriate for any addition 1/4s
01:09:152 (413) - remove? segmenting 01:08:627 (407,408,409,410,411) from 01:09:227 (414,415,416,417,418) - with the single beat in between leaves more impact for when the vocals start again at 01:09:227
01:16:652 (475,476) - kinda excessive, the vocals stop at 01:16:577 (474) - there is no additional new sounds created till 01:16:877 (475) - other than the held vocals, putting the bigger gap for 01:16:877 (477) - gives a bigger lead-up to the new section rather than a extended long stream to end off the previous phrase


Good Luck!
Topic Starter
HomieLove

neonat wrote:

Fallen Angel

00:40:352 (222) - why the triplet here though, if you put it at 00:40:652 though it would be similar to the phrase earlier on that area in the music still seems more appropriate for any addition 1/4s
01:09:152 (413) - remove? segmenting 01:08:627 (407,408,409,410,411) from 01:09:227 (414,415,416,417,418) - with the single beat in between leaves more impact for when the vocals start again at 01:09:227
01:16:652 (475,476) - kinda excessive, the vocals stop at 01:16:577 (474) - there is no additional new sounds created till 01:16:877 (475) - other than the held vocals, putting the bigger gap for 01:16:877 (477) - gives a bigger lead-up to the new section rather than a extended long stream to end off the previous phrase


Good Luck!
All applied, thank you!
DeletedUser_6637817
I agree with all what Neonat said and applied all! Thank you for giving suggestions that dont blow up SR!

Differoni
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Title:Hallelujah*Essaim
TitleUnicode:ハレルヤ☆エッサイム
Artist:Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana
ArtistUnicode:富田美憂、大西沙織、大空直美、花澤香菜
Creator:Greenshell
Version:Nepu's Kantan
Source:ガヴリールドロップアウト
Tags:Nepuri tv size ending ed gabdro DropOut tenma gabriel white 天真・ガヴリール・ホワイト tsukinose vignette april 月乃瀬・ヴィネット・エイプリル ヴィーネ kurumizawa satanichia mcdowell satania 胡桃沢・サタニキア・マクドウェル shiraha raphiel ainsworth 白羽・ラフィエル・エインズワース
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Nifty
From that nifty queue~ ◾ ◽

General

Why is the OD for lower diff so high? It should be more like 2/3 than 4.
Why is the HP 7 for every diff? Pls follow standard OD/HP conventions with this set, it's not an exception.
BG GIRL HAS NO PANTS ON AAA CALL THE LEWD POLICE

Nepu's Kantan

00:28:577 (40) - Since you made the first hit be on the ending syllable of the vocal (00:26:477 - here) you should make all of the following the same way, meaning move all of them back 1 beat.
01:14:627 - Here should be a d k d because it's the same vocal as 01:12:227 (107,108,109) - .
Check out the finishers in other maps and try to match them maybe.
00:55:427 - Consider changing to D to match every other diff.

Futsuu

00:26:177 (56) - This finisher is awkward.
00:33:377 (69,70) - Why aren't these finishers? They're the same intensity as the others.
00:44:327 (103) - Would change to K to match every other diff.
May wanna check out the finishers you're using to make sure they're all, like, the same and stuff.

Muzukashii

00:35:627 - This section is too not intense for 2 triples in a row
You could totally use some sv in this.
01:15:827 - You don't need the triple here, reduce unnecessary difficulty.

Oni

00:02:036 (5) - Don't need this note.
It ok.

Fallen Oni? Faillen? What's a Faillen?

00:02:036 (5) - u know.
00:11:852 - Add a d here, get rid of the earlier triple, lines up with the triple you used in the first pattern.
If you ask me, I would say just delete this, add a few notes you left out of your oni to make this diff look harder and name it Fallen Oni. It's pretty overmapped.
Topic Starter
HomieLove

Nifty wrote:

From that nifty queue~ ◾ ◽

General

Why is the OD for lower diff so high? It should be more like 2/3 than 4.
I don't see the issue with that honestly, the OD spread is as linear as it gets and 4 is still allowed and makes much more sense than anything lower imo.
Why is the HP 7 for every diff? Pls follow standard OD/HP conventions with this set, it's not an exception.
Don't see a problem here either, HP 7 is still appropiate for each diff with the current note count, neither too harsh nor too lenient.
BG GIRL HAS NO PANTS ON AAA CALL THE LEWD POLICE
>////<

Futsuu

00:26:177 (56) - This finisher is awkward.
I sorta agree, but removing it would half-ass the whole vocal pattern while removing the note after makes it feel plain empty. Really not sure what to do here.
00:33:377 (69,70) - Why aren't these finishers? They're the same intensity as the others.
I don't hear the vocalists singing as strong as before, I'm honestly not comfortable with that myself but finishers would give it a feeling of overemphasis, that goes for all diffs
00:44:327 (103) - Would change to K to match every other diff.
eh my intent was to keep it simple but sure thing
May wanna check out the finishers you're using to make sure they're all, like, the same and stuff.

Muzukashii

00:35:627 - This section is too not intense for 2 triples in a row
fair point
You could totally use some sv in this.
01:15:827 - You don't need the triple here, reduce unnecessary difficulty.
ye

Oni

00:02:036 (5) - Don't need this note.
agree
It ok.

Fallen Oni? Faillen? What's a Faillen?

that's what the character calls herself in the anime but I'm just gonna rename to Inner Oni to avoid more shit concerning that
00:02:036 (5) - u know.
yes
00:11:852 - Add a d here, get rid of the earlier triple, lines up with the triple you used in the first pattern.
done
If you ask me, I would say just delete this, add a few notes you left out of your oni to make this diff look harder and name it Fallen Oni. It's pretty overmapped.
I can see why you think so, but in my opinion it's still within a reasonable range of improvisation. It's not like I'm throwing out big stream patterns whereever I feel like it could fit, the density is still somewhat balanced (being most dense at the very end of the Kiai, similar to the other difficulties
Thanks!
DeletedUser_6637817

Nifty wrote:

From that nifty queue~ ◾ ◽

Nepu's Kantan

00:28:577 (40) - Since you made the first hit be on the ending syllable of the vocal (00:26:477 - here) you should make all of the following the same way, meaning move all of them back 1 beat. But that note does not correlate with any of the following ones concerning my focus, so i will decline.
01:14:627 - Here should be a d k d because it's the same vocal as 01:12:227 (107,108,109) - . Fair enough.
Check out the finishers in other maps and try to match them maybe. Ew finisher spam in Kantans wwwwww
00:55:427 - Consider changing to D to match every other diff. Sounds like a Kat to me my dude! Will keep for now!
Shitmap inside SPOOKY dont open
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Kin
few thing were changed.
The most major change was SV changed adjustment here 00:26:177 -
& reduced overlap on 00:30:977 - 00:33:377 - . (there's still overlap in 16:9 but works fine & really nice in 4:3)
Surono
babies safe
22:08 Greenshell: helo ther
22:09 Surono: helo thor
22:10 Greenshell: do u hev tiem to check bubbled set?
22:10 Surono: breathinkkkkkk
22:10 Surono: /np
22:12 Greenshell: :thonkkkk:
22:12 Surono: /nnppnpnn
22:12 Surono: >:C dem laifu.exe
22:12 Greenshell: feelsbadman
22:12 Surono: foolsbatman
22:12 Surono: /np
22:13 Greenshell: foodbatman
22:13 Surono: :ejez:
22:14 Greenshell: so i guess dis a no?
22:14 Greenshell: life.exe taek 100% perfomance
22:15 Surono: /np this command, try it
22:20 Surono: hueeeeeeeeeeeeeeeeeeeeeee madnuts
22:20 Surono: nutshell qwq
22:20 *Surono cri hue itz k
22:20 Greenshell: SuperNut shell
22:21 *Greenshell is listening to [https://osu.ppy.sh/b/1409649 Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana - Hallelujah*Essaim]
22:21 Surono: Supergreenutshell
22:21 Greenshell: supa weeb
22:21 Greenshell: ye same
22:52 Surono: wat i shuld do
22:52 Surono: :U
22:53 Greenshell: good question :v
22:53 Surono: owait :"V
22:55 Surono: smth smth concept from me but zz dem explaoin.. 01:12:527 - kat.. 01:15:527 - dlet
22:55 Surono: 01:12:227 - treee and 01:14:627 - and tree in da road...
22:55 *Surono is editing [https://osu.ppy.sh/b/1409650 Tomita Miyu, Onishi Saori, Ohzora Naomi, Hanazawa Kana - Hallelujah*Essaim [Futsuu]]
22:56 Greenshell: a
22:56 Greenshell: deleted these
22:56 Surono: hng
22:56 Surono: updt
22:57 Greenshell: ye
22:58 Greenshell: update popped bubble xd
22:58 Surono: boommm
22:59 Surono: 01:11:927 - cat weoww.. plox..
22:59 Surono: owait nvm
22:59 Surono: ok now looks baby yummy!
23:00 Greenshell: dem
23:00 Surono: hng
23:00 Greenshell: anything else in other diffs?
23:00 Surono: nope
23:00 Surono: just worrying babies :swoat:
23:00 Greenshell: :thonk:
23:04 Surono: 01:11:627 - maybe want move this to whiteticc right and change kat?
23:04 Greenshell: in footshoe?
23:04 Surono: yes
23:05 Surono: 01:11:927 - stronk TINKK
23:05 Greenshell: oke
23:05 Surono: updt rank
23:06 Greenshell: ye
23:07 Surono: savelog
23:07 Surono: dem forget /
Topic Starter
HomieLove
ye
Surono
greenutshell
Topic Starter
HomieLove



Thank you both!
[R]
Gratz on first rank
Aurele
gg c:
Topic Starter
HomieLove
aaaa now it's ranked

thank you guys :)
Meowcenaries
grats!
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